These are the lyrics to the last song on my music player on my profile. It is very hard to understand what they are saying so I decided to post it here. It will be easier to recognize the lyrics once you see them in print. English is a second language for those in Delain and their guest singer.
CONTROL THE STORM
I can feel it grow
Starting like a little storm
Itching in my toes
But it's will to take over
Ain't quite that small
I can feel it grow
I can hear it moan
I can hear it's bitter cries
In my veins it crawls
Underneath my tongue it hides
I'm in control
An error in my genesis
The reason why I started this
Where did we go wrong?
Don't you know
In the end you're no stronger of hand
You are no stronger of heart
Don't you know
In the end, we'll be tragically torn apart
If you can't control the storm
Does it get to you?
Fury in your fingertips
Does it grab you too?
Turning hands to angry fists
In rageful bliss
Oh does it get to you?
Crying all your lullabies
Do you lick your wounds
Wondering how we could try to stop this useless fight
An error in my genesis
The reason why I started this
Where did we go wrong?
Don't you know
In the end you're no stronger of hand
You are no stronger of heart
Don't you know
In the end, we'll be tragically torn apart
If you can't control the storm
Control the storm
An error in my genesis
The reason why I started this
Where did we go wrong?
Don't you know
In the end you're no stronger of hand
You are no stronger of heart
Don't you know
In the end, we'll be tragically torn apart
Don't you know
In the end you're no stronger of hand
You are no stronger of heart
Don't you know
In the end, we'll be tragically torn apart
If you can't control the storm
Read more: http://artists.letssingit.com/delain-lyrics-control-the-storm-qn9f2hv#ixzz1dQat0457
LetsSingIt - Your favorite Music Community
Excerpt of a long article
Dracula The Undead, Ian Holt, interview
http://suvudu.com/2010/12/an-interview-with-ian-holt-co-author-dracula-the-un-dead.html
Dracula the Un-Dead sold for the biggest first time author sale in history, received rave reviews, became an international best-seller, got me to the A-List, made me famous and a semi-celebrity and gave me the career I always wanted and dreamed of. Now, as hard as it is to believe, I am part of the five century plus, great and amazing history of Dracula and the century plus phenomenon of Bram Stoker.
Dracula, Bram Stoker and I are now linked for all eternity and I have become my childhood fantasy. All my life, I know it sounds crazy, but it’s true, Dracula has always been there for me and never let me down, and I will never let him down.
How did you become involved with the Stoker family, and how interested was Dacre and the rest of the clan in his famous ancestor before you two met? What was the writing process like? How did you two collaborate?
Answered in Author’s Note at the end of the novel. If you have any follow up questions after reading the Author’s Note please feel free to contact me.
I understand that Dracula The Un-Dead diverged from the original novel in a few ways, and I wanted to see if you would share some of the authorial thinking behind these decisions. The most notable to me was Mina’s observation that vampires burst into flames when exposed to sunlight, but Count Dracula walked by day in several scenes from the original novel, and further, many people say that the vampire’s weakness to sunlight began with Hollywood. Additionally, The Un-Dead positions Count Dracula and Mina as lovers, and this too diverges somewhat from the original text. What was the decision process like for you two when it came to veering away from the canonical text?
I would only add for clarification that only about 25% of Dracula fans ever actually read the novel. The rest only know the story from the films that have always included for the most part a romance with Mina and vampires being destroyed by the light of the sun. Although vampires could walk in the sun in Stoker’s novel, the very first vampire film, Nosferatu, created the idea that the sun destroys the vampire and it just stuck.
Now, when many film fans finally get around to reading Stoker’s novel they think it’s an error in the text that Count Dracula can walk in the sun and an omission from the text that Dracula doesn’t have an out and out love affair with Mina. One of the reasons the Stoker family was so upset with the loss of the original copyright was how Hollywood so changed Bram’s story consistently for 80 years, that people think Bram made mistakes in his novel. Dacre and I used this conceit to our advantage in writing Dracula the Un-Dead in the hopes of reconciling the novel fans with the film fans. The sad truth is that Hollywood has never actually filmed Stoker’s novel. Even Coppola’s film, other than including all the main characters, is no closer to Bram’s novel than any of the other movies produced inside or outside of Hollywood. The only time the book practically scene for scene was actually filmed is the made for TV BBC miniseries starring Louis Jourdan and even that version retains a love affair between Mina and Dracula.
While I don’t want to give away anything from the book, Count Dracula does indeed play a role in Dracula The Un-Dead and is even a bit of a hero. This isn’t the first time that the Count has been reinterpreted in a sympathetic light. I was wondering if you had read Fred Saberhagen’s The Dracula Tape, and if this had any influence in your own story. Actually for that matter, could you talk about other influences on Dracula The Un-Dead? Movies? Books? What about Coppola’s Dracula?
I never read Saberhagen’s novel and as far as I know Dacre never read it either. Believe it or not, for me, a big influence on Dracula The Un-Dead was the film, Die Hard. I found the villainous Hanz Gruber as portrayed by Alan Rickman a great example for me to follow of a character people loved to hate and even liked. I wanted the character of Dracula to come off the same way in Un-Dead. He does reprehensible things, but from his point of view, he does what he has to do to survive. That was one of the key points in the novel. Since Bram’s original was written from the point of view of Mina and the supposed victors, we wanted in Dracula The Un-Dead to let Dracula have his say on the events portrayed in Bram’s novel.
Coppola’s film was also an influence on Un-Dead from one perspective. It was the first film to merge the historical Prince Dracula with Bram’s Count Dracula. Dacre and I did the same for Dracula The Un-Dead. Our reasoning for this is explained in the Author’s Note at the end of the novel.
How has the reaction from the Dracula community been to the book? What about casual horror readers? How have you two handled the fame (and even notoriety) that must come with the release of a book like this?
The reaction from the fans has been phenomenal. Dacre and I were mobbed by hundreds of screaming fans at our book signing at the Virgin Atlantic superstore on the Champs Élysées in Paris. In the states, everywhere we go people line up for our book signings. It’s truly remarkable. We’ve even gotten rave reviews from the overwhelming majority of the critics. From the casual horror readers we’ve been honored to hear how we have made them Dracula fans and love when they cry out in person and in e-mails on my Facebook page, “Sequel! Sequel!”
I believe the key to our success has been the risks we took. Bram’s character, Count Dracula, has become so cliché, if we didn’t change certain things, modernize certain things there would’ve been no point in writing the novel, no surprises for the reader.
As Murphy’s Law would have it, for the very reasons that so many loved the novel, there are those for the same reasons that hate it. There is no pleasing this small contingent of fans. They pick apart everything and will accept nothing, especially a sequel that has not been written by the original author. Since Bram Stoker died almost a century ago, the chances of him writing a sequel aren’t very good. These same fans hate ALL the movie versions and only love the original novel. Some are literary snobs, others are British and don’t like that Americans wrote the sequel to a classical British novel. That Bram was Irish and wrote part of the novel in Philadelphia is not part of their fantasy. Some don’t like that we merged the historical Prince Dracula with Bram’s Count Dracula. Some don’t like that Dracula’s not the ultimate villain in our novel. Some don’t like that we slightly softened Dracula’s character in our novel. In Bram’s novel, Dracula is described by his enemies as “the personification of evil.” Here’s a newsflash! Even Hitler had moments when he laughed, told jokes, had dinner with friends and romanced women. To all of these most loyal fans to Bram, I kid with them. I have no real quarrel with them. I only say to them with respect, if you’re not open to something new then no one is forcing you to read our novel. “For your mother’s sake,” just re-read Bram’s original. You’ll save yourself much heartache.
To the even smaller contingent of fans that just don’t like Dacre and my writing, I say sincerely, “Sorry. We tried.”
However, to those Bram fans out there who hate Dacre and I because they think we mistreated the character of Bram in our story, I say, “Do your research.” The fact that the chapters with Bram were written almost completely by Dacre in consultation with his family means nothing to them. In the novel, Bram is left the Lyceum Theater in Henry Irving’s Will. In reality, on the day, Irving, his best friend died, Bram found out that the theater was left to a group of businessmen whose first order of business was to fire Bram. So, Bram’s bitter demeanor was even worse in real life than we depicted in the novel. There’s even a famous picture of Bram leaving the theater on this day and although the picture is from far away, you can still see that Bram looks like death warmed over. This is the sad irony of Bram’s existence. All his life he sought fame and competed with his classmate, Oscar Wilde, professionally and in the courtship of his eventual wife, Florence. She was engaged to Wilde and Bram won her hand only because Wilde discovered he was gay. When Bram died, he was nearly penniless and he considered his life a failure. His novel, Dracula, did not become a financial success until long after Bram’s death.
As far as handling the fame and celebrity, I was lucky in my life. I worked for many years with my friend, the late producer J. Boyce Harman, Jr. Through Boyce, I met many film stars and observed how they handled fame and how fame handled them. But the man who helped me the most with this transition from private person to public personae was my best friend, Doctor Dre. In the nineties with Yo! MTV Raps he was one of the biggest international stars in the world and a major celebrity. Dre’s advice and consultation has been invaluable to me and has kept me on an even keel. As with many things in my life, I’ve been very lucky.
Dracula remains a magnetic figure in popular culture and has been for over a hundred years and counting. To what do you credit his appeal?
For one thing, he’s the original pop culture vampire. That gives him a big “fang” up in notoriety on all the competition from Count Yorga, Nick Knight and Spike all the way up to Edward Cullen.
Second, Dracula has in his corner Bram Stoker and his classic novel, a real piece of iconic literature. You’re not going to see many high school English classes and college English literature courses reading the Twilight series in between Tolstoy and Melville.
But I think the biggest reason the character of Dracula sets himself apart from ALL the others is that he’s based upon a real historical figure. Anyone who has the inclination, like I did, can go to Dracula’s Castle in Poenari, Transylvania or his palace in Tirgoviste. You can even visit his “empty” grave on Snagov Island at the Monastery there. With this post-realism attribute, Dracula blurs the line between fact and fiction creating something tangible that you can touch, feel and smell. He is more that just a wisp of fiction. That makes Dracula a formidable character to match.
Do you and Dacre have any plans to revisit The Count or his legacy? It seems like he’s never truly gone…
Both Dacre and I are busy with many other projects. I’m focused right now on editing my new supernatural thriller that I wrote and produced with Bleiberg Entertainment, Episode 50. But with the hundredth anniversary of Bram’s death coming in 2012, I think it would only be right if the old vampire rose from his grave once again to pay his respects.
Dracula The Undead, Ian Holt, interview
http://suvudu.com/2010/12/an-interview-with-ian-holt-co-author-dracula-the-un-dead.html
an addendum to the above:
Ian's life changed forever when he was invited by the world's premiere Bram Stoker and Dracula authority, Prof. Elizabeth Miller to speak at DRACULA'97 in Los Angeles—a celebration of the 100th anniversary of the release of Bram Stoker's 1897 novel, "Dracula." It was at this monster mash that Ian delivered his "legendary" paper among Dracula scholars, HOW DRACULA MAY BE RESPONSIBLE FOR THE DISCOVERY OF AMERICA. It was also at Dracula '97 that Ian dreamed up the idea of doing a screenplay sequel to Bram Stoker's immortal novel.
http://freshfiction.com/author.php?id=22070
(Despite what the writer is stating, not all reviews were favorable of the book. I read a lot of them. I won't read this book because I really didn't like the first. I have paid close attention. I have it in total on a section of my e-zine. [the first book] )
COMMENTS
-