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4 entries this month
 

Confession

08:03 Jun 30 2007
Times Read: 537


Honestly, since about the age of 12/13 I have felt, another being by my side, that being of a darker nature, yet one to mayb protect me...I must sound silly...I am so alert (awake) and yet I must sleep. Do I sleep alone?


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Thoughts and Feelings

19:38 Jun 29 2007
Times Read: 541


I find it a somewhat daunting task to endear to place my thoughts and feelings here on the Vampire Rave, I scarcely know if I am up to the task, but as my head is filled with lurid thoughts, and my heart with romance and possibility, I find I must confide in someone, and so it is to the Vampire Rave I now turn. I lived these 24 years in full premonition of that time when everything would fall into place...

My physical desire does at times posses me. Am i influenced by my readings and viewing of popular novels and films or am I sinful? I must admit here too to the simultaneous impression that danger lurks within arm's reach. Death, dreak, destruction. Born of guilt, I wonder, for the unladylike fantasies to which I succumb when alone in the dark? Does another world exist? For it seems it must; a force apart from human experience. A power, all of its own, and not one familiar with the God to whom I pray.

Something darker, external, other-wordly. Something altogether unknown. It lurks in the shadows. I constantly feel its presence.


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Vampires Around The World

10:16 Jun 29 2007
Times Read: 547


The vampire, in our Western culture, has become a stock horror film or gothic novel character, mostly stripped of all its air of mystery. There are few among us who are not familiar with the ways to exterminate the undead - sunlight or a wooden stake through the heart. We know garlic keeps them at bay. We also know they crave human blood and search for it at night. However, we may not know that the vampire has a life outside Western entertainment. Though the word "vampire" is derived from the Slavic language, the idea of an animated corpse that feeds on blood is surprisingly common throughout the world, though the nature and appearance of the vampire changes dramatically from region to region.



In China there exists a creature in folklore known as the chiang-shih. Though not identical to North American and European ideas of vampires, similarities do exist. Chiang-shih are re-animated corpses, who due an improper burial or unsettled business begin to lurk about in the world of the living. Armed with fangs and claws they stalk their prey, though more interested in attacking in a beast-like manner than simply biting and draining blood. They take on a much more animal-like persona than do our Bela Lugosi film inspired vampires - rather than dressing elegantly and hypnotically luring their victims to their castles, they much more resemble the corpses they are.



The ancient Mayans and Aztecs of what is now Central America had their own myths relating to vampire like creatures, which is not surprising considering they shared their land with vampire bats. The lord of the underworld in Aztec mythology had vampiric aspects, though rather than feeding on the blood of the living he ate the spirits of the recently deceased. The Mayans told of the god of the caves, a part-bat part-human creature, called Camazotz. He was a particularly unsavoury character, and feared by the Mayan people - though not feared enough that he was not a popular subject for art, easily identified by his claws and rodent nose.



India, with its rich collection of mythic lore, certainly hosts a variety of terrible beings which can be thought of as vampires. Popular in Hindu literature are the rakshasas, who were nocturnal demons bent on disrupting human affairs. They participated in the standard vampire affair of drinking blood, and were blamed for the deaths of infants. Rama and Hanuman battled rakshasas in their struggle to free Sita from Ravenna's clutches as recorded in the Ramayana. The Hindu deity Kali has often been, perhaps unfairly, described as having vampire traits.



he indigenous people of Australia have their own vampire-like creatures - the yara-ma-yha-who. These beings, though not re-animated corpses, were interested in feeding on humans, usually regurgitating them after a while, hoping to catch them again later. After enough encounters the victims would slowly turn into yara-ma-yha-who themselves. Thus we find another theme in common with our vampires - the danger of becoming one.



Like the rakshasas of India, the ancient Romans blamed the deaths of infants on what we would describe as vampires - the Romans called them strix. Later the idea of witches who flew through the night and drank the blood of children would become widespread in the Roman empire, showing some similarities with our vampire myths.



The fascination with vampires is undeniable. The existence of evil creatures that lurk in the night is common in all cultures - it helps us to explain the apparent random evils that befall us. In times before an understanding of viruses and bacteria, we could explain unexplainable deaths with malicious monsters that lacked any compassion for human beings. Vampire myths also offer us insight into ancient concerns about death - when death occurs unnaturally or burial procedures are carried out incorrectly, serious side effects can occur. As well, we get an insight into our notions about blood. It is clear that most cultures understand the importance of blood to the survival of the human body, but that same blood holds a great deal of mystery and is easily mythologized. A vampire does the most damage when it feeds on the blood of a healthy, living individual - and in doing so, the monster is rejuvenated. Vampire myths tell us a lot about ourselves: what we wish to protect, and what we fear to lose.


COMMENTS

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Anti Semitism in Shadow of the Vampire vs. Nosferatu

09:29 Jun 29 2007
Times Read: 550




It’s in Shadow.. worth noting that the barely covert anti-



Semitism present in Nosferatu is absent here. The vampire’s nose



has been slightly whittled down to a more politically correct rat-



like point instead of maintaining the grossly exaggerated



stereotype of a 'Jewish' nose in the 1922 version. That issue could



have been mined for a sub-plot that would have more pointedly



contextualized the making of the film. But as slapdash as this



movie is, that is one historical inaccuracy that I can live with.



Nosferatu loosely translates Bram Stoker's Dracula into a



German context.Murnau simply made a few alterations to the



storyline and changed the vampire's name to Count Orlock.



Orlock is the exact image of the vampire of Eastern European



legend. Undeath isn't romanticized in this film; this count is a



walking cadaver, a fitting general for his army of plague-bearing



rats.



In Shadow of the Vampire , Murnau is portrayed as a visionary



psychopath. Max Shreck turns out to be an actual vampire,



pretending for the sake of cast and crew that he's a character



actor so immersed in his role that he maintains it even when the



camera stops rolling. We learn that Murnau discovered this



monster in the Eastern European wilderness, and promised him



the throat of the female lead in return for his co-operation.



Murnau thinks he can control this often pitiful demon, but he's



mistaken. As pathetic as the vampire is, he's also driven by a



cannibalistic hunger. Once unleashed, he can't be restrained.



The imagery in Shadow of the Vampire reveals an important



subtext. Murnau often wears pitch-black goggles; if the eyes are



the windows of the soul, then Murnau's is a bottomless pit.



In other scenes, the camera lingers on a locomotive crossing



the European countryside, reminding us of the trains that fed



Dachau and Auschwitz. This subtext suggests that the movie



isn't really about a director who summons an uncontrollable



monster from the depths of Europe; it's about a people who



summoned an uncontrollable nightmare from the depths of their



own minds.

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