The Wenis Texts05:17 Oct 29 2010
Times Read: 1,331
Pharaoh Wenis, Unis or Unas (ca. 2378 - 2348 BCE) was the last Pharaoh of the Vth Dynasty. His pyramid at Saqqara is at the South-western corner of Djoser's enclosure. The complex, a model for subsequent rulers, is almost diagionally opposed to the pyramid of Userkaf (ca. 2487 - 2480 BCE), the founder of this Heliopolitan Dynasty. Pharaoh Wenis is the first to include hieroglyphic inscriptions in the tomb, namely in his antechamber and burial-chamber (not in the Ka-chamber).
Cartouche of Pharaoh Wenis.
The inscriptions carved and filled with blue pigment on most walls of the royal tomb underneath the pyramid of Wenis, contain, in 234 of the 759 known utterances, the first historical account of the (Heliopolitan) religion of the Old Kingdom.
The texts from the tomb of Wenis are available online. So is Sethe's standard edition of the Pyramid Texts (1910) and Mercer's translation (1952). In Sethe's edition, 714 Utterances are given, whereas Faulkner's standard edition of 1969 brings the total to 759.
The causeway to the pyramid of Wenis was 750 m long and was equal to Pharaoh Khufu's. In its roof, a slit was left open, so a shaft of light could illuminate the gallery of brightly painted reliefs, of which only fragments survived. A wide array of scenes once covered the wall : boats transporting granite palm columns, craftsmen working gold & copper, harvesting scenes (grain, figs & honey), offering bearers, battles with enemies, bearded "Aziatics" ... Two boat graves (each 45 m long) lay side by side South of it. By the New Kingdom, the complex had fallen into ruins.
The antechamber of the pyramid tomb lies directly under the centre axis of the pyramid. In the East, a doorway opens to the uninscribed Ka-chamber with three recesses. The middle recess of this Ka-chapel (intended for sitting statues of Pharaoh Wenis ?), lies exactly behind the false door of the mortuary temple.
The sitting statue is attested in the funerary domain from the Early Dynastic Period onwards. It is the three-dimensional realization of the picture of the Slab-stela, representing the enthroned tomb owner in front of an offering table, to which he is stretching out one hand. The stretched (mostly right) hand is shown resting on the thigh, the left hand often on the breast (but variants in gesture and garment exist). During the IVth Dynasty, the sitting statue is a formal part of the Giza cemetery. It was placed in a closed "serdab" (the Arabic for "cellar"). In this "inner" cult place -dedicated to the provision cult for the deceased- the Ka-statue is the "double" of the tomb owner, representing the latter as corporally intact, provided and able to receive provisions by way of the mummy enshrined in the sarcophagus, and by way of the Ka and/or Ba visiting the tomb and recognizing its own image in the Ka-statue.
On the ceiling of the tomb, golden, pentagram-like stars were carved in relief on a sky-blue background. The tomb is made of Tura limestone, except for the West wall of the burial-chamber and the western halves of its North and South walls, opposite the ends of the granite sarcophagus, which are in albaster, cised and painted to represent a reed-mat and a wood-frame enclosure (cf. the Early Dynastic Period and earlier). Sunk in the floor to the left of the foot of the sarcophagus was the canopic chest (near the South Wall).
For Sethe (1908), the texts found in these pyramids were a free collection of magical utterances, which, by virtue of their presence, assisted Pharaoh in his resurrection & ascension de opere operato, dispensing with the need for daily priestly offerings to his Ka.
"Food offerings alone, however, even when they conformed to the prescriptions regarding purity and dietary taboos (e.g. no pork, no fish), did not suffice to maintain the divine forces. These forces were nothing without ritual and efficacious speech."
The presence of offering-texts feeds the subtle bodies of the deceased. Sacred words not only describe objects, but embody their double (cf. the Lascaux pictures and the Eastern desert petroglyphs). Hence, once properly recited (by the dead and/or the living, the so-called "voice-offerings"), they become efficient (for all of eternity). The hidden, secret, dark potential of hieroglyphs is evidenced by the sacrificial rituals found in the extended mortuary literature. The Ba of the deceased reads the words and the latter manifest their meaning.
"We have already pointed out that the spells of the so-called sacrificial ritual, i.e. the texts used in the provision of supplies, were inscribed in a prominent place where they could be seen by the dead person resting in his sarcophagus. (...) In other words, texts were written down so that the dead themselves could 'proclaim the provision of supplies' ("nis dbHt-Htp") instead of this being done by unreliable priests. This was the nucleus around which the texts crystallized."
Morenz, 1996, p.229.
Schott (1945) & Ricke (1950) advanced the thesis that at the time of the funeral, these texts were recited in the various chambers, corridors and courts through which the procession passed on its way to the pyramid. But it was not easy to identify which spell was recited were ! For Spiegel (1953 & 1971) the texts were an integral part of the funerary ritual performed in the tomb and hence were recited in the area were they were inscribed. They reflect the royal burial ritual. This hypothesis was criticized. In 1960, Morenz wrote :
"This bold, learned and ingenious interpretation can properly be accessed only by one who has examined it in terms of the vast and diverse material. When this is done, it appears that quite serious objections may be levelled against numerous points in the argumentation and thus against the thesis as such."
Morenz, 1996, p.228-229.
Nevertheless, Altenmüller (1972) agrees with Schott & Ricke that these texts were recited in the mortuary temple, as well as in the pyramid, involving priests assuming the god-forms of Re, Horus, Seth and Thoth. Recently, Eyre (2002) suggests the training and initiation of these priests points to this-life rituals.
"The promise of divine assistance, resurrection, and safe passage to the afterlife is not, however, a concern purely of funerary ritual, and the markedly initiatory form of parts of the mortuary literature must be taken as a pointer to contemporary 'this-life' ritual that is otherwise lost from the archaeological record."
Eyre, 2002, p.72.
In "Reading a Pyramid", Allen (1988) compared the location of the texts within the tomb of Wenis with other Old Kingdom pyramids and tombs (cf. Morenz, 1960). He was able to establish a coherent model describing the funerary ideology of these royal tombs. The position of particular groups of texts within Wenis' pyramid corresponds with the placement of the same texts in other pyramids. Spells recited during the burial ritual were thus eternalized as divine words on the walls, further complementing the symbolism of the general layout of the mortuary complex in general and the royal tomb in particular. Assmann (1983, 1989) notes :
"The Egyptian describes this function of the spoken word with the causative derivation of the phonetic root (i)Ax, thus arriving at s-Ax 'to transfigure'."
Assmann, 1989, p.137.
A combination of all these elements is likely. The overall Egyptian funerary mentality seems to favour an enduring canon of broad schemes adaptable to immediate circumstances. As each Pharaoh had his own titulary, he had his own burial ritual and mortuary complex, reflecting a variety of local (nomic) traditions at work around him. They existed by the grace of the "good Nile" he alone, being divine, could guarantee. His death was thus a major calamity, and could perturbate the agricultural cycle, leading to famine, conflicts and death. His burial provided him with a ladder between heaven and Earth, and so the first thing he would do, arriving in the Field of Offering, was to provide Egypt with a new king and a "good Nile".
The reciprocal function of the tomb has to be emphasized. The Ba returned and the Ka could be reanimated. The liberated "Akh" has freedom of movement and time. It is bright, light and radiant. While it stays in the sky, the spirits make their souls and doubles come down and unite with their statues. The destruction of a tomb, implied the end of its role as "interphase" with "the other side" of the false door.
Plan of the royal tomb underneath the pyramid of Wenis.
"Allen's analysis of the sequence of spells in the pyramid of Wenis defines the architecture as a material representation of the passage of the king through death to resurrection, exploiting themes familiar in the Underworld Books of the New Kingdom. From the darkness of the earth he passes to life in the light of the sky, progressing from the burial chamber as underworld (duat) through the antechamber as horizon (akht) where he becomes Akh, through the doorway leading to the corridor -ascending by ladder- to heaven (pet), or passing like the setting sun from the west to his rising from the mouth of the horizon in the east, or exploiting the image of the king passing from his sarcophagus -the womb of Nut- through her vulva to birth at the door of the horizon. (...) Allen's analysis focuses on the principle whereby the position of discrete units of ritual text asserts a functional identity between the theology of the text and the architectural symbolism of the pyramid substructure, and so the reality of the king's passage to resurrection".
Eyre, 2002, p.44-45 & 47.
The direction of the texts was thus identical with the soul's path through the tomb, moving from the innermost parts of the burial-chamber (the "Duat" in the West), through the antechamber (the Eastern horizon or "Akhet"), to the outside of the pyramid via the second northern tunnel, flying to the Northern, circumpolar (imperishable) Stars, reaching the Field of Offering.
the Duat (burial-chamber) : though a part of the world (Earth), but neither Nun or sky, the netherworld is inaccessible to the living and outside normal human experience. It is separate from the sky and reached prior to it. This Field of Reeds is the realm of the deceased and the deities and the mystery of Osiris. Pharaoh has perpetuated offerings, and stands at the door of the horizon to emerge from the Duat and start his spiritualization ;
the Horizon (antechamber) : "Axt" ("Akhet"), translated as "horizon", is both the junction of sky and Earth and a place in the sky underneath this point (before eastern dawn and after western dusk), a secret interstitial zone reached and crossed by boat. It is a zone of transition and a "radiant place", the "land of the blessed". The horizon is the place of becoming effective, the locus of the becoming "Ax" ("Akh"), an effective spirit. Note (as did Allen, 1988), that the Cannibal Hymn, thematically belongs in its place (the East gable). It summarized Pharaoh's passage through the night sky to the Sun at dawn. The process of spiritualization ends with the emergence of the new light. In this hymn to Pharaoh, the king prepares the deities for his meal ;
the Imperishable sky (northern tunnels) : the process of transfiguration (ultimate spiritualization) being completed, the Akh-spirit leaves the tomb and ascends to the northern stars.
From the following link:
Pharaoh Wenis, Unis or Unas (ca. 2378 - 2348 BCE) was the last Pharaoh of the Vth Dynasty. His pyramid at Saqqara is at the South-western corner of Djoser's enclosure. The complex, a model for subsequent rulers, is almost diagionally opposed to the pyramid of Userkaf (ca. 2487 - 2480 BCE), the founder of this Heliopolitan Dynasty. Pharaoh Wenis is the first to include hieroglyphic inscriptions in the tomb, namely in his antechamber and burial-chamber (not in the Ka-chamber).
Cartouche of Pharaoh Wenis.
The inscriptions carved and filled with blue pigment on most walls of the royal tomb underneath the pyramid of Wenis, contain, in 234 of the 759 known utterances, the first historical account of the (Heliopolitan) religion of the Old Kingdom.
Text-fragment in the tomb of Wenis.
The texts from the tomb of Wenis are available online. So is Sethe's standard edition of the Pyramid Texts (1910) and Mercer's translation (1952). In Sethe's edition, 714 Utterances are given, whereas Faulkner's standard edition of 1969 brings the total to 759.
Plan of the Pyramid-complex of Wenis (ca. 2378 - 2348 BCE).
The Pyramid was 57.75 m², 43 m high, with a slope of 56°.
The causeway to the pyramid of Wenis was 750 m long and was equal to Pharaoh Khufu's. In its roof, a slit was left open, so a shaft of light could illuminate the gallery of brightly painted reliefs, of which only fragments survived. A wide array of scenes once covered the wall : boats transporting granite palm columns, craftsmen working gold & copper, harvesting scenes (grain, figs & honey), offering bearers, battles with enemies, bearded "Aziatics" ... Two boat graves (each 45 m long) lay side by side South of it. By the New Kingdom, the complex had fallen into ruins.
The antechamber of the pyramid tomb lies directly under the centre axis of the pyramid. In the East, a doorway opens to the uninscribed Ka-chamber with three recesses. The middle recess of this Ka-chapel (intended for sitting statues of Pharaoh Wenis ?), lies exactly behind the false door of the mortuary temple.
The sitting statue is attested in the funerary domain from the Early Dynastic Period onwards. It is the three-dimensional realization of the picture of the Slab-stela, representing the enthroned tomb owner in front of an offering table, to which he is stretching out one hand. The stretched (mostly right) hand is shown resting on the thigh, the left hand often on the breast (but variants in gesture and garment exist). During the IVth Dynasty, the sitting statue is a formal part of the Giza cemetery. It was placed in a closed "serdab" (the Arabic for "cellar"). In this "inner" cult place -dedicated to the provision cult for the deceased- the Ka-statue is the "double" of the tomb owner, representing the latter as corporally intact, provided and able to receive provisions by way of the mummy enshrined in the sarcophagus, and by way of the Ka and/or Ba visiting the tomb and recognizing its own image in the Ka-statue.
On the ceiling of the tomb, golden, pentagram-like stars were carved in relief on a sky-blue background. The tomb is made of Tura limestone, except for the West wall of the burial-chamber and the western halves of its North and South walls, opposite the ends of the granite sarcophagus, which are in albaster, cised and painted to represent a reed-mat and a wood-frame enclosure (cf. the Early Dynastic Period and earlier). Sunk in the floor to the left of the foot of the sarcophagus was the canopic chest (near the South Wall).
Burial-chamber - pyramid of Pharaoh Wenis.
Sarcophagus West, western half of North & South walls in albaster.
Canopic chest to the left (South) of the foot of the sarcophagus.
For Sethe (1908), the texts found in these pyramids were a free collection of magical utterances, which, by virtue of their presence, assisted Pharaoh in his resurrection & ascension de opere operato, dispensing with the need for daily priestly offerings to his Ka.
"Food offerings alone, however, even when they conformed to the prescriptions regarding purity and dietary taboos (e.g. no pork, no fish), did not suffice to maintain the divine forces. These forces were nothing without ritual and efficacious speech."
Traunecker, 2001, p.40.
The presence of offering-texts feeds the subtle bodies of the deceased. Sacred words not only describe objects, but embody their double (cf. the Lascaux pictures and the Eastern desert petroglyphs). Hence, once properly recited (by the dead and/or the living, the so-called "voice-offerings"), they become efficient (for all of eternity). The hidden, secret, dark potential of hieroglyphs is evidenced by the sacrificial rituals found in the extended mortuary literature. The Ba of the deceased reads the words and the latter manifest their meaning.
"We have already pointed out that the spells of the so-called sacrificial ritual, i.e. the texts used in the provision of supplies, were inscribed in a prominent place where they could be seen by the dead person resting in his sarcophagus. (...) In other words, texts were written down so that the dead themselves could 'proclaim the provision of supplies' ("nis dbHt-Htp") instead of this being done by unreliable priests. This was the nucleus around which the texts crystallized."
Morenz, 1996, p.229.
Schott (1945) & Ricke (1950) advanced the thesis that at the time of the funeral, these texts were recited in the various chambers, corridors and courts through which the procession passed on its way to the pyramid. But it was not easy to identify which spell was recited were ! For Spiegel (1953 & 1971) the texts were an integral part of the funerary ritual performed in the tomb and hence were recited in the area were they were inscribed. They reflect the royal burial ritual. This hypothesis was criticized. In 1960, Morenz wrote :
"This bold, learned and ingenious interpretation can properly be accessed only by one who has examined it in terms of the vast and diverse material. When this is done, it appears that quite serious objections may be levelled against numerous points in the argumentation and thus against the thesis as such."
Morenz, 1996, p.228-229.
Nevertheless, Altenmüller (1972) agrees with Schott & Ricke that these texts were recited in the mortuary temple, as well as in the pyramid, involving priests assuming the god-forms of Re, Horus, Seth and Thoth. Recently, Eyre (2002) suggests the training and initiation of these priests points to this-life rituals.
"The promise of divine assistance, resurrection, and safe passage to the afterlife is not, however, a concern purely of funerary ritual, and the markedly initiatory form of parts of the mortuary literature must be taken as a pointer to contemporary 'this-life' ritual that is otherwise lost from the archaeological record."
Eyre, 2002, p.72.
In "Reading a Pyramid", Allen (1988) compared the location of the texts within the tomb of Wenis with other Old Kingdom pyramids and tombs (cf. Morenz, 1960). He was able to establish a coherent model describing the funerary ideology of these royal tombs. The position of particular groups of texts within Wenis' pyramid corresponds with the placement of the same texts in other pyramids. Spells recited during the burial ritual were thus eternalized as divine words on the walls, further complementing the symbolism of the general layout of the mortuary complex in general and the royal tomb in particular. Assmann (1983, 1989) notes :
"The Egyptian describes this function of the spoken word with the causative derivation of the phonetic root (i)Ax, thus arriving at s-Ax 'to transfigure'."
Assmann, 1989, p.137.
A combination of all these elements is likely. The overall Egyptian funerary mentality seems to favour an enduring canon of broad schemes adaptable to immediate circumstances. As each Pharaoh had his own titulary, he had his own burial ritual and mortuary complex, reflecting a variety of local (nomic) traditions at work around him. They existed by the grace of the "good Nile" he alone, being divine, could guarantee. His death was thus a major calamity, and could perturbate the agricultural cycle, leading to famine, conflicts and death. His burial provided him with a ladder between heaven and Earth, and so the first thing he would do, arriving in the Field of Offering, was to provide Egypt with a new king and a "good Nile".
The reciprocal function of the tomb has to be emphasized. The Ba returned and the Ka could be reanimated. The liberated "Akh" has freedom of movement and time. It is bright, light and radiant. While it stays in the sky, the spirits make their souls and doubles come down and unite with their statues. The destruction of a tomb, implied the end of its role as "interphase" with "the other side" of the false door.
Plan of the royal tomb underneath the pyramid of Wenis.
"Allen's analysis of the sequence of spells in the pyramid of Wenis defines the architecture as a material representation of the passage of the king through death to resurrection, exploiting themes familiar in the Underworld Books of the New Kingdom. From the darkness of the earth he passes to life in the light of the sky, progressing from the burial chamber as underworld (duat) through the antechamber as horizon (akht) where he becomes Akh, through the doorway leading to the corridor -ascending by ladder- to heaven (pet), or passing like the setting sun from the west to his rising from the mouth of the horizon in the east, or exploiting the image of the king passing from his sarcophagus -the womb of Nut- through her vulva to birth at the door of the horizon. (...) Allen's analysis focuses on the principle whereby the position of discrete units of ritual text asserts a functional identity between the theology of the text and the architectural symbolism of the pyramid substructure, and so the reality of the king's passage to resurrection".
Eyre, 2002, p.44-45 & 47.
The direction of the texts was thus identical with the soul's path through the tomb, moving from the innermost parts of the burial-chamber (the "Duat" in the West), through the antechamber (the Eastern horizon or "Akhet"), to the outside of the pyramid via the second northern tunnel, flying to the Northern, circumpolar (imperishable) Stars, reaching the Field of Offering.
the Duat (burial-chamber) : though a part of the world (Earth), but neither Nun or sky, the netherworld is inaccessible to the living and outside normal human experience. It is separate from the sky and reached prior to it. This Field of Reeds is the realm of the deceased and the deities and the mystery of Osiris. Pharaoh has perpetuated offerings, and stands at the door of the horizon to emerge from the Duat and start his spiritualization ;
the Horizon (antechamber) : "Axt" ("Akhet"), translated as "horizon", is both the junction of sky and Earth and a place in the sky underneath this point (before eastern dawn and after western dusk), a secret interstitial zone reached and crossed by boat. It is a zone of transition and a "radiant place", the "land of the blessed". The horizon is the place of becoming effective, the locus of the becoming "Ax" ("Akh"), an effective spirit. Note (as did Allen, 1988), that the Cannibal Hymn, thematically belongs in its place (the East gable). It summarized Pharaoh's passage through the night sky to the Sun at dawn. The process of spiritualization ends with the emergence of the new light. In this hymn to Pharaoh, the king prepares the deities for his meal ;
the Imperishable sky (northern tunnels) : the process of transfiguration (ultimate spiritualization) being completed, the Akh-spirit leaves the tomb and ascends to the northern stars.
From the following link:
Pharaoh Wenis, Unis or Unas (ca. 2378 - 2348 BCE) was the last Pharaoh of the Vth Dynasty. His pyramid at Saqqara is at the South-western corner of Djoser's enclosure. The complex, a model for subsequent rulers, is almost diagionally opposed to the pyramid of Userkaf (ca. 2487 - 2480 BCE), the founder of this Heliopolitan Dynasty. Pharaoh Wenis is the first to include hieroglyphic inscriptions in the tomb, namely in his antechamber and burial-chamber (not in the Ka-chamber).
Cartouche of Pharaoh Wenis.
The inscriptions carved and filled with blue pigment on most walls of the royal tomb underneath the pyramid of Wenis, contain, in 234 of the 759 known utterances, the first historical account of the (Heliopolitan) religion of the Old Kingdom.
Text-fragment in the tomb of Wenis.
The texts from the tomb of Wenis are available online. So is Sethe's standard edition of the Pyramid Texts (1910) and Mercer's translation (1952). In Sethe's edition, 714 Utterances are given, whereas Faulkner's standard edition of 1969 brings the total to 759.
Plan of the Pyramid-complex of Wenis (ca. 2378 - 2348 BCE).
The Pyramid was 57.75 m², 43 m high, with a slope of 56°.
The causeway to the pyramid of Wenis was 750 m long and was equal to Pharaoh Khufu's. In its roof, a slit was left open, so a shaft of light could illuminate the gallery of brightly painted reliefs, of which only fragments survived. A wide array of scenes once covered the wall : boats transporting granite palm columns, craftsmen working gold & copper, harvesting scenes (grain, figs & honey), offering bearers, battles with enemies, bearded "Aziatics" ... Two boat graves (each 45 m long) lay side by side South of it. By the New Kingdom, the complex had fallen into ruins.
The antechamber of the pyramid tomb lies directly under the centre axis of the pyramid. In the East, a doorway opens to the uninscribed Ka-chamber with three recesses. The middle recess of this Ka-chapel (intended for sitting statues of Pharaoh Wenis ?), lies exactly behind the false door of the mortuary temple.
The sitting statue is attested in the funerary domain from the Early Dynastic Period onwards. It is the three-dimensional realization of the picture of the Slab-stela, representing the enthroned tomb owner in front of an offering table, to which he is stretching out one hand. The stretched (mostly right) hand is shown resting on the thigh, the left hand often on the breast (but variants in gesture and garment exist). During the IVth Dynasty, the sitting statue is a formal part of the Giza cemetery. It was placed in a closed "serdab" (the Arabic for "cellar"). In this "inner" cult place -dedicated to the provision cult for the deceased- the Ka-statue is the "double" of the tomb owner, representing the latter as corporally intact, provided and able to receive provisions by way of the mummy enshrined in the sarcophagus, and by way of the Ka and/or Ba visiting the tomb and recognizing its own image in the Ka-statue.
On the ceiling of the tomb, golden, pentagram-like stars were carved in relief on a sky-blue background. The tomb is made of Tura limestone, except for the West wall of the burial-chamber and the western halves of its North and South walls, opposite the ends of the granite sarcophagus, which are in albaster, cised and painted to represent a reed-mat and a wood-frame enclosure (cf. the Early Dynastic Period and earlier). Sunk in the floor to the left of the foot of the sarcophagus was the canopic chest (near the South Wall).
Burial-chamber - pyramid of Pharaoh Wenis.
Sarcophagus West, western half of North & South walls in albaster.
Canopic chest to the left (South) of the foot of the sarcophagus.
For Sethe (1908), the texts found in these pyramids were a free collection of magical utterances, which, by virtue of their presence, assisted Pharaoh in his resurrection & ascension de opere operato, dispensing with the need for daily priestly offerings to his Ka.
"Food offerings alone, however, even when they conformed to the prescriptions regarding purity and dietary taboos (e.g. no pork, no fish), did not suffice to maintain the divine forces. These forces were nothing without ritual and efficacious speech."
Traunecker, 2001, p.40.
The presence of offering-texts feeds the subtle bodies of the deceased. Sacred words not only describe objects, but embody their double (cf. the Lascaux pictures and the Eastern desert petroglyphs). Hence, once properly recited (by the dead and/or the living, the so-called "voice-offerings"), they become efficient (for all of eternity). The hidden, secret, dark potential of hieroglyphs is evidenced by the sacrificial rituals found in the extended mortuary literature. The Ba of the deceased reads the words and the latter manifest their meaning.
"We have already pointed out that the spells of the so-called sacrificial ritual, i.e. the texts used in the provision of supplies, were inscribed in a prominent place where they could be seen by the dead person resting in his sarcophagus. (...) In other words, texts were written down so that the dead themselves could 'proclaim the provision of supplies' ("nis dbHt-Htp") instead of this being done by unreliable priests. This was the nucleus around which the texts crystallized."
Morenz, 1996, p.229.
Schott (1945) & Ricke (1950) advanced the thesis that at the time of the funeral, these texts were recited in the various chambers, corridors and courts through which the procession passed on its way to the pyramid. But it was not easy to identify which spell was recited were ! For Spiegel (1953 & 1971) the texts were an integral part of the funerary ritual performed in the tomb and hence were recited in the area were they were inscribed. They reflect the royal burial ritual. This hypothesis was criticized. In 1960, Morenz wrote :
"This bold, learned and ingenious interpretation can properly be accessed only by one who has examined it in terms of the vast and diverse material. When this is done, it appears that quite serious objections may be levelled against numerous points in the argumentation and thus against the thesis as such."
Morenz, 1996, p.228-229.
Nevertheless, Altenmüller (1972) agrees with Schott & Ricke that these texts were recited in the mortuary temple, as well as in the pyramid, involving priests assuming the god-forms of Re, Horus, Seth and Thoth. Recently, Eyre (2002) suggests the training and initiation of these priests points to this-life rituals.
"The promise of divine assistance, resurrection, and safe passage to the afterlife is not, however, a concern purely of funerary ritual, and the markedly initiatory form of parts of the mortuary literature must be taken as a pointer to contemporary 'this-life' ritual that is otherwise lost from the archaeological record."
Eyre, 2002, p.72.
In "Reading a Pyramid", Allen (1988) compared the location of the texts within the tomb of Wenis with other Old Kingdom pyramids and tombs (cf. Morenz, 1960). He was able to establish a coherent model describing the funerary ideology of these royal tombs. The position of particular groups of texts within Wenis' pyramid corresponds with the placement of the same texts in other pyramids. Spells recited during the burial ritual were thus eternalized as divine words on the walls, further complementing the symbolism of the general layout of the mortuary complex in general and the royal tomb in particular. Assmann (1983, 1989) notes :
"The Egyptian describes this function of the spoken word with the causative derivation of the phonetic root (i)Ax, thus arriving at s-Ax 'to transfigure'."
Assmann, 1989, p.137.
A combination of all these elements is likely. The overall Egyptian funerary mentality seems to favour an enduring canon of broad schemes adaptable to immediate circumstances. As each Pharaoh had his own titulary, he had his own burial ritual and mortuary complex, reflecting a variety of local (nomic) traditions at work around him. They existed by the grace of the "good Nile" he alone, being divine, could guarantee. His death was thus a major calamity, and could perturbate the agricultural cycle, leading to famine, conflicts and death. His burial provided him with a ladder between heaven and Earth, and so the first thing he would do, arriving in the Field of Offering, was to provide Egypt with a new king and a "good Nile".
The reciprocal function of the tomb has to be emphasized. The Ba returned and the Ka could be reanimated. The liberated "Akh" has freedom of movement and time. It is bright, light and radiant. While it stays in the sky, the spirits make their souls and doubles come down and unite with their statues. The destruction of a tomb, implied the end of its role as "interphase" with "the other side" of the false door.
Plan of the royal tomb underneath the pyramid of Wenis.
"Allen's analysis of the sequence of spells in the pyramid of Wenis defines the architecture as a material representation of the passage of the king through death to resurrection, exploiting themes familiar in the Underworld Books of the New Kingdom. From the darkness of the earth he passes to life in the light of the sky, progressing from the burial chamber as underworld (duat) through the antechamber as horizon (akht) where he becomes Akh, through the doorway leading to the corridor -ascending by ladder- to heaven (pet), or passing like the setting sun from the west to his rising from the mouth of the horizon in the east, or exploiting the image of the king passing from his sarcophagus -the womb of Nut- through her vulva to birth at the door of the horizon. (...) Allen's analysis focuses on the principle whereby the position of discrete units of ritual text asserts a functional identity between the theology of the text and the architectural symbolism of the pyramid substructure, and so the reality of the king's passage to resurrection".
Eyre, 2002, p.44-45 & 47.
The direction of the texts was thus identical with the soul's path through the tomb, moving from the innermost parts of the burial-chamber (the "Duat" in the West), through the antechamber (the Eastern horizon or "Akhet"), to the outside of the pyramid via the second northern tunnel, flying to the Northern, circumpolar (imperishable) Stars, reaching the Field of Offering.
the Duat (burial-chamber) : though a part of the world (Earth), but neither Nun or sky, the netherworld is inaccessible to the living and outside normal human experience. It is separate from the sky and reached prior to it. This Field of Reeds is the realm of the deceased and the deities and the mystery of Osiris. Pharaoh has perpetuated offerings, and stands at the door of the horizon to emerge from the Duat and start his spiritualization ;
the Horizon (antechamber) : "Axt" ("Akhet"), translated as "horizon", is both the junction of sky and Earth and a place in the sky underneath this point (before eastern dawn and after western dusk), a secret interstitial zone reached and crossed by boat. It is a zone of transition and a "radiant place", the "land of the blessed". The horizon is the place of becoming effective, the locus of the becoming "Ax" ("Akh"), an effective spirit. Note (as did Allen, 1988), that the Cannibal Hymn, thematically belongs in its place (the East gable). It summarized Pharaoh's passage through the night sky to the Sun at dawn. The process of spiritualization ends with the emergence of the new light. In this hymn to Pharaoh, the king prepares the deities for his meal ;
the Imperishable sky (northern tunnels) : the process of transfiguration (ultimate spiritualization) being completed, the Akh-spirit leaves the tomb and ascends to the northern stars.
From the following link:
Pharaoh Wenis, Unis or Unas (ca. 2378 - 2348 BCE) was the last Pharaoh of the Vth Dynasty. His pyramid at Saqqara is at the South-western corner of Djoser's enclosure. The complex, a model for subsequent rulers, is almost diagionally opposed to the pyramid of Userkaf (ca. 2487 - 2480 BCE), the founder of this Heliopolitan Dynasty. Pharaoh Wenis is the first to include hieroglyphic inscriptions in the tomb, namely in his antechamber and burial-chamber (not in the Ka-chamber).
Cartouche of Pharaoh Wenis.
The inscriptions carved and filled with blue pigment on most walls of the royal tomb underneath the pyramid of Wenis, contain, in 234 of the 759 known utterances, the first historical account of the (Heliopolitan) religion of the Old Kingdom.
Text-fragment in the tomb of Wenis.
The texts from the tomb of Wenis are available online. So is Sethe's standard edition of the Pyramid Texts (1910) and Mercer's translation (1952). In Sethe's edition, 714 Utterances are given, whereas Faulkner's standard edition of 1969 brings the total to 759.
Plan of the Pyramid-complex of Wenis (ca. 2378 - 2348 BCE).
The Pyramid was 57.75 m², 43 m high, with a slope of 56°.
The causeway to the pyramid of Wenis was 750 m long and was equal to Pharaoh Khufu's. In its roof, a slit was left open, so a shaft of light could illuminate the gallery of brightly painted reliefs, of which only fragments survived. A wide array of scenes once covered the wall : boats transporting granite palm columns, craftsmen working gold & copper, harvesting scenes (grain, figs & honey), offering bearers, battles with enemies, bearded "Aziatics" ... Two boat graves (each 45 m long) lay side by side South of it. By the New Kingdom, the complex had fallen into ruins.
The antechamber of the pyramid tomb lies directly under the centre axis of the pyramid. In the East, a doorway opens to the uninscribed Ka-chamber with three recesses. The middle recess of this Ka-chapel (intended for sitting statues of Pharaoh Wenis ?), lies exactly behind the false door of the mortuary temple.
The sitting statue is attested in the funerary domain from the Early Dynastic Period onwards. It is the three-dimensional realization of the picture of the Slab-stela, representing the enthroned tomb owner in front of an offering table, to which he is stretching out one hand. The stretched (mostly right) hand is shown resting on the thigh, the left hand often on the breast (but variants in gesture and garment exist). During the IVth Dynasty, the sitting statue is a formal part of the Giza cemetery. It was placed in a closed "serdab" (the Arabic for "cellar"). In this "inner" cult place -dedicated to the provision cult for the deceased- the Ka-statue is the "double" of the tomb owner, representing the latter as corporally intact, provided and able to receive provisions by way of the mummy enshrined in the sarcophagus, and by way of the Ka and/or Ba visiting the tomb and recognizing its own image in the Ka-statue.
On the ceiling of the tomb, golden, pentagram-like stars were carved in relief on a sky-blue background. The tomb is made of Tura limestone, except for the West wall of the burial-chamber and the western halves of its North and South walls, opposite the ends of the granite sarcophagus, which are in albaster, cised and painted to represent a reed-mat and a wood-frame enclosure (cf. the Early Dynastic Period and earlier). Sunk in the floor to the left of the foot of the sarcophagus was the canopic chest (near the South Wall).
Burial-chamber - pyramid of Pharaoh Wenis.
Sarcophagus West, western half of North & South walls in albaster.
Canopic chest to the left (South) of the foot of the sarcophagus.
For Sethe (1908), the texts found in these pyramids were a free collection of magical utterances, which, by virtue of their presence, assisted Pharaoh in his resurrection & ascension de opere operato, dispensing with the need for daily priestly offerings to his Ka.
"Food offerings alone, however, even when they conformed to the prescriptions regarding purity and dietary taboos (e.g. no pork, no fish), did not suffice to maintain the divine forces. These forces were nothing without ritual and efficacious speech."
Traunecker, 2001, p.40.
The presence of offering-texts feeds the subtle bodies of the deceased. Sacred words not only describe objects, but embody their double (cf. the Lascaux pictures and the Eastern desert petroglyphs). Hence, once properly recited (by the dead and/or the living, the so-called "voice-offerings"), they become efficient (for all of eternity). The hidden, secret, dark potential of hieroglyphs is evidenced by the sacrificial rituals found in the extended mortuary literature. The Ba of the deceased reads the words and the latter manifest their meaning.
"We have already pointed out that the spells of the so-called sacrificial ritual, i.e. the texts used in the provision of supplies, were inscribed in a prominent place where they could be seen by the dead person resting in his sarcophagus. (...) In other words, texts were written down so that the dead themselves could 'proclaim the provision of supplies' ("nis dbHt-Htp") instead of this being done by unreliable priests. This was the nucleus around which the texts crystallized."
Morenz, 1996, p.229.
Schott (1945) & Ricke (1950) advanced the thesis that at the time of the funeral, these texts were recited in the various chambers, corridors and courts through which the procession passed on its way to the pyramid. But it was not easy to identify which spell was recited were ! For Spiegel (1953 & 1971) the texts were an integral part of the funerary ritual performed in the tomb and hence were recited in the area were they were inscribed. They reflect the royal burial ritual. This hypothesis was criticized. In 1960, Morenz wrote :
"This bold, learned and ingenious interpretation can properly be accessed only by one who has examined it in terms of the vast and diverse material. When this is done, it appears that quite serious objections may be levelled against numerous points in the argumentation and thus against the thesis as such."
Morenz, 1996, p.228-229.
Nevertheless, Altenmüller (1972) agrees with Schott & Ricke that these texts were recited in the mortuary temple, as well as in the pyramid, involving priests assuming the god-forms of Re, Horus, Seth and Thoth. Recently, Eyre (2002) suggests the training and initiation of these priests points to this-life rituals.
"The promise of divine assistance, resurrection, and safe passage to the afterlife is not, however, a concern purely of funerary ritual, and the markedly initiatory form of parts of the mortuary literature must be taken as a pointer to contemporary 'this-life' ritual that is otherwise lost from the archaeological record."
Eyre, 2002, p.72.
In "Reading a Pyramid", Allen (1988) compared the location of the texts within the tomb of Wenis with other Old Kingdom pyramids and tombs (cf. Morenz, 1960). He was able to establish a coherent model describing the funerary ideology of these royal tombs. The position of particular groups of texts within Wenis' pyramid corresponds with the placement of the same texts in other pyramids. Spells recited during the burial ritual were thus eternalized as divine words on the walls, further complementing the symbolism of the general layout of the mortuary complex in general and the royal tomb in particular. Assmann (1983, 1989) notes :
"The Egyptian describes this function of the spoken word with the causative derivation of the phonetic root (i)Ax, thus arriving at s-Ax 'to transfigure'."
Assmann, 1989, p.137.
A combination of all these elements is likely. The overall Egyptian funerary mentality seems to favour an enduring canon of broad schemes adaptable to immediate circumstances. As each Pharaoh had his own titulary, he had his own burial ritual and mortuary complex, reflecting a variety of local (nomic) traditions at work around him. They existed by the grace of the "good Nile" he alone, being divine, could guarantee. His death was thus a major calamity, and could perturbate the agricultural cycle, leading to famine, conflicts and death. His burial provided him with a ladder between heaven and Earth, and so the first thing he would do, arriving in the Field of Offering, was to provide Egypt with a new king and a "good Nile".
The reciprocal function of the tomb has to be emphasized. The Ba returned and the Ka could be reanimated. The liberated "Akh" has freedom of movement and time. It is bright, light and radiant. While it stays in the sky, the spirits make their souls and doubles come down and unite with their statues. The destruction of a tomb, implied the end of its role as "interphase" with "the other side" of the false door.
Plan of the royal tomb underneath the pyramid of Wenis.
"Allen's analysis of the sequence of spells in the pyramid of Wenis defines the architecture as a material representation of the passage of the king through death to resurrection, exploiting themes familiar in the Underworld Books of the New Kingdom. From the darkness of the earth he passes to life in the light of the sky, progressing from the burial chamber as underworld (duat) through the antechamber as horizon (akht) where he becomes Akh, through the doorway leading to the corridor -ascending by ladder- to heaven (pet), or passing like the setting sun from the west to his rising from the mouth of the horizon in the east, or exploiting the image of the king passing from his sarcophagus -the womb of Nut- through her vulva to birth at the door of the horizon. (...) Allen's analysis focuses on the principle whereby the position of discrete units of ritual text asserts a functional identity between the theology of the text and the architectural symbolism of the pyramid substructure, and so the reality of the king's passage to resurrection".
Eyre, 2002, p.44-45 & 47.
The direction of the texts was thus identical with the soul's path through the tomb, moving from the innermost parts of the burial-chamber (the "Duat" in the West), through the antechamber (the Eastern horizon or "Akhet"), to the outside of the pyramid via the second northern tunnel, flying to the Northern, circumpolar (imperishable) Stars, reaching the Field of Offering.
the Duat (burial-chamber) : though a part of the world (Earth), but neither Nun or sky, the netherworld is inaccessible to the living and outside normal human experience. It is separate from the sky and reached prior to it. This Field of Reeds is the realm of the deceased and the deities and the mystery of Osiris. Pharaoh has perpetuated offerings, and stands at the door of the horizon to emerge from the Duat and start his spiritualization ;
the Horizon (antechamber) : "Axt" ("Akhet"), translated as "horizon", is both the junction of sky and Earth and a place in the sky underneath this point (before eastern dawn and after western dusk), a secret interstitial zone reached and crossed by boat. It is a zone of transition and a "radiant place", the "land of the blessed". The horizon is the place of becoming effective, the locus of the becoming "Ax" ("Akh"), an effective spirit. Note (as did Allen, 1988), that the Cannibal Hymn, thematically belongs in its place (the East gable). It summarized Pharaoh's passage through the night sky to the Sun at dawn. The process of spiritualization ends with the emergence of the new light. In this hymn to Pharaoh, the king prepares the deities for his meal ; the Imperishable sky (northern tunnels) : the process of transfiguration (ultimate spiritualization) being completed, the Akh-spirit leaves the tomb and ascends to the northern stars.
From the following link:
Pharaoh Wenis, Unis or Unas (ca. 2378 - 2348 BCE) was the last Pharaoh of the Vth Dynasty. His pyramid at Saqqara is at the South-western corner of Djoser's enclosure. The complex, a model for subsequent rulers, is almost diagionally opposed to the pyramid of Userkaf (ca. 2487 - 2480 BCE), the founder of this Heliopolitan Dynasty. Pharaoh Wenis is the first to include hieroglyphic inscriptions in the tomb, namely in his antechamber and burial-chamber (not in the Ka-chamber).
Cartouche of Pharaoh Wenis.
The inscriptions carved and filled with blue pigment on most walls of the royal tomb underneath the pyramid of Wenis, contain, in 234 of the 759 known utterances, the first historical account of the (Heliopolitan) religion of the Old Kingdom.
Text-fragment in the tomb of Wenis.
The texts from the tomb of Wenis are available online. So is Sethe's standard edition of the Pyramid Texts (1910) and Mercer's translation (1952). In Sethe's edition, 714 Utterances are given, whereas Faulkner's standard edition of 1969 brings the total to 759.
Plan of the Pyramid-complex of Wenis (ca. 2378 - 2348 BCE).
The Pyramid was 57.75 m², 43 m high, with a slope of 56°.
The causeway to the pyramid of Wenis was 750 m long and was equal to Pharaoh Khufu's. In its roof, a slit was left open, so a shaft of light could illuminate the gallery of brightly painted reliefs, of which only fragments survived. A wide array of scenes once covered the wall : boats transporting granite palm columns, craftsmen working gold & copper, harvesting scenes (grain, figs & honey), offering bearers, battles with enemies, bearded "Aziatics" ... Two boat graves (each 45 m long) lay side by side South of it. By the New Kingdom, the complex had fallen into ruins.
The antechamber of the pyramid tomb lies directly under the centre axis of the pyramid. In the East, a doorway opens to the uninscribed Ka-chamber with three recesses. The middle recess of this Ka-chapel (intended for sitting statues of Pharaoh Wenis ?), lies exactly behind the false door of the mortuary temple.
The sitting statue is attested in the funerary domain from the Early Dynastic Period onwards. It is the three-dimensional realization of the picture of the Slab-stela, representing the enthroned tomb owner in front of an offering table, to which he is stretching out one hand. The stretched (mostly right) hand is shown resting on the thigh, the left hand often on the breast (but variants in gesture and garment exist). During the IVth Dynasty, the sitting statue is a formal part of the Giza cemetery. It was placed in a closed "serdab" (the Arabic for "cellar"). In this "inner" cult place -dedicated to the provision cult for the deceased- the Ka-statue is the "double" of the tomb owner, representing the latter as corporally intact, provided and able to receive provisions by way of the mummy enshrined in the sarcophagus, and by way of the Ka and/or Ba visiting the tomb and recognizing its own image in the Ka-statue.
On the ceiling of the tomb, golden, pentagram-like stars were carved in relief on a sky-blue background. The tomb is made of Tura limestone, except for the West wall of the burial-chamber and the western halves of its North and South walls, opposite the ends of the granite sarcophagus, which are in albaster, cised and painted to represent a reed-mat and a wood-frame enclosure (cf. the Early Dynastic Period and earlier). Sunk in the floor to the left of the foot of the sarcophagus was the canopic chest (near the South Wall).
Burial-chamber - pyramid of Pharaoh Wenis.
Sarcophagus West, western half of North & South walls in albaster.
Canopic chest to the left (South) of the foot of the sarcophagus.
For Sethe (1908), the texts found in these pyramids were a free collection of magical utterances, which, by virtue of their presence, assisted Pharaoh in his resurrection & ascension de opere operato, dispensing with the need for daily priestly offerings to his Ka.
"Food offerings alone, however, even when they conformed to the prescriptions regarding purity and dietary taboos (e.g. no pork, no fish), did not suffice to maintain the divine forces. These forces were nothing without ritual and efficacious speech."
Traunecker, 2001, p.40.
The presence of offering-texts feeds the subtle bodies of the deceased. Sacred words not only describe objects, but embody their double (cf. the Lascaux pictures and the Eastern desert petroglyphs). Hence, once properly recited (by the dead and/or the living, the so-called "voice-offerings"), they become efficient (for all of eternity). The hidden, secret, dark potential of hieroglyphs is evidenced by the sacrificial rituals found in the extended mortuary literature. The Ba of the deceased reads the words and the latter manifest their meaning.
"We have already pointed out that the spells of the so-called sacrificial ritual, i.e. the texts used in the provision of supplies, were inscribed in a prominent place where they could be seen by the dead person resting in his sarcophagus. (...) In other words, texts were written down so that the dead themselves could 'proclaim the provision of supplies' ("nis dbHt-Htp") instead of this being done by unreliable priests. This was the nucleus around which the texts crystallized."
Morenz, 1996, p.229.
Schott (1945) & Ricke (1950) advanced the thesis that at the time of the funeral, these texts were recited in the various chambers, corridors and courts through which the procession passed on its way to the pyramid. But it was not easy to identify which spell was recited were ! For Spiegel (1953 & 1971) the texts were an integral part of the funerary ritual performed in the tomb and hence were recited in the area were they were inscribed. They reflect the royal burial ritual. This hypothesis was criticized. In 1960, Morenz wrote :
"This bold, learned and ingenious interpretation can properly be accessed only by one who has examined it in terms of the vast and diverse material. When this is done, it appears that quite serious objections may be levelled against numerous points in the argumentation and thus against the thesis as such."
Morenz, 1996, p.228-229.
Nevertheless, Altenmüller (1972) agrees with Schott & Ricke that these texts were recited in the mortuary temple, as well as in the pyramid, involving priests assuming the god-forms of Re, Horus, Seth and Thoth. Recently, Eyre (2002) suggests the training and initiation of these priests points to this-life rituals.
"The promise of divine assistance, resurrection, and safe passage to the afterlife is not, however, a concern purely of funerary ritual, and the markedly initiatory form of parts of the mortuary literature must be taken as a pointer to contemporary 'this-life' ritual that is otherwise lost from the archaeological record."
Eyre, 2002, p.72.
In "Reading a Pyramid", Allen (1988) compared the location of the texts within the tomb of Wenis with other Old Kingdom pyramids and tombs (cf. Morenz, 1960). He was able to establish a coherent model describing the funerary ideology of these royal tombs. The position of particular groups of texts within Wenis' pyramid corresponds with the placement of the same texts in other pyramids. Spells recited during the burial ritual were thus eternalized as divine words on the walls, further complementing the symbolism of the general layout of the mortuary complex in general and the royal tomb in particular. Assmann (1983, 1989) notes :
"The Egyptian describes this function of the spoken word with the causative derivation of the phonetic root (i)Ax, thus arriving at s-Ax 'to transfigure'."
Assmann, 1989, p.137.
A combination of all these elements is likely. The overall Egyptian funerary mentality seems to favour an enduring canon of broad schemes adaptable to immediate circumstances. As each Pharaoh had his own titulary, he had his own burial ritual and mortuary complex, reflecting a variety of local (nomic) traditions at work around him. They existed by the grace of the "good Nile" he alone, being divine, could guarantee. His death was thus a major calamity, and could perturbate the agricultural cycle, leading to famine, conflicts and death. His burial provided him with a ladder between heaven and Earth, and so the first thing he would do, arriving in the Field of Offering, was to provide Egypt with a new king and a "good Nile".
The reciprocal function of the tomb has to be emphasized. The Ba returned and the Ka could be reanimated. The liberated "Akh" has freedom of movement and time. It is bright, light and radiant. While it stays in the sky, the spirits make their souls and doubles come down and unite with their statues. The destruction of a tomb, implied the end of its role as "interphase" with "the other side" of the false door.
Plan of the royal tomb underneath the pyramid of Wenis.
"Allen's analysis of the sequence of spells in the pyramid of Wenis defines the architecture as a material representation of the passage of the king through death to resurrection, exploiting themes familiar in the Underworld Books of the New Kingdom. From the darkness of the earth he passes to life in the light of the sky, progressing from the burial chamber as underworld (duat) through the antechamber as horizon (akht) where he becomes Akh, through the doorway leading to the corridor -ascending by ladder- to heaven (pet), or passing like the setting sun from the west to his rising from the mouth of the horizon in the east, or exploiting the image of the king passing from his sarcophagus -the womb of Nut- through her vulva to birth at the door of the horizon. (...) Allen's analysis focuses on the principle whereby the position of discrete units of ritual text asserts a functional identity between the theology of the text and the architectural symbolism of the pyramid substructure, and so the reality of the king's passage to resurrection".
Eyre, 2002, p.44-45 & 47.
The direction of the texts was thus identical with the soul's path through the tomb, moving from the innermost parts of the burial-chamber (the "Duat" in the West), through the antechamber (the Eastern horizon or "Akhet"), to the outside of the pyramid via the second northern tunnel, flying to the Northern, circumpolar (imperishable) Stars, reaching the Field of Offering.
the Duat (burial-chamber) : though a part of the world (Earth), but neither Nun or sky, the netherworld is inaccessible to the living and outside normal human experience. It is separate from the sky and reached prior to it. This Field of Reeds is the realm of the deceased and the deities and the mystery of Osiris. Pharaoh has perpetuated offerings, and stands at the door of the horizon to emerge from the Duat and start his spiritualization ;
the Horizon (antechamber) : "Axt" ("Akhet"), translated as "horizon", is both the junction of sky and Earth and a place in the sky underneath this point (before eastern dawn and after western dusk), a secret interstitial zone reached and crossed by boat. It is a zone of transition and a "radiant place", the "land of the blessed". The horizon is the place of becoming effective, the locus of the becoming "Ax" ("Akh"), an effective spirit. Note (as did Allen, 1988), that the Cannibal Hymn, thematically belongs in its place (the East gable). It summarized Pharaoh's passage through the night sky to the Sun at dawn. The process of spiritualization ends with the emergence of the new light. In this hymn to Pharaoh, the king prepares the deities for his meal ;
the Imperishable sky (northern tunnels) : the process of transfiguration (ultimate spiritualization) being completed, the Akh-spirit leaves the tomb and ascends to the northern stars.
From the following link:
http://maat.sofiatopia.org/nun.htm
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