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10 spooky hotel ghost stories

20:20 Apr 29 2011
Times Read: 654


10 Hotels with spooky ghost stories:



Mystical orbs, ethereal apparitions, things that go bump in the night. A load of hooey you say? Then check in to one of the 10 haunted hotels compiled by ShermansTravel.com and test your tolerance for the paranormal. As far as we can tell, ghosts like their hotels. These territorial phantoms stick to their turf and never, ever leave. (They have good taste at least - many of their stomping grounds come with five-star service and an atmosphere to match.) The unbelievable and inexplicable seem almost mundane at these eternally haunted haunts, but we've narrowed down the creepy contenders to those that have the ghost tales and the "evidence" (i.e. paranormal expert backing, documented deaths on the premises) to go with it.



Beverly Hills Inn, Atlanta:

Respecting your elders takes on new meaning at Atlanta's Beverly Hills Inn, an 81-year-old Buckhead property now supposedly haunted by the souls of three old ladies. The 18-room neo-classical inn became a bed and breakfast in 1982, but its first stint was as an apartment building for widowed women in 1929. It is the alleged apparitions of those former residents that both the Atlanta Ghost Hunter and Haunt Analyst Georgia Ghost Hunters have caught on tape. Although the images from both investigations are specious (white, cloud-like fog; shadowy, imperceptible blotches; and floating orbs that look like dust particles make up most of the photographic evidence), the audio, on the other hand, evokes chills. The Haunt Analyst investigation in 2007 recorded hoarse voices whispering phrases both ominous (“Get out!”) and encouraging (“Make it happy”). Book a room on the haunted hotel's third floor, where Haunt Analyst and Atlanta Ghost Hunter collected most of their proof, for a similarly creepy experience, but be prepared. Like many old biddies, these ghouls are kind but spirited: The elderly souls have apparently tucked in respectful guests before bed, but visitors who bad-mouth the dead have seen drinking glasses suddenly smash to pieces. Rooms from $119/night.



Congress Plaza Hotel, Chicago:

During the prohibition era, Chicago was chockfull of hotels that moonlighted as gangster hideaways, headquarters, and, quite often, grisly crime scenes. Today, one of the few left standing is the Congress Plaza Hotel on Michigan Avenue. Built in 1893 to accommodate visitors to the World’s Fair, this landmark hotel comes with history-ridden public spaces, two towers comprised of 850 guest rooms, and a lot of, shall we say, permanent residents. In the late 20s, the Congress is rumored to have been one of Al Capone’s hangouts (old-timers at the hotel say he played cards here, perhaps with fellow mobster Jake “Greasy Thumb” Guzik who lived at the hotel). The Congress Plaza may not be as public with their hauntings as some of the other hotels on this list, but we got the after-dark scoop from nighttime security. Johnny D., who has been on the job for 25 years, talks about several incidents (and entities) which he says are very regular occurrences. The staff often sees the ghost of a young boy in the rooms and hallways of the north tower (legend has it that he and his brother were tossed off the roof by their mother before she took her own life and jumped); a few guards refuse to even walk into the Florentine Room (one of the banquet rooms) for fear of a female ghost that whispers in their ears; and, perhaps, most startling, is the mysterious circumstance that surrounds room number 441. Security is called to 441 more than any other room and guests all report seeing the same thing: the shadowy outline of a woman. Rates from $129/night in fall.

Gettysburg Hotel, Pennsylvania:

Steps from the Wills House, where President Abraham Lincoln edited his legendary Gettysburg address, and a quarter mile from the infamous battlefield, sits the Civil War-era Gettysburg Hotel. Established in 1797, the historic building lays claim to at least one eternal occupant named Rachel, a civil war nurse who lived at the hotel during the bloody battle. Guests have reported seeing her ghostly figure roaming the halls and in several of the hotel’s 119 rooms. Hotel employees swear that they’ve seen carts move and trays float, and that Rachel can even be spotted rushing up and down the street outside. She prefers to be in the hotel, though, where her hundreds of reported visits have resulted in clothes mysteriously gone missing and drawers left open (some think she is rummaging for medical supplies). Staff often talks of sudden drafts and drops in temperature which both indicate a passing spirit. Along with Rachel, there have been reports of another female ghost at the haunted hotel. This lady wears fancy period garb and is seen dancing in the hotel’s ballroom. Gettysburg is reported to be one of the top three most haunted cities in America by Haunted Tours America, and, certainly the Gettysburg Hotel has plenty to do with that ranking. Rates average around $128 for weeknight stays, and $148 for weekend nights.

Hotel Monteleone, New Orleans:

In the land of voodoo and witchcraft, legends and legendary disasters, it’s no wonder New Orleans – and the state of Louisiana, for that matter – is rife with ghost tales. Hotel Monteleone, a 19th-century hotel in the French Quarter, is a hotbed for paranormal activity – and there’s a string of former hotel guests, employees, and the International Society of Paranormal Research that back it up. Cleatter Landry, who works at the concierge desk, insists “our ghosts are friendly.” Time and again, she has witnessed the doors of hotel restaurant Le Café swing open inexplicably, always around 7pm. Investigations by the ISPR captured on film what appeared to be the spirits of a maintenance man and a waiter opening the doors. Former guest Phyllis Paulsen was staying in a suite on floor 14 (actually floor 13) when the ghost of a young boy in a striped shirt walked up to her bed. Various guests have reported a similar encounter with a young boy, and so the story goes that the child is Maurice, the son of Josephine and Jacques Begere who were killed in a buggy accident while staying at the Monteleone in the late 1800s. Aside from the otherwordly happenings at this haunted hotel, the grand dame offers plenty of old-world charm: gilded paneling, chandeliers, and soaring ceilings. But, be forewarned, of its 600 guest rooms and 55 suites, those found on floor 14 (really 13) are where most of the ethereal action occurs. Request a “historic haunts” self-guided iPod tour (free) at check-in for a lay of the lore. Fall rates start from $149/night.

Manresa Castle, Washington:

Built in 1892 in the palatial Prussian style of the owner’s heritage, the Manresa Castle remains beautifully preserved in a Victorian seaport town in Washington (about two hours from Seattle). The Jesuit order occupied the castle in 1927 and used it as a training college until 1968 when it was converted to a hotel. The castle is supposedly home to two distinct spirits that reside on the third floor. The first is the ghost of a Jesuit priest, who hung himself in the tower attic. Guests staying in room 302, located directly below the site of the priest’s demise, report hearing footsteps, a man crying, the clanking of chains, and the sound of a straining rope above. One guest even reported awakening in the night to see a dark figure in a hooded robe standing over his bed. The second frequently sighted ghost is that of Kate, a young woman who once stayed as a guest in the castle . . . and never really left. After hearing news that her lover was lost at sea, she threw herself out of room 306. Visitors at the haunted hotel today claim to see the translucent image of a woman wearing period clothing sitting at the window and staring out to sea, while others have awoken in the middle of the night to see the shape of a woman walking around the room. Room rates from $109/night.

Myrtles Plantation, Louisiana:

Among the swampy lowlands and bayous of Louisiana’s West Feliciana Parish, set beneath tall, arching oak trees, rests Myrtles Plantation – allegedly the most haunted hotel in America, so say the owners. Guests who wish to experience southern hospitality, antebellum décor, and, potentially, a spine-chilling spook-fest should visit the 11-room St. Francisville plantation (about 30 minutes north of Baton Rouge). The house was built in 1796 supposedly on Tunica Indian burial grounds and the ghost of a naked Indian girl is an apparition seen by guests today. The most famous haunting, although, resulted from a multi-murder tragedy in 1817. The legend goes something like this: Then owner Judge Clark Woodruff had an affair with his house slave (named Cleo or Chloe), found her snooping on his private conversations and cut off her ear (she forever after wore a green turban to hide her scar). Cleo, enraged, poisoned the eldest daughter’s birthday cake killing the judge’s wife and two children. Soon after Cleo herself was murdered and tossed into the Mississippi (by whom is uncertain). Today, guests claim to see her wandering the plantation in her green turban and have awoken to see her face staring at them from beside the bed. Also look out for haunted objects, including a piano that mysteriously plays a single chord and a mirror that appears clean but in photos often reveals handprints, smudges, and faces. If you’re hoping to meet one of the eternally lost souls at the plantation, be sure to book a room in the original main house (garden units weren’t added until the 80s when the house became an inn, though some say those rooms are just as haunted). Rates start from $115/night.

Queen Mary, California:

Ever been on a vacation that you wished just wouldn’t end? Then you might just sympathize with the spooky stowaways who opted to stay aboard Cunard’s legendary RMS Queen Mary long after their cruise was over. The retired luxury ocean liner served as pleasure cruiser for society’s elite from the 1930s to ’60s – and did a brief stint as a World War II transport ship (when she was perhaps aptly dubbed the Grey Ghost) – before permanently docking in California’s Long Beach port and converting to a floating hotel in 1972. Some of the purported guest ghouls stem from among the 55 onboard deaths that were reported during the ship’s history, including those of Jackie, a young girl who may have drowned in the swimming pool, and John Pedder, a teenage crewman who was crushed alive by a watertight door in the engine room (both ghosts appear in the areas where they were killed). The haunted hotel far from shies away from its paranormal connection: In fact, after a slew of psychics deemed it one of America’s most haunted locations (some have pinned as many as 200 apparitions to the ship’s manifest), they’ve embraced it, offering numerous ghost-related gatherings every year: Autumn sees the GhostFest Expo unfold (a multiday consortium led by paranormal investigators), while 18 nights in October are dedicated the Queen Mary’s Dark Harbor event, which features five mazes and general Halloween-inspired fun. Year-round, visitors can sign up for regularly scheduled paranormal-themed tours; some employ special effects and even ghost-hunting apparatuses for amplified thrills and chills. Or, bunk down if you dare in one of the 314 staterooms. Rates start at $149/night.

Stanley Hotel, Colorado:

The spectacular Rocky Mountain peaks surrounding this famous Colorado hotel steal the spotlight by day, but after dark the place crawls with the spirits and ghouls that inspired Stephen King to write The Shining. The Stanley Hotel hosts mostly happy spirits, as the mountain retreat was once a vacation destination for many of these lingering souls, but that doesn’t detract from the estate’s creepiness. A room on the paranormally buzzing fourth floor practically guarantees a frightful getaway. A little boy in room 418 playfully switches water faucets on and off. Bitter Lord Dunraven, the estate’s original owner (who was forced out of proprietorship, making way for new owner F.O. Stanley who opened the hotel in 1909), holds court in room 401, the estate’s most haunted (and second-most requested) room, but by far the most chill-inducing suite is room 217, the very place where King penned The Shining. Ghost-busting visitors can enlist the help of the on-site paranormal expert, who will outfit them with spirit-hunting equipment and provide access to hotel grounds only open to guests. If spending a night thwarting ghoulish shenanigans sounds too frightful, opt for one of the hotel’s daily ghost tours ($15 per person; available from 10am–5pm, reservations are required), which explore the property’s most notoriously spooky spots. Room rates from $119/night.

The Driskill, Austin:

Cattle Baron Colonel Jesse Driskill opened his luxe namesake hotel in downtown Austin in 1886, and by 1887 its first resident ghost had moved in. As the story goes, a visiting senator’s daughter chased a ball down the hotel’s grand staircase and tragically tumbled to her death. All signs indicate that the daughter hasn’t left: Eerie peals of laughter and the gentle rhythm of a bouncing ball can be heard in the lobby, the ladies restroom, and on the stairs that lead to the mezzanine. Today, she has plenty of partners for playing catch, as a gaggle of ghosts occupy the building, among them a Houston woman who fled to the Driskill after her fiancé cancelled their wedding in the 1990s. Armed with her ex’s credit card, the rejected bride consoled herself with retail therapy before committing suicide two days later in room 29, where a female figure toting shopping bags is sometimes seen. Guests needn’t even stay in one of the haunted hotel's 189 rooms for a thrill as some say big band music sometimes mysteriously bellows from the lobby, where rowdy ghouls dressed in tuxes and gowns are thought to throw an eternal party. Rates from $279/night.

Three Chimneys Inn, New Hampshire:

The oldest hotel on our list (and one of the oldest buildings in New Hampshire, with the original structure dating back to 1649, is the Three Chimneys Inn, tucked away in oft snow-cloaked Durham, just a 10-minute drive from the University of New Hampshire. They say the haunting of the Three Chimneys Inn is another tale of a young life taken too soon. The house was built by Valentine Hill, a local entrepreneur and mill owner. His granddaughter, Hannah, is said to have drowned in the nearby Oyster River. Not long after her tragic death did local townspeople start reporting ghostly sightings of a young girl bearing an eerie resemblance to Hannah by the river and the house. The home’s current incarnation is that of a bustling, quaint inn (it was transformed only recently in 1998). Employees at the inn have also experienced their fair share of inexplicable sounds and sightings. One night, innkeeper Karen Meyer and a waiter at the inn’s ffrost Sawyer Tavern saw an empty glass on an empty table float six inches into the air before crashing down onto the ground. Legends aside, the now cheery inn comes with 23 rooms in the main house and adjoining carriage house, all of which are furnished with old-style mahogany furniture and antique artwork (as well as modern touches like free Wi-Fi). Open year-round; prices start at $149/night in fall.


COMMENTS

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The world ten creepiest abanned cities

20:10 Apr 29 2011
Times Read: 655


Some cities die. The people leave, the streets go quiet, and the isolation takes on the macabre shape of a forlorn ghost-town - crumbling with haunting neglect and urban decay. From Taiwan to the foothills of the Sierra Nevada mountains, these abandoned cities lurk in the shadows of civilization. Their histories are carried in hushed whispers and futures stillborn from the day of their collapse. Some have fallen victim to catastrophe while others simply outlive their function. I think we can all agree on one thing - they are all very creepy.



Pripyat

Location: Pripyat, Ukraine - 100km from Kiev

Story: On April 26, 1986, the Chernobyl reactor began its tragic meltdown. The incident was a huge blow to the viability of the nuclear energy platform, and still today, the town of Pripyat is an abandoned shell of a city frozen in a 1980's Soviet time-warp. While the failed reactor has been entombed in a an appropriate sounding casing called a "sarcophagus," the area remains unsafe for human life. The town has thrived in one aspect though. Wildlife has returned to the area in droves. Wolves silently hunt among the towering apartment buildings, and boars forage for food in the abandoned amusement park - which strangely opened the day after the reactor explosion in the midst of evacuation.

Abandoned since: 1986

Sanzhi

Location: Sanzhi district, New Taipei, Taiwan

Story: This area called Sanzhi was originally a vacation resort catering to U.S. servicemen north of Taipei. The architecture could be called UFO futuro chic, and the abandoned resort community had difficulties from the beginning. During construction, many workers perished in car accidents, and other freak accidents were common. The urban legend online search trail places the death count close to twenty. The deaths were attributed to supernatural causes. Some speculated that the resort was built on a Dutch burial ground while others attributed the misfortunes to a dragon statue destroyed during construction. Either way, the ruins never took their first guest, and the stillborn project was abandoned.

Craco

Location: Craco, Basilicata, Italy

Story: Built on a summit, Craco's utility was initially derived from its ability to repel invaders. The town's placement on a cliff precipice also threatened its integrity. After being rocked by a number of earthquakes and subsequent landslides, Craco was abandoned for lower ground. Today, the empty village is great for exploration and houses a number of interesting old world churches such as Santa Maria della Stella.

Abandoned since: 1963



Kolmanskop

Location: Kolmanskop, Namibia

Story: Once a successful diamond mining community, Kolmanskop is now a desert ghost town where the houses welcome only sand. The desert city was originally built when Germans discovered great mineral wealth in the area. They built the town in an architecturally German style with a ballroom, a theater, and the first tram system in Africa. The desert reclaimed the town when the miners moved on. The sands have filled houses, covered the streets, and slowly erased most signs of civilization aside from the towering homes and public buildings. The sight of a decaying German town in the shifting sands of the Namib desert is anachronistically delightful.

Abandoned since: 1954

Ghost Island

Location: Hashima Island, Nagasaki, Japan

Story: During the industrial revolution in Japan, the Mitsubishi company built this remote island civilization around large coal deposits in the Nagasaki islands. The island is home to some of Japan's first high rise concrete buildings, and for almost a century, mining thrived on the island. At its peak, the 15 acre island housed over five thousand residents - coal workers and their families. Today, a post-apocalyptic vibe haunts the abandoned island and the dilapidated towers and empty streets exist in a creepy industrial silence. In 2009, the island opened to tourists, so now you can take a trip to explore the Ghost Island's abandoned movie theaters, apartment towers, and shops.

Abandoned since: 1974

Oradour-sur-Glane

Location: Oradour-sur-Glane, Limousin, France

Story: During World War II, the Nazi troops came upon Oradour-sur-Glane and completely destroyed the village, murdering 642 individuals. The burned cars and buildings remain frozen in time as they did in 1944, a reflection of the monstrosity of war and a memorial to the villagers who lost their lives. The massacre was one of mankind's most vicious moments. All visitors to the "martyr village" are asked to remain silent while wandering the melancholy streets of tragedy.

Abandoned since: 1944

Centralia

Location: Centralia, Pennsylvania, United States

Story: The entire city of Centralia was condemned by the state of Pennsylvania and its zip code was revoked. The road that once led to Centralia is blocked off. It is as if the city does not exist at all, but it does, and it has been on fire for almost fifty years. In 1962, a fire broke out in a landfill near the Odd Fellows cemetery. The fire quickly spread through a hole to the coal mine beneath the city, and the fires have been burning ever since. Smoke billows out from cracks in the road and large pits in the ground randomly open up releasing thousand degree heat and dangerous vapors into the air. The city has been slowly evacuated over the years, though some residents have chosen to stay, believing that the evacuation is a conspiracy plot by the state to obtain their mineral rights to the anthracite coal reserves below their homes. Smells like lawyers to me.

Abandoned since: still marginally occupied by 10 or so brave souls

Humberstone

Location: Northern Atacama desert, Chile

Story: Declared a UNESCO heritage site in 2005, Humberstone was once a bustling saltpeter refinery in the desert of northern Chile. Life on the moonscape of the Chilean pampas is extremely sparse, and outposts like Humberstone served as work and home for many Pampino miners. The hostile environment proved a menacing part of everyday life for Humberstone residents. Their efforts to extract nitrates from the largest saltpeter deposit in the world transformed farming in Europe and the Americas in the form of fertilizer sodium nitrate.

Abandoned since: 1960

Bodie

Location: Bodie, California, United States

Story: The poster boy for a ghost town, Bodie is absolutely stunning in its dereliction. The boom-town over 8,000 feet up in the Sierra Nevadas was a gold rush outpost, and, at its height in the 1880's, allegedly one of the largest cities in California. 65 saloons lined the dusty mile long main street, meaning the saloon to resident ratio was definitely high enough to keep the sheriff busy. Beyond the swilling of brews though, Bodie developed into a city filled with big town characteristics like churches, hospitals, four fire departments, and even a Chinatown district. Today, visitors are free to to walk the deserted streets of this town built on gold and hope.

Abandoned since: 1942, though the last issue of the local newspaper, The Bodie Miner, was printed in 1912.

Kayaköy

Location: Kayaköy, Muğla, Turkey

Story: Thousands of Greek speaking Christians lived in this town just south of Fethiye in southwestern Turkey for hundreds of years. The rather large village has been a virtual ghost town since the end of the Greco-Turkish War. Over 500 houses and several Greek Orthodox churches populate this garden of decaying structures. Some hope exists for a resurgence of this old city, as organic farmers and craftsmen have began to trickle in to this fringe community.

Abandoned since: 1923


COMMENTS

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The world ten creepiest abanned cities

20:10 Apr 29 2011
Times Read: 655


Some cities die. The people leave, the streets go quiet, and the isolation takes on the macabre shape of a forlorn ghost-town - crumbling with haunting neglect and urban decay. From Taiwan to the foothills of the Sierra Nevada mountains, these abandoned cities lurk in the shadows of civilization. Their histories are carried in hushed whispers and futures stillborn from the day of their collapse. Some have fallen victim to catastrophe while others simply outlive their function. I think we can all agree on one thing - they are all very creepy.



Pripyat

Location: Pripyat, Ukraine - 100km from Kiev

Story: On April 26, 1986, the Chernobyl reactor began its tragic meltdown. The incident was a huge blow to the viability of the nuclear energy platform, and still today, the town of Pripyat is an abandoned shell of a city frozen in a 1980's Soviet time-warp. While the failed reactor has been entombed in a an appropriate sounding casing called a "sarcophagus," the area remains unsafe for human life. The town has thrived in one aspect though. Wildlife has returned to the area in droves. Wolves silently hunt among the towering apartment buildings, and boars forage for food in the abandoned amusement park - which strangely opened the day after the reactor explosion in the midst of evacuation.

Abandoned since: 1986

Sanzhi

Location: Sanzhi district, New Taipei, Taiwan

Story: This area called Sanzhi was originally a vacation resort catering to U.S. servicemen north of Taipei. The architecture could be called UFO futuro chic, and the abandoned resort community had difficulties from the beginning. During construction, many workers perished in car accidents, and other freak accidents were common. The urban legend online search trail places the death count close to twenty. The deaths were attributed to supernatural causes. Some speculated that the resort was built on a Dutch burial ground while others attributed the misfortunes to a dragon statue destroyed during construction. Either way, the ruins never took their first guest, and the stillborn project was abandoned.

Craco

Location: Craco, Basilicata, Italy

Story: Built on a summit, Craco's utility was initially derived from its ability to repel invaders. The town's placement on a cliff precipice also threatened its integrity. After being rocked by a number of earthquakes and subsequent landslides, Craco was abandoned for lower ground. Today, the empty village is great for exploration and houses a number of interesting old world churches such as Santa Maria della Stella.

Abandoned since: 1963



Kolmanskop

Location: Kolmanskop, Namibia

Story: Once a successful diamond mining community, Kolmanskop is now a desert ghost town where the houses welcome only sand. The desert city was originally built when Germans discovered great mineral wealth in the area. They built the town in an architecturally German style with a ballroom, a theater, and the first tram system in Africa. The desert reclaimed the town when the miners moved on. The sands have filled houses, covered the streets, and slowly erased most signs of civilization aside from the towering homes and public buildings. The sight of a decaying German town in the shifting sands of the Namib desert is anachronistically delightful.

Abandoned since: 1954

Ghost Island

Location: Hashima Island, Nagasaki, Japan

Story: During the industrial revolution in Japan, the Mitsubishi company built this remote island civilization around large coal deposits in the Nagasaki islands. The island is home to some of Japan's first high rise concrete buildings, and for almost a century, mining thrived on the island. At its peak, the 15 acre island housed over five thousand residents - coal workers and their families. Today, a post-apocalyptic vibe haunts the abandoned island and the dilapidated towers and empty streets exist in a creepy industrial silence. In 2009, the island opened to tourists, so now you can take a trip to explore the Ghost Island's abandoned movie theaters, apartment towers, and shops.

Abandoned since: 1974

Oradour-sur-Glane

Location: Oradour-sur-Glane, Limousin, France

Story: During World War II, the Nazi troops came upon Oradour-sur-Glane and completely destroyed the village, murdering 642 individuals. The burned cars and buildings remain frozen in time as they did in 1944, a reflection of the monstrosity of war and a memorial to the villagers who lost their lives. The massacre was one of mankind's most vicious moments. All visitors to the "martyr village" are asked to remain silent while wandering the melancholy streets of tragedy.

Abandoned since: 1944

Centralia

Location: Centralia, Pennsylvania, United States

Story: The entire city of Centralia was condemned by the state of Pennsylvania and its zip code was revoked. The road that once led to Centralia is blocked off. It is as if the city does not exist at all, but it does, and it has been on fire for almost fifty years. In 1962, a fire broke out in a landfill near the Odd Fellows cemetery. The fire quickly spread through a hole to the coal mine beneath the city, and the fires have been burning ever since. Smoke billows out from cracks in the road and large pits in the ground randomly open up releasing thousand degree heat and dangerous vapors into the air. The city has been slowly evacuated over the years, though some residents have chosen to stay, believing that the evacuation is a conspiracy plot by the state to obtain their mineral rights to the anthracite coal reserves below their homes. Smells like lawyers to me.

Abandoned since: still marginally occupied by 10 or so brave souls

Humberstone

Location: Northern Atacama desert, Chile

Story: Declared a UNESCO heritage site in 2005, Humberstone was once a bustling saltpeter refinery in the desert of northern Chile. Life on the moonscape of the Chilean pampas is extremely sparse, and outposts like Humberstone served as work and home for many Pampino miners. The hostile environment proved a menacing part of everyday life for Humberstone residents. Their efforts to extract nitrates from the largest saltpeter deposit in the world transformed farming in Europe and the Americas in the form of fertilizer sodium nitrate.

Abandoned since: 1960

Bodie

Location: Bodie, California, United States

Story: The poster boy for a ghost town, Bodie is absolutely stunning in its dereliction. The boom-town over 8,000 feet up in the Sierra Nevadas was a gold rush outpost, and, at its height in the 1880's, allegedly one of the largest cities in California. 65 saloons lined the dusty mile long main street, meaning the saloon to resident ratio was definitely high enough to keep the sheriff busy. Beyond the swilling of brews though, Bodie developed into a city filled with big town characteristics like churches, hospitals, four fire departments, and even a Chinatown district. Today, visitors are free to to walk the deserted streets of this town built on gold and hope.

Abandoned since: 1942, though the last issue of the local newspaper, The Bodie Miner, was printed in 1912.

Kayaköy

Location: Kayaköy, Muğla, Turkey

Story: Thousands of Greek speaking Christians lived in this town just south of Fethiye in southwestern Turkey for hundreds of years. The rather large village has been a virtual ghost town since the end of the Greco-Turkish War. Over 500 houses and several Greek Orthodox churches populate this garden of decaying structures. Some hope exists for a resurgence of this old city, as organic farmers and craftsmen have began to trickle in to this fringe community.

Abandoned since: 1923


COMMENTS

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"Buried Alive" (stories I've herd)

21:08 Apr 26 2011
Times Read: 658


MY GREAT-GREAT grandmother, ill for quite some time, finally passed away after lying in a coma for several days. My great-great grandfather was devastated beyond belief, as she was his one true love and they had been married over 50 years. They were married so long it seemed as if they knew each other's innermost thoughts.



After the doctor pronounced her dead, my great-great grandfather insisted that she was not. They had to literally pry him away from his wife's body so they could ready her for burial.



Now, back in those days they had backyard burial plots and did not drain the body of its fluids. They simply prepared a proper coffin and committed the body (in its coffin) to its permanent resting place. Throughout this process, my great-great grandfather protested so fiercely that he had to be sedated and put to bed. His wife was buried and that was that.



That night he woke to a horrific vision of his wife hysterically trying to scratch her way out of the coffin. He phoned the doctor immediately and begged to have his wife's body exhumed. The doctor refused, but my great-great grandfather had this nightmare every night for a week, each time frantically begging to have his wife removed from the grave.



Finally the doctor gave in and, together with local authorities, exhumed the body. The coffin was pried open and to everyone's horror and amazement, my great-great grandmother's nails were bent back and there were bloody scratch-marks on the inside of the coffin.



(From a friend Emily)


COMMENTS

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Edward Gein Wisconsin Butcher of Plainfield

00:10 Apr 26 2011
Times Read: 665


Serial killer. Born Edward Theodore Gein on August 27, 1906 in La Crosse, Wisconsin. The son of a timid alcoholic father and a fanatically religious mother, Gein grew up alongside his older brother, Henry, in a household ruled by his mother's puritanical preachings about the sins of lust and carnal desire.



Obsessively devoted to his mother until her death in 1945, Gein never left home or dated women. After she died, he became increasingly deranged and eventually began prowling cemeteries to unearth recently buried female corpses. He would cut off body parts and keep them as trophies, returning the corpses seemingly undisturbed to their graves. In 1954, Ed Gein turned from grave robbing to murder, a task he was less meticulous about. Police implicated him in the murders of two women in 1957. During the investigations, police learned he had practiced necrophilia and experimented with human taxidermy.



Gein was ultimately found not guilty of murder by reason of insanity. He was confined in various criminal psychiatric institutions until his death from heart failure and cancer on July 26, 1984. His killings live on as the inspiration for such films as Psycho, The Texas Chainsaw Massacre and Silence of the Lambs.


COMMENTS

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John Dillinger (Historical Criminal Figure)

00:06 Apr 26 2011
Times Read: 667


Infamous person. Born John Herbert Dillinger on June 22, 1903, in Indianapolis, Indiana. As a child he went by "Johnnie." As an adult he was known as "Jackrabbit" for his graceful moves and quick getaways from the police. As a legend, he was known as "Public Enemy Number One." His exploits during the depth of the Great Depression made him a headline news celebrity and one of the most feared gangsters of the 20th century.



As a boy, John Dillinger was constantly getting into trouble. He would commit small time pranks and petty theft with his neighborhood gang, "the Dirty Dozen." Most of his neighbors would later say he was generally a cheerful, likable kid who didn't get in to any more mischief than other boys. But there were also accounts of severe juvenile delinquency and malicious behavior as a teenager. To a degree, both of these perceptions are correct and were evident in his adult life. Like any celebrity, accounts describing his early life were shadowed by his later exploits and added either positively or negatively to his reputation.



John Dillinger was the youngest of two children born to John Wilson Dillinger and Mary Ellen "Molly" Lancaster. The elder Dillinger was a somber, church-going small businessman who owned a neighborhood grocery store and some rental houses. He was simultaneously a harsh disciplinarian who would beat Johnnie for his insubordination, and then turn around and give him money for candy. Later, when Johnnie was in his teens, Dillinger, Sr. would alternate between locking Johnnie in the house all day and then, later in the week, letting him roam the neighborhood for most of the night.



Johnnie Dillinger's mother, Molly, died of a stroke when he was not quite yet four years old. His sister, Audrey, who was 15 years his senior raised him until his father remarried in 1912. Dillinger quit school at age 16, not due to any trouble, but because he was bored and wanted to make money on his own. He was said to be good employee with a talent for working with his hands. His father, however, wasn't pleased with his career choice and tried to talk him out of it. John showed his obstinacy and refused to go back to school. In 1920, hoping a change of venue would provide a more wholesome influence on his son, John Dillinger, Sr. sold his grocery store and property to retire to a farm in Mooresville, Indiana. Ever defiant, John, Jr. kept his job at the Indianapolis machine shop and commuted the 18 miles on his motorcycle. His wild and rebellious behavior continued with nightly escapades which included, drinking, fighting, and visiting prostitutes.



Matters reached a head on July 21, 1923, when young John Dillinger stole a car to impress a girl on a date. He was later found by a police officer roaming aimlessly through Indianapolis streets. The policeman pulled him over to question him and, suspicious of his vague explanations, placed him under arrest. Dillinger broke loose and ran. Knowing he couldn't go back home, he joined the United States Navy the next day. He made it through basic training, but the regimented life of military service was not for him. While assigned to the U.S.S. Utah—the same U.S.S. Utah that was sunk at Pearl Harbor in 1941—he jumped ship and returned home to Mooresville. His five-month military career was over, and he was eventually dishonorably discharged.Upon his return to Mooresville in April 1924, John Dillinger met and married 16-year-old Beryl Ethel Hovious and attempted to settle down. With no job or income, the newlyweds moved into Dillinger's father's farm house. Within a few weeks of his wedding, he was arrested for stealing several chickens. Though his father was able to work out a deal to keep the case out of court, it did little to help his relationship with his father. Dillinger and Beryl moved out of their cramped bedroom and into Beryl's parents' home in Martinsville, Indiana. There he got a job in an upholstery shop.



During the summer of 1924, John Dillinger played shortstop on the Martinsville baseball team. There he met and befriended Edgar Singleton, a heavy drinking individual who was a distant relative of Dillinger's stepmother. Singleton became Dillinger's first partner in crime. He told Dillinger of a local grocer who would be carrying his daily receipts on his way from work to the barbershop. Singleton suggested Dillinger could easily rob the elderly grocer for the cash he would be carrying while Singleton waited for him in a getaway car down the street. The incident did not go well. Dillinger was armed with a .32 caliber and pistol and a large bolt wrapped in a handkerchief. He came up behind the grocer and clubbed him over the head with the bolt, but the grocer turned and grabbed Dillinger and the gun, forcing it to discharge. Dillinger thought he had shot the grocer and took off running down the street to meet Singleton's getaway car. There was no one there and he was soon caught by the police.



The local prosecutor convinced Dillinger's father that if his son pleaded guilty the court would be lenient. However, that was the extent of his legal assistance. Dillinger, Jr. appeared in court without a lawyer and without his father. The court threw the book at him: 10 to 20 years in prison, even though it was his first conviction. Singleton, who had a prison record, was also caught. He served less than two years of his two to four year sentence, thanks to having a lawyer.



John Dillinger was sent to the Indiana State Reformatory in Pendleton. He played on the prison baseball team and worked in the shirt factory as a seamster. Dillinger's remarkable manual dexterity came into play just as it had during his time at the machine shop. He frequently completed twice his quota in the prison factory, and would secretly help fill other men's quotas. As a result, he made many friends within the prison population. It was at the state reformatory that Dillinger met Harry Pierpont and Homer Van Meter, two men who would someday join Dillinger in his life of crime.



As his prison years went on, Dillinger's wife and family visited him frequently. He often wrote letters to Beryl full of affection, "Dearest, we will be so happy when I can come home to you and chase your sorrows away...For sweetheart, I love you so all I want is to just be with you and make you happy...Write soon and come sooner." But Beryl was not doing well with the separation. She obtained a divorce on June 20, 1929, two days before his birthday. He was devastated and later admitted the event had broken his heart.Dillinger was dealt a second blow when he was denied parole. He had not been an exemplary prisoner, after having tried to escape a few times. But not seeing he was much responsible for his circumstances, he felt bitter and angry about the denial for parole. In a letter he wrote to his father in October 1933, he confided, "I know I have been a big disappointment to you but I guess I did too much time, for where I went in a carefree boy, I came out bitter toward everything in general... if I had gotten off more leniently when I made my first mistake this would never have happened." He quit the baseball team, one of his few passions, and asked to be sent to Indiana State Prison in Michigan City, Indiana. Dillinger told prison officials it had a better baseball team, but the truth was he wanted to join friends Pierpont and Van Meter who had been transferred there earlier.



John Dillinger found prison life much harsher and disciplined. He was surprised to see so many men his father's age spending the rest of their lives in prison. He became depressed and withdrawn. He didn't join the baseball team, but instead buried himself in his work in the prison shirt factory, producing double his quote to help other inmates.



It was during this time that John Dillinger learned the ropes of crime from seasoned bank robbers. In addition to reconnecting with Pierpont and Van Meter, he became friends with Walter Dietrich who had worked with the notorious Herman Lamm. A former German army officer, Lamm had emigrated to the United States in the late 1800s. He was famous for planning his bank robberies with the precision of a military tactician. Dietrich had studied the man's method well and was a good teacher, instructing his students in how to investigate the layout of a bank, the entries and exits, windows, and the location of the nearest police station.



Pierpont and Van Meter had longer sentences than John Dillinger but they weren't planning on serving out their full terms. They had already begun planning bank heists for when they were out. Upon leaving prison, they would bribe a few key guards, get a few guns, and grab a place to lay low for awhile. But they would need money to finance their jail break. Knowing that Dillinger would be freed sooner than they, Pierpont and is colleagues brought him in on their scheme and gave Dillinger a crash course in the art of robbery. They gave him a list of stores and banks to hold up and contact information of the most reliable accomplices. They also provided him with guidance on where to fence stolen goods and money.



In May of 1933, the plan got an unexpected boost. Dillinger had been in the state pen for almost four years. He was notified by his family that his stepmother was near death. He was granted parole, but arrived home after she had died. Seizing on the moment, he joined up with a few of Pierpont's men and began a string of robberies that netted nearly $50,000. With the aid of two female accomplices, Pearl Elliott and Mary Kinder, Dillinger put the escape plan in motion. He arranged for several guns to be packed in a box of thread, and smuggled into the shirt factory. The prison break was set for September 27, 1933.Having some time on his hands, Dillinger decided to visit lady friend Mary Longnaker in Dayton, Ohio, whom he had met earlier that year. Unfortunately, the police had been stalking him through much of this time as he gathered the funds for the prison break. After receiving a tip from his landlady, they stormed into Mary's room and arrested Dillinger. He was on his way back to prison. In the meantime, Pierpont and his men escaped from Indiana State Prison and made their way to the gang's hideout in Hamilton, Ohio.



John Dillinger was incarcerated at the Lima, Ohio, jail under the care of Sheriff Jess Sarber and his wife, who lived at the jail building. The jail was just a little over 100 miles away from Pierpont's hideout. He realized that with some cash and a few guns he would be able to spring Dillinger. Pierpont and two other men knocked over a local bank that had been previously closed due to the "bank holiday" enacted by Treasury Department. Armed with pistols, the three men approached the jail house just as Sheriff Sarber and his wife were finishing dinner. Pierpont knocked on the door and announced they were officers from the state penitentiary and needed to see Dillinger. When Sarber asked for their credentials, they showed him their guns. Sarber reached for a gun and Pierpont panicked and shot him twice. Mrs. Sarber gave them the jail keys and they sprang Dillinger. Sarber died a few hours later. This made all members of the gang accessories to murder.



Once John Dillinger was free, the gang headed to Chicago to put together one of the most organized and deadly bank robbing gangs in the country. To pull many of the big jobs they had planned, Pierpont and Dillinger knew they needed heavy fire power, ammunition, and bullet-proof vests. To get the equipment, they headed to the police arsenal in Peru, Indiana. After casing the joint, Pierpont and Dillinger entered the arsenal, overpowered the three guards, and stole machine guns, sawed-off shotguns and ammunition.



After the bold prison escape, the killing of Sarber, the bank robberies, and the attack on the police arsenal, the Pierpont Gang was gaining substantial notoriety. Newspapers wrote sensational stories of the gang's exploits. Gang members were often described as shadowy figures, wearing dark overcoats with hat brims pulled down to hide their identities. The thieves would make swift movements and bark out sharp, crisp orders to "Get down and nobody gets hurt!" Victims were described as helpless and grateful to have their lives spared, and the law was portrayed as inept. All the gang members were well aware of their publicity, particularity Dillinger, who read the stories and saved press clippings. While most men in this line of work possessed big egos, there seemed to be little struggle for leadership within the gang. Whether the newspapers made reference to the "Pierpont Gang" or the "Dillinger Gang" didn't seem to make much difference. Each man had a role to play and the planning of robberies was more egalitarian, with all members providing input.When they weren't working, the men lived quietly and conservatively in expensive Chicago apartments. They dressed like any other respectable businessmen and didn't draw much attention to themselves. Nearly all members had girlfriends, some had wives, but the attachments were episodic. The men drank only on the off-hours, and typically beer. Pierpont had a strict rule that planning and committing a crime had to be done without alcohol or drugs. For the most part, all members agreed that if any gang members couldn't or wouldn't adhere to the rules, they were let go.



For the next three months the gang went on a crime spree of several bank robberies in Illinois, Indiana, and Wisconsin. Always meticulously planned, the heists often had a theatrical flair. One time, several gang members posed as alarm system sales reps to get into a bank's vault and have access to the security system. Another time, they pretended to be a film crew scouting locations for a bank robbery movie. Bystanders looked amused as the real bank heist took place. It was during this time that stories began to circulate in newspapers of interesting oddities and even humorous incidences that occurred during the bank robberies, all enhancing the thieves' reputations. One story told of a farmer who had come to a bank to make a deposit while the gang was robbing the place. Standing at the teller window with his money in front of him, Dillinger asked the farmer if the money was his or the bank's. The farmer answered it was his and Dillinger told him, "Keep it. We only want the banks'."



In December 1933, the gang took some time off and then decided to spend the holidays in Florida. Shortly before they left, one of the gang members fatally shot a police officer while picking up a car at a repair shop. The Chicago Police Department established an elite group of officers dubbed the "Dillinger Squad." The gang spent the holidays in Florida and, shortly after New Years, Pierpont decided they should head for Arizona. Since police were looking all over the Midwest for them, and they had plenty of money to live on for a few more months, they decided to keep a low profile. On his way out West, Dillinger collected his girlfriend, Billie Freshette, and one other gang member, Red Hamilto. He and Hamilton decided to rob the First National Bank of Gary, Indiana, for some quick cash to fund their trip. The robbery went badly; Hamilton was wounded, and Dillinger killed police officer William Patrick O'Malley during their escape.



The rest of the gang arrived in Tucson, Arizona, and were experiencing difficulties of their own. A fire at the hotel where they were staying tipped off police to their whereabouts. John Dillinger and Billie Freshette arrived a day or so after the fire, and registered at a motel nearby. The unexpected event caused the gang members to lose their concentration. The next day, Tucson police rounded up all of them in a few hours, including Dillinger and Freshette. The next few days were a circus as state officials from the Midwest began to barter for extradition of the prisoners. Each state claimed "their criminal's" offence was more severe than the others, and that they had supreme jurisdiction. In time, matters were sorted out and various gang members were assigned to different states for trial. Dillinger was to go with Police Captain Matt Leach back to Indiana for the murder of Officer O'Malley.Dillinger was taken to the office of Lake County Sheriff Lillian Holley, who was serving out the term of her late husband who had been killed in the line of duty. The sheriff's office had become command central as reporters and photographers jammed into the cramped room to get a picture and a quick quote from the famed desperado. At one point, a photographer asked Dillinger to pose with the other officers. He obliged and placed his elbow on the shoulder of Indiana state prosecutor Robert Estill. The picture was printed in many Midwest newspapers and ruined the chances for the aspiring lawyer to become governor several years later.



While awaiting trial, John Dillinger was placed in Crown Point Prison. The facility was deemed inescapable. On March 3, 1934, Dillinger proved them wrong by slipping out of the prison on his own without a shot fired. Legend has it that Dillinger carved a wooden gun, blackened it with shoe polish and used it to escape. Other accounts speak of corruption from within the prison and that someone slipped him a real gun. In any case, Dillinger was able to elude his captors, steal Sheriff Holley's police car, and make his getaway back to Illinois. However, in the process of doing so, he crossed a state line with the stolen car—a felony—and drew the attention of the FBI.



Once arriving in Chicago, Dillinger quickly put together another gang. In this one, its members were not as carefully chosen as the previous gang, being composed of several misfits and a few psychopaths, including Lester Gillis, aka "Baby Face Nelson." Dillinger also teamed up with his friend from the Reformatory, Homer Van Meter. The new gang located to the St. Paul, Minnesota, area. During the month of March, the Dillinger Gang went on a crime spree in four states, robbing a half dozen banks. Some of the robberies went off without a hitch, while others proved more problematic. Dillinger and another gang member were wounded during a bank robbery in Iowa and were forced to hole up in a Wisconsin hideout called Little Bohemia.



Soon after their arrival, the lodge owner, Emil Wanatka, recognized his new guest as the famous John Dillinger. He assured Wanatka there would be no trouble, but to be sure he monitored the lodge's owner and his family closely. The other gang members made Wanatka fear for the safety of his wife and family. He wrote a letter to the U.S. Attorney, George Fisher, revealing the identity of his guests. His wife, Nan, convinced Dillinger to let her go to her nephew's birthday party. She was able to elude their guard, Baby Face Nelson, and mailed the letter. Soon after, the local FBI agent, Melvin Purvis, was contacted.



In the early morning of April 23, FBI agents drove to the Little Bohemia lodge by car. About two miles from the resort, they turned off the car lights and trekked on foot into the woods. The agents spotted three men walking out of the lodge and into a car in the parking lot. Thinking they were gang members trying to escape, the agents opened fire on the car. They ended up killing one and wounding the other two. The lodge exploded with gunfire as the real gang members were alerted to the intrusion. Following a carefully planned escape route, all gang members slipped out the back of the lodge and ran in different routes into the woods.As summer approached in 1934, John Dillinger had dropped out of sight. Because of his notoriety, life was becoming increasingly difficult. The FBI labeled him "Public Enemy Number One," and placed a $10,000 reward on his head. To avoid detection, Dillinger underwent a crude form of plastic surgery in May at the home of Jimmy Probasco, a Chicago bar owner with connections to the mob. He spent the following month at Probasco's home healing, and going under the alias Jimmy Lawrence. In reality, Lawrence was a petty thief who at one time had dated Dillinger's former girlfriend Billie Frechette.



On June 30, 1934, John Dillinger robbed his last bank. He was accompanied by Van Meter, "Baby Face" Nelson, and one other unidentified individual. Shortly before noon, the gang arrived at the Merchant's National Bank in South Bend, Indiana. As they entered, Nelson fired his machine gun to get everyone's attention inside the bank, which in turn got everyone's attention outside the bank. The next few minutes unfolded like a scene from a Hollywood gangster movie.



Several people came running toward the bank, including police officer Howard Wagner. He hid behind a car and started firing at Van Meter who was standing as lookout in front of the bank. After pushing off a few townspeople who had come to help, he shot back at Wagner, killing him. A shop owner brandishing a pistol hit Nelson as he came out of the bank, but the bulletproof vest he was wearing saved him. He spun around, shooting wildly, and wounded two pedestrians. The shop owner backed off, only to be replaced by a teenager who jumped on Nelson's back, beating him with his fists. Nelson threw him off through a window and fired a shot, hitting the boy's hand.



As Dillinger and the others were exiting the bank with hostages, police and citizens fired at them. Most of their bullets hit the hostages. The gun battle raged on as the gang members tried to make it to their getaway car. Van Meter was shot in the head as a gang member dragged him into the car. The bullet, a .22 caliber, entered his forehead near the hairline and burrowed under his scalp, exiting six inches out the back. The total take on the bank robbery netted each gang member only $4,800. It was later revealed that the unprecedented reception by the fair citizens of South Bend was spurred on by their greed for the reward money.



It's not known for sure how John Dillenger met Anna Sage, also known as Ana Cumpanas. Some stories say their relationship went back several years. Others say they met in the summer of 1934 through his girlfriend, Polly Hamilton, who worked for Sage. Sage was born in a small village in Romania and moved to the United States with her husband in 1909, settling in East Chicago, Indiana. Soon after the birth of her son, her marriage broke up and she supported herself as a prostitute and later as a madam for mobster "Big Bill" Subotich. Later, after Big Bill's death, she opened up her own brothel.For a time she was under investigation for immigration violation by the Immigration and Naturalization Service, and charged as an "alien of low moral character." At some point during her time in East Chicago, she had become involved with one of the city's police detectives, Martin Zarkovich, either as a friend or romantic interest. After Sage told Zarkovich of her problems with the INS, he arranged a meeting with FBI agent Melvin Purvis.



Purvis and Sage met on July 19, 1934, and he promised to do all he could to stop her deportation proceedings but said he could not guarantee anything. She told Purvis that she, Dillinger, and Hamilton sometimes went to the Marboro Theater to see a movie and they might be going again soon. She agreed to work with Purvis and keep him informed as to when Dillinger might come to her home. Purvis assembled a team of FBI agents and hired guns from police forces from outside the area because he felt the Chicago police had been compromised and couldn't be trusted.



On Sunday, July 22, at 5:00 PM, Anna Sage told FBI agents that she and Dillinger were planning to go to the movies. She mentioned that they were either going to the Biograph or the Marboro theater. Purvis decided to stake out the Biograph himself. Two other agents were posted at the Marboro. Purvis was standing just a few feet away from the theater entrance when the movie let out. As Dillinger passed, he looked Purvis directly in the eyes, but made no indication of recognition of suspicion. Following the pre-arranged signal, Purvis lit a cigar. As Dillinger and the two women walked down the street, Purvis quickly pulled out his gun, and yelled "Stick'em up, Johnnie, we have you surrounded!" Dillinger began to run, reaching into his pants pocket to draw a gun. He entered an alley just as a volley of gunfire greeted him.



Four bullets hit his body, three from the rear and one from the front. Two bullets grazed his face just next to his left eye. A third, the fatal shot, entered the base of the neck and traveled upward hitting the second vertebra, then exiting below his right eye. Gradually, a crowd formed around Dillinger's lifeless body, and several people dabbed handkerchiefs into the blood for souvenirs. The police had to finally be called in to move people away so that federal agents could secure the scene and remove Dillinger's body.



Dillinger was taken to Alexian Brothers Hospital and officially pronounced dead before being taken to the Cook County Morgue. The crowd had followed the FBI agents and the body to the morgue and into the post-mortem room. Meanwhile, hundreds of spectators waited outside until late into the night, hoping to catch a glimpse of the slain outlaw. Throughout the next day, an estimated 15,000 people shuffled past the body of John Dillinger, before it was taken to McCready Funeral Home. From there he was placed in a hearse and given a police escort to the Indiana border for his journey back to Mooresville, Indiana. There at the Harvey Funeral Home, Dillinger's sister, Audrey, identified the body. He was given a Christian burial on July 25, 1934, and laid to rest in the family plot at Crown Hill Cemetery in Indianapolis, Indiana.


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Elizabeth Bathory (The Blood Countess)

23:41 Apr 25 2011
Times Read: 668


1560: Elizabeth Bathory is born into one of the oldest and wealthiest families in Transylvania. Her family had many powerful relatives -- a cardinal, princes, and a cousin who was prime minister of Hungary are among these relatives. The most famous relative was Istvan (ISHT-vahn) Bathory (1533-86). Istvan was prince of Transylvania and king of poland from 1575-86. It has been said that At around the age of 4 or 5, Elizabeth had violent seizures. These may have been caused by epilepsy or another neurological disorder and may have something to do with her "psychotic" behavior later in life.1575: Age 15, Elizabeth married Count Ferenc (pronounced FAIR-entz) Nadasdy (NAW-dawzhd with silent y). The Count was 26 years of age. The count took Elizabeth's surname so that she could keep her name. They lived together in Castle Cséjthe (which in hungarian is pronounced CHAY-tuh). In Slovak this Castle is named Cachtice (pronounced CHAKH-teet-suh). [To this day there is rivalry between the Hungarians and the Slovak's and you will get a blank expression if you refer to the "wrong" name.] The count spent a great deal of time away from home fighting in wars and for this he was nicknamed "The Black Hero of Hungary". While her husband was away Elizabeth's manservant Thorko introduced her to the occult. For a brief time Elizabeth eloped with a "dark stranger". Upon her return to Castle Cachtice the count did forgive her for her leaving. Back at the castle, Elizabeth couldn't tolerate her domineering mother-in-law. With the help of her old nurse Ilona Joo, she began to torture the servant girls. Her other accomplices included the major-domo János Ujvary (pronounced YAH-nosh OOEE-vahr-yuh), Thorko, a forest witch named Darvula and a witch Dorottya Szentes. The first ten years of their marriage, Elizabeth bore no children because she and Ferenc shared so little time together as he pursued his "career." Then around 1585, Elizabeth bore a girl whom she named Anna, and over the following nine years gave birth to two more girls, Ursula and Katherina, and in 1598 bore her first and only son, Paul. Judging from letters she wrote to relatives, she was a good wife and protective mother, which was not surprising since nobles usually treated immediate family very differently from the lower servants and peasant classes.



1600: At age 51, Count Ferenc died in battle and thus began Elizabeth's period of atrocities. First, she sent her hated mother-in-law away from the Castle. By this time it is thought that she had dabbled into some forms of sorcery, attending rituals that included the sacrificing of horses and other animals. Elizabeth, now 40 years old, grew increasingly vain and she feared the thought of aging as she may lose her beauty. One day a servant girl accidentially pulled her hair while combing it. Elizabeth slapped the girl's hand so hard she drew blood. The girls blood fell into ELizabeth's hand and she immediately thought that her skin took on the freshness of her young maid. She believed that she had found the secret of eternal youth. Elizabeth had her major-domo and Thorko strip the maid and then cut her and drain her blood into a huge vat. Elizabeth bathed in it to beautify her entire body.



1600 - 1610: Elizabeth's henchmen continued to provided Elizabeth with new girls for the blood-draining ritual and her blood baths. Elizabeth went out of her way to see to it that the dead girls were given proper Christian burials by the local Protestant pastor, at least initially. As the body count rose, the pastor refused to perform his duties in this respect, because there were too many girls coming to him from Elizabeth who had died of "unknown and mysterious causes." She then threatened him in order to keep him from spreading the news of her "hobby" and continued to have the bodies buried secretly. Near the end, many bodies were disposed of in haphazard and dangerously conspicuous locations (like nearby fields, wheat silos, the stream running behind the castle, the kitchen vegetable garden, etc.). But one of her intended victims escaped and told the authorities about what was happening at Castle Cachtice. King Mátyás (MAHT-yash) of Hungary ordered Elizabeth's own cousin, Count György (pronounced DYERD-yuh) Thurzo, governor of the province to raid the castle. On December 30, 1610 they raided the castle and they were horrified by the terrible sights. One dead girl in the main room, drained of blood and another alive whose body had been pierced with holes. In the dungeon they discoverd several living girls, some of whose bodies had been pierced several times. Below the castle, they exhumed the bodies of some 50 girls.



1611: A trial was held at Bitcse. Elizabeth, who refused to plead either guilty or innocent, and never appeared in the trial.. At this trial Johannes Ujvary, major-domo, testified that about 37 unmarried girls has been killed, six of whom he had personally recruited to work at the castle. The trial revealed that most of the girls were tortured for weeks or even months. They were cut with scissors, pricked with pins, even prodded with burning irons onto short spikes in a cage hung from the ceiling to provide Bathory with a "blood shower". Sometimes the two witches tortured these girls, or the Countess did it herself. Elizabeth's old nurse testified that about 40 girls had been tortured and killed. In fact, Elizabeth killed 612 women -- and in her diary, she documented their deaths. A complete transcript of the trial was made at the time and it survices today in Hungary. Of the people involved in these killings, all but Countess Bathory and the two witches were beheaded and cremated. Due to her nobility, Elizabeth was not allowed by law to be executed. The tow accomplices had their fingers torn out and were burned alive. The court never convicted Countess Elizabeth of any crime, however she was put under house arrest. She was sentenced to life imprisonment in her torture chamber and stonemasons were brought to wall up the windows and doors of the with the Countess inside. They left a small hole through which food could be passed. King Mátyás II demanded the death penalty for Elizabeth but because of her cousin, the prime minister, he agreed to an indefinitely delayed sentence, which really meant solitary confinement for life.



1614: On July 31 Elizabeth (age 54) dictated her last will and testament to two cathedral priests from the Esztergom bishopric. She wished that what remained of her family holdings be divided up equally among her children, her son Paul and his descendants were the basic inheritors though. Late in August of the year 1614 one of the countess's jailers wanted to get a good look at her, since she was still reputedly one of the most beautiful women in Hungary. Peeking through the small aperture in her walled-up cell, he saw her lying face down on the floor. Countess Elizabeth Bathory was dead. Her body was intended to be buried in the church in the town of Cachtice, but the grumbling of local inhabitants found abhorrent the idea of having the "infamous Lady" placed in their town, on hallowed ground no less! Considering this, and the fact that she was "one of the last of the descendants of the Ecsed line of the Bathory family", her body was placed to the northeastern Hungarian town of Ecsed, the original Bathory family seat.



More Information:



All records of Elizabeth were sealed for more than a century, and her name was forbidden to be spoken in Hungarian society.

Unlike most females of the time, Elizabeth was well educated and her intelligence surpassed even some of the men of her time. Elizabeth was exceptional, becoming "fluent in Hungarian, Latin, and German... when most Hungarian nobles could not even spell or write...Even the ruling prince of Transylvania at the time was barely literate"(20). Some modern scholars and contemporaries of hers postulated that she may have been insane, thus accounting for her seemingly inconceivable atrocities, but even a brief glance into her past reveals a person fully in control of her faculties.

Dracula, created by the Irish author Bram Stoker, was based, albeit loosely, on the Romanian Prince, Vlad Dracula, the Impaler. Raymond T. McNally, who has written four books on the figure of Dracula in history, literature, and vampirism, in his fifth book, "Dracula was a Woman," presents insights into the fact that Stoker's Count Dracula was also strongly influenced by the legends of Elizabeth Bathory of Hungary. Why, for example, make a Romanian Prince into a Hungarian Count? Why, if there are no accounts of Vlad Dracula drinking human blood, does blood drinking consume the Dracula of Stoker's novel, who, contrary to established vampire myth, seems to appear younger after doing so? The answers, of course, lie in examining the story of Countess Elizabeth Bathory.

It was largely Slovak servants whom Erzsebet killed, so the name "Csejthe" is only spoken in derision, and she is still called "The Hungarian Whore" in the area.


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Black Beard The Pirate (historical figure)

23:28 Apr 25 2011
Times Read: 669


A pirate ship's cannon fires a warning blast. The explosion rocks a nearby merchant ship. Musket balls fly. Grenades explode. A wounded helmsman staggers. He lets go of the ship's wheel, and the ship swings around crazily. Flames flicker everywhere. Pistols fire. Pirates, screaming threats, board the merchant ship, swinging axes and cutlasses (short, curved swords). Hissing through his teeth, Blackbeard—one of the most dreaded pirates who ever lived—jumps to the deck. He stands tall and lean. Pieces of rope burn like fuses among coils of his black hair. Sashes stuffed with pistols and daggers crisscross his huge chest. Black ribbons flap from the braids in his beard. Terrified sailors flee. Blackbeard and his fierce crew have pirated another ship.



IT WAS A REIGN OF FEAR that lasted two long years. Blackbeard and his crew of pirates terrorized sailors on the Atlantic Ocean and Caribbean Sea from 1716 through 1718. They ambushed ships carrying passengers and cargo in the dim light of dawn and dusk when the pirates' ship was hard to see.



The pirates often determined a ship's nationality first. Then they raised that country's flag on the pirate ship so they appeared to be friendly. Now able to draw close to the unsuspecting ship, the pirates hoisted Blackbeard's flag only at the last moment.Merchant crews often surrendered without a fight the moment they saw Blackbeard's flag. If the ship didn't surrender after warnings, the pirates moved in. Frequently their first target: the sailor at the ship's wheel. Then, as the pilotless ship drifted aimlessly, the pirates snared it with grappling hooks, pulled it closer, and leaped aboard. When the attack ended, the pirates took the passengers and crew hostage and ransacked cabins looking for coins, gold, silver, and jewelry. Blackbeard repeated this scene over and over again.



BLACKBEARD WAS BRITISH, probably born before 1690. His real name was thought to be Edward Teach. As a young seaman, he had served on a British privateer that was based in Jamaica, an island in the Caribbean. Privateers were privately owned, armed ships hired by governments during time of war. The privateers' mission was to attack the ships of the enemy. Queen Anne of Britain allowed Teach's privateer to plunder French and Spanish ships during the War of the Spanish Succession and to keep stolen goods. By war's end, Teach had become an experienced sea robber. He then joined a group of fierce Caribbean pirates.



Soon the cunning, fearless Teach became captain of his own ship—one he had stolen! He added cannons and reinforced the ship's sides. His ship was swift, easy to handle, and able to carry a large crew of as many as 250 pirates.



MOST MERCHANT SHIPS carried little, if any, actual treasure. They usually hauled cargo such as grain, molasses, and kegs of rum. They also carried supplies of rope, tools, and ammunition. After taking over a merchant ship, the pirates divided the booty, or stolen goods, among themselves according to strict rules—the captain and certain officers received larger portions. Sometimes the pirates stole the ship as well as the cargo.



As Teach's power and reputation as the most frightening of pirates grew, so did his beard and hair. Now calling himself Blackbeard, he braided his beard and tied the braids with black ribbons. He stuffed burning rope under his hat to make himself look more ferocious and menacing. He scared everyone.



Some merchant ships carried passengers—often targets of pirates. According to one story told about Blackbeard, a passenger once refused to give up his diamond ring. So Blackbeard sliced off his finger, ring and all.



Blackbeard once took over a large cargo ship carrying many wealthy passengers—including children—as it sailed out of Charleston, South Carolina. The hostages were locked in the dark hold of the ship. Blackbeard threatened to kill them all if the townspeople in Charleston didn't come up with the ransom: a medical chest filled with remedies. The deadline for delivery passed. The hostages were frantic. The pirates prepared them for hanging.With only minutes to spare, the town came up with the ransom and delivered the medicine chest. Before releasing the hostages, the pirates stole all their jewelry and clothing.



Blackbeard made a home base in North Carolina, a British colony, near a string of islands called the Outer Banks. From there he preyed easily on ships traveling the American coast. Local townspeople tolerated his presence because they liked to buy the goods he stole, such as cloth and sugar. Pirate goods were usually cheaper than imported English goods. The colony's ruling officials turned a blind eye to Blackbeard's “import” business.



In the fall of 1718 Blackbeard returned from sea to his favorite hideaway off Ocracoke Island. He hosted a huge, wild pirate get-together with dancing, drinking, and bonfires. Other famous pirates sailed in for the days-long event.News of the pirate bash reached Alexander Spotswood, the governor of Virginia. He decided that the time had come to stop Blackbeard once and for all. He spent the next several weeks planning Blackbeard's capture.



SPOTSWOOD SENT TWO SLOOPS, small swift ships, commanded by Lieutenant Robert Maynard of the Royal Navy to Ocracoke. Seeing the navy's sails, Blackbeard and his pirates knew they were trapped. Only sandbars lay between them and the navy. By morning, the tide would rise, the sloops would glide over the submerged sandbars, and the attack on the pirate ship would begin.



All through the night Maynard's men prepared for the next day's fighting. Muffled laughter and swearing from the pirate ship echoed across the water. Blackbeard didn't seem worried about the upcoming battle. His pirates, however, were nervous. They stockpiled ammunition on deck and soaked blankets in water in preparation for putting out fires. They spread sand on the decks to soak up blood once the fighting started. Thinking it likely they would all die, one pirate asked Blackbeard whether Blackbeard's wife knew where he had buried his treasure. Blackbeard bellowed that nobody but he “...and the devil knew where it was, and the longest liver shall take it.”



In the morning Blackbeard didn't try to outrun the navy sloops. Instead he waited at his ship's wheel. His crew was puzzled. Finally, when Maynard's sloops started moving toward the pirates, Blackbeard ordered his crew to set sail. He seemed to be steering the ship directly toward the beach! They were going to crash!



But then Blackbeard eased the pirate ship through a narrow channel between the beach and a barely visible sandbar. Chasing the pirates, the navy sloops crashed into the sandbar.



Blackbeard shook with laughter. The pirates blasted the stranded sloops with cannons. Thundering explosions shook the waters. Then the pirate ship lurched backward—and became stuck on a sandbar.One navy ship lay destroyed. Maynard's sloop was battered. Maynard ordered his men to throw food and water barrels over the side to lighten the ship. It worked. Floating free of the sandbar, Maynard's damaged sloop edged toward the pirate ship. Maynard ordered his men to hide below decks with pistols and swords ready.



Blackbeard's men hurled grenades onto the seemingly deserted navy sloop. The pirates boarded the ship easily. Suddenly, Maynard's men rushed the deck, firing pistols and wielding swords. The pirates turned around, completely stunned—they had been tricked into thinking the navy crew was dead. A battle began. Screams and cries of pain filled the air.



Pistol in one hand, cutlass in the other, Blackbeard came face-to-face with Maynard. They both fired pistols. Blackbeard missed. Maynard hit his mark.



Shot, Blackbeard still managed to swing his cutlass and snap off Maynard's sword blade. Maynard drew back. Blackbeard raised his arm for a finishing blow. Just in time, a navy seaman came up from behind Blackbeard and slashed his throat.AS A WARNING TO OTHER PIRATES, Blackbeard's head was cut off and suspended from the bow of Maynard's sloop. Maynard searched for Blackbeard's treasure but found only supplies and letters. When Blackbeard died, the secret of his treasure died, too—if indeed he ever had one.


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Siren (Greek Mythology)

21:16 Apr 25 2011
Times Read: 672


In Greek mythology, the Sirens (Greek singular: Σειρήν Seirēn; Greek plural: Σειρῆνες Seirēnes) were three dangerous bird-women, portrayed as seductresses who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island. Roman poets placed them on an island called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the "flowery" island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks.When the Sirens were given a parentage they were considered the daughters of the river god Achelous, fathered upon Terpsichore, Melpomene, Sterope, or Chthon (the Earth; in Euripides' Helen 167, Helen in her anguish calls upon "Winged maidens, daughters of the Earth"). Although they lured mariners, for the Greeks the Sirens in their "meadow starred with flowers" were not sea deities. Roman writers linked the Sirens more closely to the sea, as daughters of Phorcys.Their number is variously reported as between two and five. In the Odyssey, Homer says nothing of their origin or names, but gives the number of the Sirens as two. Later writers mention both their names and number: some state that there were three, Peisinoe, Aglaope, and Thelxiepeia (Tzetzes, ad Lycophron 7l2) or Parthenope, Ligeia, and Leucosia (Eustathius, loc. cit.; Strabo v. §246, 252 ; Servius' commentary on Virgil's Georgics iv. 562); Eustathius (Commentaries §1709) states that they were two, Aglaopheme and Thelxiepeia. Their individual names are variously rendered in the later sources as Thelxiepeia/Thelxiope/Thelxinoe, Molpe, Aglaophonos/Aglaope/Aglaopheme, Pisinoe/Peisinoë/Peisithoe, Parthenope, Ligeia, Leucosia, Raidne, and Teles.

The Sirens of Greek mythology are sometimes portrayed in later folklore as fully aquatic and mermaid-like; the fact that in Spanish, French, Italian, Polish, Romanian and Portuguese the word for mermaid is respectively Sirena, Sirène, Sirena, Syrena, Sirenă and Sereia, and that in biology the Sirenia comprise an order of fully aquatic mammals that includes the dugong and manatee, add to the visual confusion, so that Sirens are even represented as mermaids. However, "the sirens, though they sing to mariners, are not sea-maidens," Harrison had cautioned; "they dwell on an island in a flowery meadow."According to Ovid (Metamorphoses V, 551), the Sirens were the companions of young Persephone and were given wings by Demeter[6] to search for Persephone when she was abducted. The Sirens might be called the Muses of the lower world, Walter Copland Perry observed: "Their song, though irresistibly sweet, was no less sad than sweet, and lapped both body and soul in a fatal lethargy, the forerunner of death and corruption." Their song is continually calling on Persephone. The term "siren song" refers to an appeal that is hard to resist but that, if heeded, will lead to a bad result. Later writers have inferred that the Sirens were anthropophagous, based on Circe's description of them "lolling there in their meadow, round them heaps of corpses rotting away, rags of skin shriveling on their bones." As Jane Ellen Harrison notes of "The Ker as siren:" "It is strange and beautiful that Homer should make the Sirens appeal to the spirit, not to the flesh." For the matter of the siren song is a promise to Odysseus of mantic truths; with a false promise that he will live to tell them, they sing,Once he hears to his heart's content, sails on, a wiser man.

We know all the pains that the Greeks and Trojans once endured

on the spreading plain of Troy when the gods willed it so—

all that comes to pass on the fertile earth, we know it all!

"They are mantic creatures like the Sphinx with whom they have much in common, knowing both the past and the future," Harrison observed. "Their song takes effect at midday, in a windless calm. The end of that song is death." That the sailors' flesh is rotting away, though, would suggest it has not been eaten. It has been suggested that, with their feathers stolen, their divine nature kept them alive, but unable to provide for their visitors, who starved to death by refusing to leave.

According to Hyginus, sirens were fated to live only until the mortals who heard their songs were able to pass by them.Sirens combine women and birds in various ways. In early Greek art Sirens were represented as birds with large women's heads, bird feathers and scaly feet. Later, they were represented as female figures with the legs of birds, with or without wings, playing a variety of musical instruments, especially harps. The tenth century Byzantine encyclopedia Suda says that from their chests up Sirens had the form of sparrows, below they were women, or, alternatively, that they were little birds with women's faces. Birds were chosen because of their beautiful voices. Later Sirens were sometimes depicted as beautiful women, whose bodies, not only their voices, are seductive.

The first century Roman historian Pliny the Elder discounted Sirens as pure fable, "although Dinon, the father of Clearchus, a celebrated writer, asserts that they exist in India, and that they charm men by their song, and, having first lulled them to sleep, tear them to pieces." In his notebooks Leonardo da Vinci wrote of the Siren, "The siren sings so sweetly that she lulls the mariners to sleep; then she climbs upon the ships and kills the sleeping mariners."In 1917, Franz Kafka wrote in The Silence of the Sirens, "Now the Sirens have a still more fatal weapon than their song, namely their silence. And though admittedly such a thing never happened, it is still conceivable that someone might possibly have escaped from their singing; but from their silence certainly never."

The so-called "Siren of Canosa" accompanied the deceased among grave goods in a burial and seems to have some psychopomp characteristics, guiding the dead on the after-life journey. The cast terracotta figure bears traces of its original white pigment. The woman bears the feet and the wings and tail of a bird. It is conserved in the National Archaeological Museum of Spain, in Madrid.In Argonautica (4.891-919), Jason had been warned by Chiron that Orpheus would be necessary in his journey. When Orpheus heard their voices, he drew out his lyre and played his music more beautifully than they, drowning out their voices. One of the crew, however, the sharp-eared hero Butes, heard the song and leapt into the sea, but he was caught up and carried safely away by the goddess Aphrodite.

Odysseus was curious as to what the Sirens sounded like, so, on Circe's advice, he had all his sailors plug their ears with beeswax and tie him to the mast. He ordered his men to leave him tied tightly to the mast, no matter how much he would beg. When he heard their beautiful song, he ordered the sailors to untie him but they bound him the tighter. When they had passed out of earshot, Odysseus demonstrated with his frowns to be released.Some post-Homeric authors state that the Sirens were fated to die if someone heard their singing and escaped them, and that after Odysseus passed by they therefore flung themselves into the water and perished. It is also said that Hera, queen of the gods, persuaded the Sirens to enter a singing contest with the Muses. The Muses won the competition and then plucked out all of the Sirens' feathers and made crowns out of them. Out of their anguish from losing the competition, writes Stephanus of Byzantium, the Muses plucked their rivals' feathers from their wings; the Sirens turned white and fell into the sea at Aptera ("featherless") where they formed the islands in the bay that were called Souda (modern Lefkai.)By the fourth century, when pagan beliefs gave way to Christianity, belief in literal sirens was discouraged. Although Jerome, who produced the Latin Vulgate version of the Scriptures, used the word "sirens" to translate Hebrew tenim (jackals) in Isaiah 13:22, and also to translate a word for "owls" in Jeremiah 50:39, this was explained by Ambrose to be a mere symbol or allegory for worldly temptations, and not an endorsement of the Greek myth.Sirens continued to be used as a symbol for the dangerous temptation embodied by women regularly throughout Christian art of the medieval era; however, in the 17th century, some Jesuit writers began to assert their actual existence, including Cornelius a Lapide, who said of Woman, "her glance is that of the fabled basilisk, her voice a siren's voice—with her voice she enchants, with her beauty she deprives of reason—voice and sight alike deal destruction and death." Antonio de Lorea also argued for their existence, and Athanasius Kircher argued that compartments must have been built for them aboard Noah's Ark.The Early Christian euhemerist interpretation of mythologized human beings received a long-lasting boost from Isidore's Etymologiae. "They [the Greeks] imagine that 'there were three Sirens, part virgins, part birds,' with wings and claws. 'One of them sang, another played the flute, the third the lyre. They drew sailors, decoyed by song, to shipwreck. According to the truth, however, they were prostitutes who led travelers down to poverty and were said to impose shipwreck on them.' They had wings and claws because Love flies and wounds. They are said to have stayed in the waves because a wave created Venus."

Charles Burney expounded c. 1789, in A General History of Music: "The name, according to Bochart, who derives it from the Phoenician, implies a songstress. Hence it is probable, that in ancient times there may have been excellent singers, but of corrupt morals, on the coast of Sicily, who by seducing voyagers, gave rise to this fable." John Lemprière in his Classical Dictionary (1827) wrote, "Some suppose that the Sirens were a number of lascivious women in Sicily, who prostituted themselves to strangers, and made them forget their pursuits while drowned in unlawful pleasures. [The etymology of Bochart, who deduces the name from a Phoenician term denoting a songstress, favours the explanation given of the fable by Damm. This distinguished critic makes the Sirens to have been excellent singers, and divesting the fables respecting them of all their terrific features, he supposes that by the charms of music and song they detained travellers, and made them altogether forgetful of their native land.]"

Such euhemerist interpretations have been abandoned since the later 19th century, in favour of analyses of Greek mythology in terms of historical Greek social structure and their cultural system, and the Greek taxonomy of the spiritual world.


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Death Echo's

19:54 Apr 23 2011
Times Read: 685


A Death Echo is a type of trapped Ghost. The spirit is stuck reenacting it's death over and over again like in a loop. Sometimes the spirit can be shocked into moving on, particularly by someone with whom the deceased have a emotional connection to.


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Oceanne
Oceanne
21:59 Apr 23 2011

I have always felt these were glimpses we sometimes catch of someone's history in the Akashic record.





 

Trickster's (Supernatural Creatures)

19:41 Apr 23 2011
Times Read: 686


In mythology, and in the study of folklore and religion, a trickster is a god, goddess, spirit, man, woman, or anthropomorphic animal who plays tricks or otherwise disobeys normal rules and conventional behavior. It is suggested by Hansen (2001) that the term "Trickster" was probably first used in this context by Daniel G. Brinton in 1885.The trickster deity breaks the rules of the gods or nature, sometimes maliciously (for example, Loki) but usually, albeit unintentionally, with ultimately positive effects. Often, the bending/breaking of rules takes the form of tricks (e.g. Eris) or thievery. Tricksters can be cunning or foolish or both; they are often funny even when considered sacred or performing important cultural tasks. An example of this is the sacred Iktomi, whose role is to play tricks and games and by doing so raises awareness and acts as an equalizer.[citation needed]

In many cultures, (as may be seen in Greek, Norse, or Slavic folktales, along with Native American/First Nations lore), the trickster and the culture hero are often combined. To illustrate: Prometheus, in Greek mythology, stole fire from the gods to give to humans. He is more of a culture hero than a trickster. In many Native American and First Nations mythologies, the coyote (Southwestern United States) or raven (Pacific Northwest, coastal British Columbia, Alaska and Russian Far East) stole fire from the gods (stars, moon, and/or sun) and are more tricksters than culture heroes. This is primarily because of other stories involving these spirits: Prometheus was a Titan, whereas the Coyote spirit and Raven spirit are usually seen as jokesters and pranksters. Examples of Tricksters in the world mythologies are given by Hansen (2001), who lists Mercurius in Roman mythology, Hermes in Greek mythology, Eshu in Yoruba mythology and Wakdjunga in Winnebago mythology as examples of the Trickster archetype. Hansen makes the interesting observation that the Trickster is nearly always a male figure.Frequently the Trickster figure exhibits gender and form variability, changing gender roles and even occasionally engaging in same-sex practices. Such figures appear in Native American and First Nations mythologies, where they are said to have a two-spirit nature. Loki, the Norse trickster, also exhibits gender variability, in one case even becoming pregnant; interestingly, he shares the ability to change genders with Odin, the chief Norse deity who also possesses many characteristics of the Trickster. In the case of Loki's pregnancy, he was forced by the Gods to stop a giant from erecting a wall for them before 7 days passed; he solved the problem by transforming into a mare and drawing the giant's magical horse away from its work. He returned some time later with a child he had given birth to—the eight-legged horse Sleipnir, who served as Odin's steed.

In some cultures, there are dualistic myths, featuring two demiurges creating the world, or two culture heroes arranging the world — in a complementary manner. Dualistic cosmologies are present in all inhabited continents and show great diversity: they may feature culture heroes, but also demiurges (exemplifying a dualistic creation myth in the latter case), or other beings; the two heroes may compete or collaborate; they may be conceived as neutral or contrasted as good versus evil; be of the same importance or distinguished as powerful versus weak; be brothers (even twins) or be not relatives at all.The Coyote mythos is one of the most popular among Native American cultures. Coyote is a ubiquitous being and can be categorized in many types. In creation myths, Coyote appears as the Creator himself; but he may at the same time be the messenger, the culture hero, the trickster, the fool, the clown. He has also the ability of the transformer: in some stories he is a handsome young man; in others he is an animal; yet others present him as just a power, a sacred one. According to Crow (and other Plains) tradition, Old Man Coyote impersonates the Creator, "Old Man Coyote took up a handful of mud and out of it made people". His creative power is also spread onto words, "Old Man Coyote named buffalo, deer, elk, antelopes, and bear. And all these came into being". In such myths Coyote-Creator is never mentioned as an animal; more, he can meet his animal counterpart, the coyote: they address each other as "elder brother" and "younger brother", and walk and talk together. According to A. Hultkranz, the impersonation of Coyote as Creator is a result of a taboo, a mythic substitute to the religious notion of the Great Spirit whose name was too dangerous and/or sacred to use apart from at special ceremonies.n other stories, the Coyote is purely a clown that entertains, however; he usually ends up tricking people and stealing.

In Chelan myths, Coyote belongs to the animal people but he is at the same time "a power just like the Creator, the head of all the creatures". Yet his being 'just like the Creator' does not really mean being 'the Creator': it is not seldom that Coyote-Just-Like-Creator is subject to the Creator, Great Chief Above, who can punish him, send him away, take powers away from him, etc. In the Pacific Northwest tradition, Coyote is mostly mentioned as a messenger, or minor power, "Coyote was sent to the camp of the chief of the Cold Wind tribe to deliver a challenge; Coyote traveled around to tell all the people in both tribes about the contest." As such, Coyote "was cruelly treated, and his work was never done."As the culture hero, Coyote appears in various mythic traditions, but generally with the same magical powers of transformation, resurrection, and then Coyote's "medicine". He is engaged in changing the ways of rivers, standing of mountains, creating new landscapes and getting sacred things for people. Of mention is the tradition of Coyote fighting against monsters. According to Wasco tradition, Coyote was the hero to fight and kill Thunderbird, the killer of people, but he could do that not because of his personal power, but due to the help of the Spirit Chief; Coyote was trying his best, he was fighting hard, and he had to have fasted ten days before the fight, so advised by Spirit Chief 8. In many Wasco myths, Coyote rivals the Raven (Crow) about the same ordeal: in some stories, Multnomah Falls came to be by Coyote's efforts; in others, it is done by Raven.

More often than not Coyote is a trickster, but he is always different. In some stories, he is a noble trickster, "Coyote takes water from the Frog people... because it is not right that one people have all the water." In others, he is mean, "Coyote determined to bring harm to Duck. He took Duck's wife and children, whom he treated badly."Further information: List of tricksters in fiction

The Trickster or Clown, is an example of a Jungian archetype. In modern literature the trickster survives as a character archetype, not necessarily supernatural or divine, sometimes no more than a stock character.

In later folklore, the trickster/clown is incarnated as a clever, mischievous man or creature, who tries to survive the dangers and challenges of the world using trickery and deceit as a defense. He also is known for entertaining people as a clown does. For example many typical fairy tales have the King who wants to find the best groom for his daughter by ordering several trials. No brave and valiant prince or knight manages to win them, until a poor and simple peasant comes. With the help of his wits and cleverness, instead of fighting, he evades or fools monsters and villains and dangers with unorthodox manners. Therefore the most unlikely candidate passes the trials and receives the reward. More modern and obvious examples of that type are Bugs Bunny and The Tramp (Charlie Chaplin) and Pippi Longstocking.The trickster is an enduring archetype that crosses many cultures and appears in a wide variety of popular media.Modern African American literary criticism has turned the trickster figure into one example of how it is possible to overcome a system of oppression from within. For years, African American literature was discounted by the greater community of American literary criticism while its authors were still obligated to use the language and the rhetoric of the very system that relegated African Americans and other minorities to the ostracized position of the cultural “other.” The central question became one of how to overcome this system when the only words available were created and defined by the oppressors. As Audre Lorde explained, the problem was that “the master’s tools [would] never dismantle the master’s house.n his writings of the late 1980s, Henry Louis Gates, Jr. presents the concept of Signifying. Wound up in this theory is the idea that the “master’s house” can be “dismantled” using his “tools” if the tools are used in a new or unconventional way. To demonstrate this process, Gates cites the interactions found in African American narrative poetry between the trickster, the Signifying Monkey, and his oppressor, the Lion. According to Gates, the “Signifying Monkey” is the “New World figuration” and “functional equivalent” of the Eshu trickster figure of African Yoruba mythology.The Lion functions as the authoritative figure in his classical role of “King of the Jungle.” He is the one who commands the Signifying Monkey’s movements. Yet the Monkey is able to outwit the Lion continually in these narratives through his usage of figurative language. According to Gates, “The Signifying Monkey is able to signify upon the Lion because the Lion does not understand the Monkey’s discourse…The monkey speaks figuratively, in a symbolic code; the lion interprets or reads literally and suffers the consequences of his folly…” In this way, the Monkey uses the same language as the Lion, but he uses it on a level that the Lion cannot comprehend. This usually leads to the Lion’s “trouncing” at the hands of a third-party, the Elephant. The net effect of all of this is “the reversal of [the Lion’s] status as the King of the Jungle.” In this way, the “master’s house” is dismantled when his own tools are turned against him by the trickster Monkey.Following in this tradition, critics since Gates have come to assert that another popular African American folk trickster, Brer Rabbit, uses clever language to perform the same kind of rebellious societal deconstruction as the Signifying Monkey. Brer Rabbit is the “creative way that the slave community responded to the oppressor’s failure to address them as human beings created in the image of God.”The figurative representative of this slave community, Brer Rabbit is the hero with a “fragile body but a deceptively strong mind” that allows him to “create [his] own symbols in defiance of the perverted logic of the oppressor.”By twisting language to create these symbols, Brer Rabbit not only was the “personification of the ethic of self-preservation” for the slave community, but also “an alternative response to their oppressor’s false doctrine of anthropology. Through his language of trickery, Brer Rabbit outwits his oppressors, deconstructing, in small ways, the hierarchy of subjugation to which his weak body forces him to physically conform.Before Gates, there was some precedent for the analysis of African American folk heroes as destructive agents of an oppressive hierarchical system. In the 1920s and 1930s, T. S. Eliot and Ezra Pound engaged in an epistolary correspondence. Both writers signed the letters with pseudonyms adopted from the Uncle Remus tales; Eliot was “Possum;” Pound was “Tar Baby.” Pound and Eliot wrote in the same “African slave” dialect of the tales. Pound, writing later of the series of letters, distinguished the language from “the Queen’s English, the language of public propriety.” This rebellion against proper language came as part of “collaboration” between Pound and Eliot “against the London literary establishment and the language that it used.” Although Pound and Eliot were not attempting to overthrow an establishment as expansive as the one oppressing the African American slave community, they were actively trying to establish for themselves a new kind of literary freedom. In their usage of the Uncle Remus trickster figures’ names and dialects, they display an early understanding of the way in which cleverly manipulated language can dismantle a restrictive hierarchy.African American literary criticism and folktales are not the only place in the American literary tradition that tricksters are to be found combating subjugation from within an oppressive system. In When Brer Rabbit Meets Coyote, the argument is posited that the Brer Rabbit stories were derived from a mixture of African and Native American mythology, thus attributing part of the credit for the formation of the tales and wiles of Brer Rabbit to “Indian captivity narratives” and the rabbit trickster found in Cherokee mythology.[14] In arguing for a merged “African-Native American folklore,” the idea is forwarded that certain shared “cultural affinities” between African Americans and Native Americans allowed both groups “through the trickster tales…survived European American cultural and political domination.”While the trickster crosses various cultural traditions, there are significant differences between tricksters in the traditions of many indigenous peoples and those in the European tradition:

"Many native traditions held clowns and tricksters as essential to any contact with the sacred. People could not pray until they had laughed, because laughter opens and frees from rigid preconception. Humans had to have tricksters within the most sacred ceremonies for fear that they forget the sacred comes through upset, reversal, surprise. The trickster in most native traditions is essential to creation, to birth".

Native American tricksters should not be confused with the European fictional picaro. One of the most important distinctions is that "we can see in the Native American trickster an openness to life's multiplicity and paradoxes largely missing in the modern Euro-American moral tradition". In some stories the Native American trickster is foolish and other times wise. He can be a hero in one tale and a villain in the next. In June 2010, a collection of Native American trickster tales were retold in comic form in a graphic novel anthology titled: Trickster: Native American Tales: A Graphic Collection, edited by Matt Dembicki. The diverse tales in this collection depict the trickster in various forms including a raccoon, raven, coyote, rabbit, and man.In some fiction, villains come in the form of physically unintimidating characters who seek to defeat the protagonist using cerebral, yet whimsical methods. They are typically non-deadly in their intents and may only seek to humiliate or outwit the protagonist. Often such villains lean towards comedy, and conflicts with them are generally resolved non-violently. They may be recurring characters, such as members of the Q Continuum in several Star Trek series. In comics, The Riddler is often presented as one of the less violent members of Batman's rogue's gallery. Others, like The Joker, can qualify as trickster villains, but can also lean more towards malice than clever whimsy.

There is also a trickster in The Sarah Jane Adventures, a spin-off of Doctor Who, where the trickster and his brigade try to change time-lines in order to create chaos


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Succubus (demonic creature)

05:29 Apr 23 2011
Times Read: 691


In folklore traced back to medieval legend, a succubus (plural succubi) is a female demon appearing in dreams who takes the form of a human woman in order to seduce men, usually through sexual intercourse. The male counterpart is the incubus. Religious traditions hold that repeated intercourse with a succubus may result in the deterioration of health or even death.

In modern fictional representations, a succubus may or may not appear in dreams and is often depicted as a highly attractive seductress or enchantress, in contrast to the past where succubi were generally depicted as frightening and demonic.The word is derived from Late Latin succuba "strumpet" (from succubare "to lie under", from sub- "under" and cubare "to lie"), used to describe the supernatural being as well. It is first attested from 1387.According to Zohar and the Alphabet of Ben Sira, Lilith was Adam's first wife who later became a succubus. She left Adam and refused to return to the Garden of Eden after she mated with archangel Samael. In Zoharistic Kabbalah, there were four succubi who mated with archangel Samael. They were four original queens of the demons Lilith, Agrat Bat Mahlat, Naamah, and Eisheth Zenunim. In later folklore, a succubus took the form of a siren.

Throughout history, priests and rabbis including Hanina Ben Dosa and Abaye, tried to curb the power of succubi over humans.

Not all succubi were malevolent. According to Walter Mapes in De Nugis Curialium (Trifles of Courtiers), Pope Sylvester II (999–1003) was involved with a succubus named Meridiana, who helped him achieve his high rank in the Catholic Church. Before his death, he confessed of his sins and died repentant.



Names of known succubi:

Agrat Bat Mahlat

Eisheth Zenunim

Lilith

Meridiana

Naamah



According to the Kabbalah and the school of Rashba, the original three queens of the demons, Agrat Bat Mahlat, Naamah, and Eisheth Zenunim and all their cohorts give birth to children, except Lilith. According to other legends, the children of Lilith are called Lilin.

According to the Malleus Maleficarum, or "Witches' Hammer", written by Heinrich Kramer (Insitoris) in 1486, a succubus collects semen from the men she seduces. The incubi or male demons then use the semen to impregnate human females, thus explaining how demons could apparently sire children despite the traditional belief that they were incapable of reproduction. Children so begotten – cambions – were supposed to be those that were born deformed, or more susceptible to supernatural influences.The book does not address why a human female impregnated with the semen of a human male would not produce a regular human offspring.It is believed by some in the field of medicine that the stories relating to encounters with succubi bear similar resemblance to the contemporary phenomenon of people reporting alien abductions, which has been ascribed to the condition known as sleep paralysis. It is therefore suggested that historical accounts of people experiencing encounters with succubi may have been in fact symptoms of sleep paralysis, with the hallucination of the said creatures coming from their contemporary culture.In Arabic superstition, the qarînah (قرينه) is a spirit similar to the succubus, with origins possibly in ancient Egyptian religion or in the animistic beliefs of pre-Islamic Arabia (see Arabian mythology). A qarînah "sleeps with the person and has relations during sleep as is known by the dreams." They are said to be invisible, but a person with "second sight" can see them, often in the form of a cat, dog, or other household pet. "In Omdurman it is a spirit which possesses. ... Only certain people are possessed and such people cannot marry or the qarina will harm them."


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Acheri (Indian Folklore)

05:21 Apr 23 2011
Times Read: 693


An Acheri is an Indian spirit or ghost. This ghost is believed to be in the form of a small Indian girl who comes down from mountains and hilltops bringing disease and illnesses to the people of the villages below. Children are especially vulnerable to this. Wearing a red ribbon around the neck is thought to give protection.


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Ghoul ( Islamic Folklore)

05:20 Apr 23 2011
Times Read: 695


As supernatural creatures go, it's hard to say exactly where the ghoul originated. From Islamic folklore, it is believed to be a demon which feeds on human bodies, whether living or dead. In ancient Arabian folklore, a ghoul is considered to be a monster that dwells in burial grounds and other uninhabited places, which is more in keeping with North American mythology. It is portrayed as a shape shifting demon that can assume the guise of an animal and is suppose to be able to lure unwary travelers into the desert wastes to slay and devour them.


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Kelpie (Celtic Folklore)

05:19 Apr 23 2011
Times Read: 696


This is a supernatural shape-shifting water horse from Celtic folklore. It appears to humans to be a lost pony and is believed to be able to lure humans into the water to drown and then eat them. The Kelpie comes from Irish and Scottish folklore and is said to haunt the rivers and lochs of Scotland and Ireland.


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Kobold (German Folklore)

05:19 Apr 23 2011
Times Read: 697


Originating from German folklore, the Kobold is a mischievous sprite that is usually invisible. However, it can materialize in the form of an animal, fire, an object or as a human being the size of a small child. They are known to play tricks, but to also bring good luck to a household provided the owners of the home take good care of them. Kobolds who are neglected, made fun of, or otherwise treated badly have been known to become quite malevolent and vengeful.


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Real Vampire Sightings

00:10 Apr 20 2011
Times Read: 705


Examples of Real Vampire Sightings:



The following stories are examples of contemporary real vampire sightings that have taken place at least within the last few decades. In many cases, phantom figures are spotted moving through the dark and no one is injured, but in other cases people are actually attacked and injured by the creature. While some people assume that the attacker is nothing more than a delusional, mentally ill person, other members of the community are often not quite so certain.



A Vampire in England

In 2007 in Hockerill, England, a 43-year-old man was putting out his trash late at night, and was suddenly attacked from behind by someone who tried to wrap his teeth around his neck and bite. The man wrestled with the attacker as the attacker snarled like an animal. The attacker ran away after a few minutes, and the man immediately called the police. The incident marked only one of several that affected this small community for several months on the normally quiet street known as Sandle Road. When this attack took place, the residents told reporters that one woman and several other men had also recently been attacked by the fiend who residents nicknamed "Dracula".

These sort of temporary surges in attacks in small communities and the confusion they cause is somewhat common. Most often, both local skeptics and the media downplay those attacks as the work of a deranged, mentally ill person "pretending" to be a vampire. Unfortunately, the people who live within those communities, and especially those who get attacked, are never so sure. These incidents often fuel public curiosity and interest in whether or not vampires really could exist today.

Archaeological Remains of a Vampire

In 2006, archaeologists in Italy had a unique vampire sighting of their own; they discovered the very real remains of a female vampire with a brick forced into her jaw. Italian forensic archaeologist Matteo Borrini reported the find to National Geographic and other news outlets when the discovery took place. Researchers were investigating a 1576 mass grave of medieval plague victims of the Venetian plague at the time of the discovery.

Communities throughout Europe in the Middle Ages who were suffering from the plague would often bury and then unbury bodies in order to bury more plague victims. Occasionally, the people unburying bodies would discover a dark blood-like substance under the nose and mouths of the dead, and jagged tears in the cloth near their mouths. The history of vampires includes the fact that belief in vampires was prevalent during this time, so the people who found this believed that these vampires were waking up and eating their burial shrouds - and by doing so they were magically spreading the disease further. To prevent this, they would shove either bricks or rocks into the mouths of these corpses in the hope that doing so would stop the spread of the plague. This body, and the skull in particular, was the first case where an alleged vampire's actual body was unearthed in connection to the plague research. It provides supporting evidence for modern historical records that tell about the "vampires" of the Middle Ages.The Vampire of



Highgate Cemetery:

In 1839, Highgate Cemetery was constructed in London, England, and was originally considered a burial place for the elite. However, many years later after a great deal of age and neglect, the cemetery is now allegedly the home of a terrifying vampire. The latest sightings started in 1963 when two teenage convent girls were walking by and spotted bodies climbing out of the graves. It wasn't long after this that other community members started having experiences as well. One couple spotted a strange shadow creature just behind the gate. Multiple sightings of the creature were eventually supported by evidence - animals were discovered with their bodies completely drained of blood.

The strangest and most disturbing sighting came in 1971 when a young girl, walking by the cemetery, was attacked by a very tall, white-faced black figure that threw her to the ground so hard that she suffered from scrapes on her arms and legs. Luckily a car pulled up and the shadow figure immediately disappeared. She was brought to the police station, in a state of shock, and eventually told her own story that supported the sightings of so many other members of the local community. Reported sightings of the "vampire" in and around the cemetery continue to this dayFinal Words



Whether or not you believe the witnesses who report these sightings, many experts believe that even if the causes of these sightings aren't specifically "vampires", they do appear to be caused by something very real and physical. David Farrant, the researcher who wrote Beyond the Highgate Vampire, believes that the vampire sightings are related to Earth's "ley lines" that seem to transmit psychic energy all along their path. While this may seem outrageous, it is interesting to note that the tall dark figure is sighted in buildings and locations all along the ley line that extends from the cemetery and through the town. Are natural elements creating a "thinning" of the fabric of our reality, or are people simply seeing and hearing things that they are purely imagining? Share your own opinion in the comments section below.


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Real Life Vampires

00:07 Apr 20 2011
Times Read: 706


Vampire Types



Real life vampires can be separated into three categories: Lifestyle vampires, historical vampires and the clinically insane.The Vampire Lifestyle

An offshoot of the gothic subculture, the vampire lifestylist takes her interest in vampirism to the next level. There is also an overlap with the fetish and sadomasochism subculture. These real life vampires are separated into two different groups:

Sanguinarians: These are people who literally drink human blood. This can be part of a sexual fetish or just a lifestyle choice. Remember that these vampires are quite human. Further, they generally seek willing donors for their blood-consuming activities. This lifestyle comes with a number of health risks due to blood-borne diseases. These vampires congregate in clubs and chat rooms.

Psychic Vampires: This subculture doesn't drink blood for sustenance or sexual excitement. Rather, they claim to feed on the life energies of others, such as the prana or aura of mysticism. One group of psychic vampires is known as the Order of the Vampire and is under the jurisdiction of the Temple of Set. Another organization is the Temple of the Vampire.

Historical Vampires

While there is no definitive documentation of the vampires of legend as near-immortal creatures that required blood for sustenance, there are historical personages upon which vampire legends are based.

Vlad the Impaler: Perhaps the most famous historical vampire is Vlad the Impaler, the source of the Bram Stoker novel Dracula and countless films. Vlad was a Romanian prince and Voivode (Slavic title for military commander) who resisted Ottoman (Turkish empire) influence in southeastern Europe. He was known for impaling his victims on large stakes. Legend has it that he sometimes consumed the blood of his victims.

Elizabeth Bathory: Elizabeth Bathory is another historical character who provides a basis for vampires in legend and literature. This Hungarian countess believed that she could maintain eternal youth by bathing in the blood of virgins, and she was involved in the murders of countless young girls. She was put on trial and walled off in an isolated part of her own castle. She has been the subject of dozens of novels, films and songs, including a Hammer Films (British film company) feature Countess Dracula and the New Wave of British Heavy Metal band Venom's "Countess Bathory".

Clinical Vampires

Some people choose to become vampires as a part of their subcultural interests. Others are driven there by mental illness. Clearly, there appears to be an overlap between historical vampires and insanity. However, clinical vampirism is a distinct disorder also known as Renfield's syndrome, named after the character in the novel Dracula. The sufferers are generally male, with onset occurring sometime after puberty. The disorder typically begins with the person drinking his own blood, and then moving on to others who are not necessarily willing donors. The serial killers Peter Kürten and Richard Chase are well-known examples of people suffering from clinical vampirism.

Real Life Vampires



Vampires can be very real, even though they differ significantly from those creatures of legend or in your favorite books, comics or movies. Unlike their fictional counterparts, real vampires are not undead creatures that must hide from sunlight. Other than the clinical vampire, real vampires aren't out stalking human prey; they hold down jobs, have homes and even raise families.


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The Choking Doberman (legend)

23:48 Apr 19 2011
Times Read: 708


Analysis: "The Choking Doberman" has circulated in more or less this form for at least three decades, on as many continents. In his book of the same title, folklorist Jan Harold Brunvand cites a plethora of known variants, including a British version dating back to 1973. The legend became hugely popular in the United States during the early 1980s. It was published as an allegedly firsthand account in an American tabloid called The Globe in 1981, though subsequent research revealed that the pseudonymous author ("Gayla Crabtree") had actually heard the story secondhand in a beauty parlor.



Folklorists believe "The Choking Doberman" is a descendant of a much older (perhaps as old as the Renaissance) European folktale about a clumsy thief whose hand is either injured or amputated while committing a crime, marking him as the perpetrator. Among other interpretations it can be read as a "just deserts" tale in which the thief, by his own actions, undergoes a punishment appropriate to the crime.


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Ring Around The Rosie and the Black Plague (legend true)

19:17 Apr 18 2011
Times Read: 714


Every child has happily joined hands with friends and recited the familiar nursery rhyme, " Ring around the Rosie pocket full of posies Ashes to ashes we all fall down." Few people realize to what this seemingly happy little nursery rhyme actually refers. This nursery rhyme began about 1347 and derives from the not so delightful "Black Plague", which killed over twenty five million people in the f fourteenth century. The "ring around the rosie" refers to the round , red rash that is the first symptom of the disease. The practice of carrying flowers and placing them around the infected person for protection is described in this phrase " Pockets full of posies". Ashes is a corruption or imitation of the sneezing sounds made by the infected person. Finally "we all fall down " describes the many dead resulting from the disease.





The "Black Plague" was the disease we call bubonic plague, spread by a bacillus usually carried by rodents and transmitted to humans by fleas. The plague first hit western Europe in 1347, and by 1350 it had killed nearly a third of the population. Although some of the details of the plague offered in this putative "Ring Around the Rosie" explanation are reasonably accurate (sneezing was one of the symptoms of a form of the plague, for example, and some people did use flowers, incense, and perfumed oils to try to ward off the disease), the notion that they were behind the creation of this nursery rhyme is extremely implausible for a number of reasons:





["Ring Around the Rosie" is sometimes said to have originated with a later outbreak of the plague which occurred in London in 1665, to which all of the following reasoning applies as well.]

Although folklorists have been collecting and setting down in print bits of oral tradition such as nursery rhymes and fairy tales for hundreds of years, the earliest print appearance of "Ring Around the Rosie" did not occur until the publication of Kate Greenaway's Mother Goose or The Old Nursery Rhymes in 1881. For the "plague" explanation of "Ring Around the Rosie" to be true, we have to believe that children were reciting this nursery rhyme continuously for over five centuries, yet not one person in that five hundred year span found it popular enough to merit writing it down. (How anyone could credibly assert that a rhyme which didn't appear in print until 1881 actually "began about 1347" is a mystery. If the rhyme were really this old, then "Ring Around the Rosie" antedates even Chaucer's Canterbury Tales, and therefore we would have examples of this rhyme in Middle English as well as Modern English forms.)"Ring Around the Rosie" has many different variant forms which omit some of the "plague" references or clearly have nothing whatsoever to do with death or disease. For example, versions published by William Wells Newell in 1883:



Quite a fervent imagination is required to maintain that any of these variations has anything to do with a plague, and since they were all collected within a few years of each other, how could anyone determine that the "plague" version of "Ring Around the Rosie" was the original, and the other versions later corruptions of it? (And why is it that this rhyme supposedly remained intact for five centuries, then suddenly started sprouting all sorts of variations only in the late nineteenth century?)



The explanations of the rhyme's "true" meaning are inconsistent, and they seem to be contrived to match whichever version of "Ring Around the Rosie" the teller is familar with. For example, the purpose of the "pocket full of posies" is said to be any one of the following:





Something carried to ward off the disease.



A way of masking the "stench of death."



An item the dead were commonly buried with.



Flowers to place "on a grave or funeral pyre."



A representation of the "pus or infection under the skin in the sores" of plague victims.



Likewise, multiple meanings are claimed for the repetition of "ashes" at the beginning of the last line:

A representation of the sneezing sounds of plague victims.



A reference to the practice of burning the bodies of those who succumbed to the plague.



A reference to the practice of burning the homes of plague sufferers to prevent spread of disease.



A reference to the blackish discoloration of victims' skin from which the term "Black Plague" was derived.







The word "ashes" cannot be "a corruption of the sneezing sounds made by the infected person" and a word used for its literal meaning. Either "ashes" was a corruption of an earlier form or a deliberate use; it can't be both. Moreover, the "ashes" ending of "Ring Around the Rosie" appears to be a fairly modern addition to the rhyme; earlier versions repeat other words or syllables instead (e.g., "Hush!", "A-tischa!","Hasher", "Husher", "Hatch-u", "A-tishoo") or, as noted above, have completely different endings.



Children were apparently reciting this plague-inspired nursery rhyme for over six hundred years before someone finally figured out what they were talking about, as the first known mention of a plague interpretation of "Ring Around the Rosie" didn't show up until James Leasor published The Plague and the Fire in 1961. This sounds suspiciously like the "discovery," several decades after the fact, that L. Frank Baum's The Wonderful Wizard of Oz was written as a coded parable about Populism. How come no contemporaries of Baum — those much closer in time and place to what he was writing about — ever noticed this? The answer is that Baum merely authored a children's book, and it was only much later that someone invented a fanciful interpretation of it — an interpretation that has become more and more layered and embellished over the years and has now become widely accepted as "fact" despite all evidence to the contrary. It isn't difficult to imagine that such a process has been applied to "Ring Around the Rosie" as well, especially since we humans have such a fondness for trying to make sense of the nonsensical, seeking to find order in randomness, and especially for discovering and sharing secrets. The older the secret, the better (because age demonstrates the secret has eluded so many others before us), and so we've read "hidden" meanings into all sorts of innocuous nursery rhymes: The dish who ran away with the spoon in "Hey Diddle, Diddle" is really Queen Elizabeth I (or Catherine of Aragon or Catherine the Great), or "Humpty Dumpty" and "The Old Woman Who Lived in a Shoe" describe the "spread and fragmentation of the British Empire." (The process is aided by a general consensus that some nursery rhymes, such as "Old King Cole," quite likely were actually based on real historical figures.)

So, what does "Ring Around the Rosie" mean, then? Folklorist Philip Hiscock suggests:



The more likely explanation is to be found in the religious ban on dancing among many Protestants in the nineteenth century, in Britain as well as here in North America. Adolescents found a way around the dancing ban with what was called in the United States the "play-party." Play-parties consisted of ring games which differed from square dances only in their name and their lack of musical accompaniment. They were hugely popular, and younger children got into the act, too. Some modern nursery games, particularly those which involve rings of children, derive from these play-party games. "Little Sally Saucer" (or "Sally Waters") is one of them, and "Ring Around the Rosie" seems to be another. The rings referred to in the rhymes are literally the rings formed by the playing children. "Ashes, ashes" probably comes from something like "Husha, husha" (another common variant) which refers to stopping the ring and falling silent. And the falling down refers to the jumble of bodies in that ring when they let go of each other and throw themselves into the circle.

Like "A Tisket, A Tasket" or "Hey Diddle Diddle" or even "I Am the Walrus," the rhyme we call "Ring Around the Rosie" has no particular meaning, regardless of our latter day efforts to create one for it. They're all simply collections of words and sounds that someone thought sounded good together. As John Lennon once explained:



We've learned over the years that if we wanted we could write anything that just felt good or sounded good and it didn't necessarily have to have any particular meaning to us. As odd as it seemed to us, reviewers would take it upon themselves to interject their own meanings on our lyrics. Sometimes we sit and read other people's interpretations of our lyrics and think, 'Hey, that's pretty good.' If we liked it, we would keep our mouths shut and just accept the credit as if it was what we meant all along.







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Sulks
Sulks
20:24 Apr 18 2011

Great journal! really interesting to find out the origin of popular phrases or rhymes.





 

Myth about why Friday 13th is unlucky

18:47 Apr 18 2011
Times Read: 716


With the aim of mapping "the relation between health, behaviour, and superstition surrounding Friday 13th in the United Kingdom," its authors compared the ratio of traffic volume to the number of automobile accidents on two different days, Friday the 6th and Friday the 13th, over a period of years.Incredibly, they found that in the region sampled, while consistently fewer people chose to drive their cars on Friday the 13th, the number of hospital admissions due to vehicular accidents was significantly higher than on "normal" Fridays. Their conclusion:



"Friday 13th is unlucky for some. The risk of hospital admission as a result of a transport accident may be increased by as much as 52 percent. Staying at home is recommended."



Paraskevidekatriaphobics — people afflicted with a morbid, irrational fear of Friday the 13th — will be pricking up their ears about now, buoyed by seeming evidence that the source of their unholy terror may not be so irrational after all. But it's unwise to take solace in a single scientific study, especially one so peculiar. I suspect these statistics have more to teach us about human psychology than the ill-fatedness of any particular date on the calendar.



Friday the 13th, 'the most widespread superstition'



The sixth day of the week and the number 13 both have foreboding reputations said to date from ancient times, and their inevitable conjunction from one to three times a year (there happens to be only one such occurrence in 2010, in the month of August) portends more misfortune than some credulous minds can bear. According to some sources it's the most widespread superstition in the United States today. Some people refuse to go to work on Friday the 13th; some won't eat in restaurants; many wouldn't think of setting a wedding on the date.



How many Americans at the beginning of the 21st century suffer from this condition? According to Dr. Donald Dossey, a psychotherapist specializing in the treatment of phobias (and coiner of the term paraskevidekatriaphobia, also spelled paraskavedekatriaphobia), the figure may be as high as 21 million. If he's right, no fewer than eight percent of Americans remain in the grips of a very old superstition.



Exactly how old is difficult to say, because determining the origins of superstitions is an inexact science, at best. In fact, it's mostly guesswork.LEGEND HAS IT: If 13 people sit down to dinner together, one will die within the year. The Turks so disliked the number 13 that it was practically expunged from their vocabulary (Brewer, 1894). Many cities do not have a 13th Street or a 13th Avenue. Many buildings don't have a 13th floor. If you have 13 letters in your name, you will have the devil's luck (Jack the Ripper, Charles Manson, Jeffrey Dahmer, Theodore Bundy and Albert De Salvo all have 13 letters in their names). There are 13 witches in a coven.The Devil's Dozen



Although no one can say for sure when and why human beings first associated the number 13 with misfortune, the superstition is assumed to be quite old, and there exist any number of theories — most of which deserve to be treated with a healthy skepticism, please note — purporting to trace its origins to antiquity and beyond.



It has been proposed, for example, that fears surrounding the number 13 are as ancient as the act of counting. Primitive man had only his 10 fingers and two feet to represent units, this explanation goes, so he could count no higher than 12. What lay beyond that — 13 — was an impenetrable mystery to our prehistoric forebears, hence an object of superstition.



Which has an edifying ring to it, but one is left wondering: did primitive man not have toes?



Life and death



Despite whatever terrors the numerical unknown held for their hunter-gatherer ancestors, ancient civilizations weren't unanimous in their dread of 13. The Chinese regarded the number as lucky, some commentators note, as did the Egyptians in the time of the pharaohs.



To the ancient Egyptians, these sources tell us, life was a quest for spiritual ascension which unfolded in stages — twelve in this life and a thirteenth beyond, thought to be the eternal afterlife. The number 13 therefore symbolized death, not in terms of dust and decay but as a glorious and desirable transformation. Though Egyptian civilization perished, the symbolism conferred on the number 13 by its priesthood survived, we may speculate, only to be corrupted by subsequent cultures who came to associate 13 with a fear of death instead of a reverence for the afterlife.



Anathema



Still other sources speculate that the number 13 may have been purposely vilified by the founders of patriarchal religions in the early days of western civilization because it represented femininity. Thirteen had been revered in prehistoric goddess-worshiping cultures, we are told, because it corresponded to the number of lunar (menstrual) cycles in a year (13 x 28 = 364 days). The "Earth Mother of Laussel," for example — a 27,000-year-old carving found near the Lascaux caves in France often cited as an icon of matriarchal spirituality — depicts a female figure holding a cresent-shaped horn bearing 13 notches. As the solar calendar triumphed over the lunar with the rise of male-dominated civilization, it is surmised, so did the "perfect" number 12 over the "imperfect" number 13, thereafter considered anathema.



On the other hand, one of the earliest concrete taboos associated with the number 13 — a taboo still observed by some superstitious folks today, apparently — is said to have originated in the East with the Hindus, who believed, for reasons I haven't been able to ascertain, that it is always unlucky for 13 people to gather in one place — say, at dinner. Interestingly enough, precisely the same superstition has been attributed to the ancient Vikings (though I have also been told, for what it's worth, that this and the accompanying mythographical explanation are apocryphal). The story has been laid down as follows:



And Loki makes thirteen



Twelve gods were invited to a banquet at Valhalla. Loki, the Evil One, god of mischief, had been left off the guest list but crashed the party, bringing the total number of attendees to 13. True to character, Loki raised hell by inciting Hod, the blind god of winter, to attack Balder the Good, who was a favorite of the gods. Hod took a spear of mistletoe offered by Loki and obediently hurled it at Balder, killing him instantly. All Valhalla grieved. And although one might take the moral of this story to be "Beware of uninvited guests bearing mistletoe," the Norse themselves apparently concluded that 13 people at a dinner party is just plain bad luck.



As if to prove the point, the Bible tells us there were exactly 13 present at the Last Supper. One of the dinner guests — er, disciples — betrayed Jesus Christ, setting the stage for the Crucifixion.



Did I mention the Crucifixion took place on a Friday?LEGEND HAS IT: Never change your bed on Friday; it will bring bad dreams. Don't start a trip on Friday or you will have misfortune. If you cut your nails on Friday, you cut them for sorrow. Ships that set sail on a Friday will have bad luck – as in the tale of H.M.S. Friday ... One hundred years ago, the British government sought to quell once and for all the widespread superstition among seamen that setting sail on Fridays was unlucky. A special ship was commissioned, named "H.M.S. Friday." They laid her keel on a Friday, launched her on a Friday, selected her crew on a Friday and hired a man named Jim Friday to be her captain. To top it off, H.M.S. Friday embarked on her maiden voyage on a Friday, and was never seen or heard from again.



Bad Friday



Some say Friday's bad reputation goes all the way back to the Garden of Eden. It was on a Friday, supposedly, that Eve tempted Adam with the forbidden fruit. Adam bit, as we all learned in Sunday School, and they were both ejected from Paradise. Tradition also holds that the Great Flood began on a Friday; God tongue-tied the builders of the Tower of Babel on a Friday; the Temple of Solomon was destroyed on a Friday; and, of course, Friday was the day of the week on which Christ was crucified. It is therefore a day of penance for Christians.



In pagan Rome, Friday was execution day (later Hangman's Day in Britain), but in other pre-Christian cultures it was the sabbath, a day of worship, so those who indulged in secular or self-interested activities on that day could not expect to receive blessings from the gods — which may explain the lingering taboo on embarking on journeys or starting important projects on Fridays.



To complicate matters, these pagan associations were not lost on the early Church, which went to great lengths to suppress them. If Friday was a holy day for heathens, the Church fathers felt, it must not be so for Christians — thus it became known in the Middle Ages as the "Witches' Sabbath," and thereby hangs another tale.

The witch-goddess



The name "Friday" was derived from a Norse deity worshipped on the sixth day, known either as Frigg (goddess of marriage and fertility), or Freya (goddess of sex and fertility), or both, the two figures having become intertwined in the handing down of myths over time (the etymology of "Friday" has been given both ways). Frigg/Freya corresponded to Venus, the goddess of love of the Romans, who named the sixth day of the week in her honor "dies Veneris."



Friday was actually considered quite lucky by pre-Christian Teutonic peoples, we are told — especially as a day to get married — because of its traditional association with love and fertility. All that changed when Christianity came along. The goddess of the sixth day — most likely Freya in this context, given that the cat was her sacred animal — was recast in post-pagan folklore as a witch, and her day became associated with evil doings.



Various legends developed in that vein, but one is of particular interest: As the story goes, the witches of the north used to observe their sabbath by gathering in a cemetery in the dark of the moon. On one such occasion the Friday goddess, Freya herself, came down from her sanctuary in the mountaintops and appeared before the group, who numbered only 12 at the time, and gave them one of her cats, after which the witches' coven — and, by "tradition," every properly-formed coven since — comprised exactly 13.The astute reader will have observed that while we have thus far insinuated any number of intriguing connections between events, practices and beliefs attributed to ancient cultures and the superstitious fear of Fridays and the number 13, we have yet to happen upon an explanation of how, why, or when these separate strands of folklore converged — if that is indeed what happened — to mark Friday the 13th as the unluckiest day of all.



There's a very simple reason for that: nobody really knows, and few concrete explanations have been proposed.



The Knights Templar



One theory, recently offered up as historical fact in the novel The Da Vinci Code, holds that the stigma came about not as the result of a convergence, but because of a catastrophe, a single historical event that happened nearly 700 years ago. The "catastrophe" was the decimation of the Knights Templar, the legendary order of "warrior monks" formed during the Christian Crusades to combat Islam. Renowned as a fighting force for 200 years, by the 1300s the order had grown so pervasive and powerful it was perceived as a political threat by kings and popes alike and brought down by a church-state conspiracy, as recounted by Katharine Kurtz in Tales of the Knights Templar (Warner Books, 1995):



On October 13, 1307, a day so infamous that Friday the 13th would become a synonym for ill fortune, officers of King Philip IV of France carried out mass arrests in a well-coordinated dawn raid that left several thousand Templars — knights, sergeants, priests, and serving brethren — in chains, charged with heresy, blasphemy, various obscenities, and homosexual practices. None of these charges was ever proven, even in France — and the Order was found innocent elsewhere — but in the seven years following the arrests, hundreds of Templars suffered excruciating tortures intended to force "confessions," and more than a hundred died under torture or were executed by burning at the stake.

A thoroughly modern phenomenon



There are problems with the "day so infamous" thesis, not the least of which is that it attributes enormous cultural significance to a relatively obscure historical event. Even more problematic for this or any other theory positing premodern origins for Friday the 13th superstitions is the fact that no one has been able to document the existence of such beliefs prior to the late 19th century. If folks who lived in earlier ages perceived Friday the 13th as a day of special misfortune, no evidence has been found to document it. As a result, some scholars are now convinced the stigma is a thoroughly modern phenomenon exacerbated by 20th-century media hype.



Going back more than a hundred years, Friday the 13th doesn't even merit a mention in the 1898 edition of E. Cobham Brewer's voluminous Dictionary of Phrase and Fable, though one does find entries for "Friday, an Unlucky Day" and "Thirteen Unlucky." When the date of ill fate finally does make an appearance in later editions of the text, it is without extravagant claims as to the superstition's historicity or longevity. The very brevity of the entry is instructive: "Friday the Thirteenth: A particularly unlucky Friday. See Thirteen" — implying that the extra dollop of misfortune might be accounted for in terms of a simple accrual, as it were, of bad omens:



UNLUCKY FRIDAY + UNLUCKY 13 = UNLUCKIER FRIDAY

If that's the case, we are guilty of perpetuating a misnomer by labeling Friday the 13th "the unluckiest day of all," a designation perhaps better reserved for, say, a Friday the 13th on which one breaks a mirror, walks under a ladder, spills the salt, and spies a black cat crossing one's path — a day, if there ever was one, best spent in the safety of one's own home with doors locked, shutters closed, and fingers crossed.



Postscript: A novel theory



In 13: The Story of the World's Most Popular Superstition (Avalon, 2004), author Nathaniel Lachenmeyer argues that the commingling of "unlucky Friday" and "unlucky 13" took place in the pages of a specific literary work, a novel published in 1907 titled — what else? — Friday, the Thirteenth. The book, all but forgotten now, concerned dirty dealings in the stock market and sold quite well in its day. Both the titular phrase and the phobic premise behind it — namely that superstitious people regard Friday the 13th as a supremely unlucky day — were instantly adopted and popularized by the press.



It seems unlikely that the novelist, Thomas W. Lawson, literally invented that premise himself — he treats it within the story, in fact, as a notion that already existed in the public consciousness — but he most certainly lent it gravitas and set it on a path to becoming the most widespread superstition in modern times.





COMMENTS

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Debunking Urban legends

20:19 Apr 15 2011
Times Read: 726


Debunking Urban Legends:



Debunking urban legends is an important aspect of paranormal research. If the paranormal field is to be taken seriously, researchers must be careful to sort fact from fiction. Urban legends, like ghost stories and reports of mysterious creatures, must be carefully examined and tested against historical and known facts to separate truth from myth, fact from fiction.



Importance of Debunking Urban Legends:



Urban legends take on a life of their own. They often contain a germ of truth or just enough fact to make them seem plausible. For example, there's an urban legend circulating around Manhattan that alligators live in the sewers; tiny pets are supposedly flushed to a watery grave yet survive the trip through the sewer pipe to feast on rats underground and grow to monstrous proportions. Everyone has seen or heard about baby alligators or other exotic pets offered for sale, and nearly everyone knows a friend of a friend who has flushed a deceased goldfish down the toilet, and thus the marriage of two remembered facts turns into an urban legend. Escaped maniacs who kill unsuspecting couples on lover's lane, companies treading on our cherished patriotic or religious notions are just some tales that can turn into urban legends.The problem with urban legends is that they can quickly replace facts in people's minds about individuals, places, companies or events. Urban legends are often so much more colorful and emotionally-driven than regular news stories that the mind tends to remember them more vividly. They take on a life of their own and can quickly overwhelm the truth; this leads to suspicion, mistrust, and misguided efforts to correct the problem stated in the legend.

Debunking urban legends becomes critical when the legend threatens to overwhelm scientific truth. Legends about vampires abound; urban legends tell us that they live among us. This fanciful notion, if repeated often enough, leaves conventional scientists scratching their heads and mistrusting all paranormal investigations. It may seem unfair to lump vampires among scientifically-based research into haunted locations, but that's what happens over time, and it can tarnish the reputation of earnest truth seekers in the paranormal community.



Separating Fact from Fiction:



If you're interested in urban legends and debunking them, there are many media outlets and organizations that can help you.

Skeptical Inquirer: Skeptical Inquirer is a magazine published by the Committee for Skeptical Inquiry. Each issue includes articles on urban legend debunking and exploring the world of the paranormal and unusual. Topics range from debunking rumors about the Loch Ness Monster, Bigfoot and psychics such as Sylvia Brown to historical explorations of past researchers like Harry Houdini. It's a scientific lens through which to view the paranormal.

Snopes Urban Legends: Snopes aims to debunk all types of stories and urban legends. Many people check the large database on the Snopes site when they hear stories in order to separate fact from fiction. Daily Snopes provides a daily email list of stories circulating on the Internet and the message board allows individuals to post whatever rumor they heard to check with the community on its veracity.

Myth Busters: This popular television show uses physics, chemistry and experimentation to bust myths and debunk many urban legends. While the show explores legends from movies and popular culture, they often look at urban legends, such as cars that take off a la the Dukes of Hazard during a police chase to evade capture and whether or not body paint can smother someone like in the movie Goldfinger. The show airs on the Discovery Channel; check your local listings for the station and time.

Truth or Fiction: Truth or Fiction is a website like Snopes that aims to help debunk urban legends. The most recent urban legends are listed on the home page, but you can search for older ones, too.

Technology Legends: Someone over at Tech Republic got so sick of all the technology-related urban legends that he posted the ten top sites to debunk urban legends. The list does include the best places to find out the truth about the latest virus or Microsoft urban legends, but it also includes sites that go beyond technology.





Think Critically and Check Facts:



The most important means of debunking urban legends is right within your own home; use your own critical thinking skills and intelligence. When a friend tells you a juicy rumor about the latest corporate scam, murderer on the loose or wild animals found slaughtered, do you agree and repeat it to everyone else, or do you check it out for yourself?



Ask yourself:

Is this too far out to be true?

Does it make sense?

Can I find anything about it online?

Is it being discussed on the mainstream media?

Is the source accurate?

Sometimes, wild stories are indeed true. People do get stuck in their doorways or attacked by coyotes in the middle of a city. Before you swear a story is true and repeat it to all your friends, visit one of the debunking websites and check your facts.


COMMENTS

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Myths and Urban Legends

20:16 Apr 15 2011
Times Read: 727


Myths and Urban Legends:



Myths and urban legends are ingrained in our popular culture. Many people pass them on unknowingly, repeating popularly told tales from person to person. This is how myths and urban legends are perpetuated.



What are Myths and Urban Legends?



Urban legends and myths are modern folk tales. According to Webster's dictionary, an urban legend is, "an often lurid story or anecdote that is based on hearsay and widely circulated as true". Urban legends are often referred to as "urban myths" or simply as myths. If you hear a plausible sounding story about a non-specific person (a friend of a friend, for instance) that often has a shocking or funny climax, there's a good chance that it is an urban legend.





Where Do Urban Legends Come From?



You've probably heard a number of urban legends throughout your life. They are stories where someone tells you about their uncle's friend's older brother who encountered something dark and mysterious - or something just downright odd.

Myths and urban legends have been around for centuries, passed on from person to person in a society. In today's day and age, the Internet is a hotbed of urban legends that can spread like wildfire with a simple click of a forward key. Many of the virus warnings you receive by email are urban legends, as are some of the wildly popular forwarded emails such as the little boy who is collecting business cards before he dies, or popular warnings about the dangers of common objects such as Febreeze or baby carrots.



Elements of Truth:



Many urban legends have some element of truth to them, and this is what makes them so plausible. Some are inspired by an actual event, but they become so twisted up when passed from person to person that the story you hear bears little resemblance to the original story. If you'd like to experience evidence of this, try the childhood game of "telephone". Gather several of your friends, and have them sit in a line. Whisper a story to one person and have them pass it on down the line. It is very seldom that the story that reaches the end of the line is the same story that was told at the front of the line. This is how urban legends develop and change over time.

Some urban legends may come from an actual event that has been misinterpreted. A good example of this is the aforementioned urban legend about baby carrots. Haven't heard it? According to the story, when baby carrots have white on the outside of them, it is chlorine used in the manufacturing process leaching out of the carrots. This legend is actually a misinterpretation of the fact that carrots are rinsed in chlorine as an antimicrobial; however, there is no residue. The white on the outside of baby carrots actually is merely dehydration in older carrots.

Not all urban legends have elements of truth in them. Some are outright fabrications. Many urban legends come from books or movies long forgotten.



Characteristics of Urban Legends:



Have you heard a great story - or a scary story - and you are wondering if it is an urban legend? While the subjects of urban legends span a wide range, many urban legends have a combination of common themes that may include:

Humor

Horror

Warning

Embarrassment

Appeal to empathy

Moralizing

Further, there are elements that can give away a good story as an urban legend. These elements include:

The story is about a non-specific protagonist (brother's friend's father's best friend) instead of the action happening to the story teller.

You hear different versions of the same story.

The topic of the story relates to common societal fears such as death, embarrassment or crime.

The story has a moral or a warning inherent in its telling.

The story sounds too odd to be true.



Verifying the Legend:



Are you still not sure that the story you've heard or the email you've received is an urban legend? With the onset of widely forwarded urban legends via email, Snopes.com has arrived on the scene to help you verify. With a huge database of legends and folklore that are widely circulated as the truth, Snopes.com is the first place many people go now to verify that email before passing it on to their emailing list.Whatever their source and no matter how they are circulated, urban legends say a lot about the fears and worries of the culture in which they are circulated. As a form of modern-day folklore, they continue to be widely circulated to those unsuspecting people who are ripe for a good story.


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Paranormal Creatures Fact or Fiction

19:54 Apr 15 2011
Times Read: 732


Paranormal Creatures:



Children aren't the only ones enthralled with the idea of paranormal creatures. Plenty of adults would also like to know whether other-worldly creatures exist.



Paranormal Creatures: Real or Fiction?:



There are actually organizations devoted to the discovery of whether a so-called paranormal occurrence is actually the real deal. These include The Atlantic Paranormal Society and the National Paranormal Society just to name a few, and common paranormal subjects include ghosts, demons and angels. There are some people who believe wholeheartedly in the existence of many of the creatures heard of in myths and legends, while others merely scoff at the notion such things exist. Which category do you fall under? Are you a believer or a skeptic? Do you believe that any of the following paranormal creatures really exist?



Mothman:



If you've ever watched the film The Mothman Prophecies starring Richard Gere, you are familiar with this eerie creature. Supposedly, a winged creature that seemed half human was sighted numerous times around West Virginia during 1966. This being was reportedly connected to the collapse of the Silver Bridge. There were those who swore that the creature really did exist, while others believed it to be a hoax. You decide!



Abominable Snowman:



The abominable snowman is said to live in the Himalayan mountain range. This creature is reportedly similar to Bigfoot, a creature said to live in North America and is often referred to as a Yeti. Most descriptions describe the beast as seven to eight feet tall, completely white and hairy. It walks like a man and vaguely resembles an ape.



Fairies:



Just the mere mention of the diminutive creatures known as fairies makes us smile. Storybook characters such as Tinkerbell have captured the hearts of children for decades, and the love affair with fairies continues today. Are they real? They've existed for centuries through folklore, and writers like Shakespeare have featured them in plays and stories. While most people think fondly of fairies, few know that some fairies aren't so loveable. In fact, fairies have been blamed for inhabiting the souls of children. What do you believe?



Leprechauns:



Even if you aren't Irish, you've probably heard the legend of the leprechaun. If you catch this little guy, he is supposed to be compelled to tell you where his pot of gold is hidden. In some cases, people blame items that have become lost or unexplainable events in the house on the mischievous behavior of a leprechaun as well.



Loch Ness Monster:



Leave the Irish lore behind and head on over to Scotland for its own favorite creature, the Loch Ness Monster. Nessie, as it's often called, is said to reside in the waters of Loch Ness. People who've reported sightings of the creature have said it is 40 or 50 feet long, although only partial sightings have actually be reported, such as a long back, head or tail. Researchers have actually explored the possibility that it is a type of aquatic dinosaur called a plesiosaur. What do you think?



Werewolves:



Werewolves are said to roam the streets and countryside at night after they've transformed from human into beast. Supposedly, the only way to kill a werewolf is to shoot it with a silver bullet.



Vampires:



While werewolves are said to be half man/half beast, they aren't nearly as intimidating as a vampire to most people. Vampires are said to survive on the blood of their victims, which they suck after biting the unsuspecting soul…usually in the neck. They are said to only come out at night because they can't survive the sun's rays. The old tales say the only way to kill a vampire is to either drive a stake through its heart or cut off its head. It's nasty business either way.



Banshees:



If you lived in Ireland, you'd be quite familiar with the banshee, but Western culture may not understand exactly what this creature is. While many disagree as to the form the Banshee takes, everyone who believes in its existence seems to know its purpose as a harbinger of death. The term "screamed like a Banshee" is taken from the creature's shrieking wail that is said to be heard from one town to the next. The Banshee's appearance usually comes in one of three forms: an ugly hag, a distinguished lady or a young woman. No matter which form, the Banshee typically wears the same attire, a gray, hooded cape. It is said that whomever it appears before will soon die.


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Urban Legend Flight 19 and the Bermuda Triangle

19:50 Apr 15 2011
Times Read: 733


Flight 19 and the Bermuda Triangle:



Flight 19 and the Bermuda Triangle is one of the best known disappearances. What makes it such a horrific mystery is the number of missing people and planes.



Flight 19 Disappears:



On December 5, 1945 at 2:10 p.m., a squad of five TBM (Torpedo Bomber) Avengers set out on a routine training flight (Flight 19). They took off from the Naval Air Station located at Fort Lauderdale in Florida and disappeared. It was a clear day with calm seas. The students were led by World War II veteran pilot and flight instructor, Commander Lt. Charles Taylor who had recently been assigned to Fort Lauderdale after serving six months at the Key West base in Florida.





The Mission:



The squadron was on a routine navigation and bomb run practice. The flight plan was to fly 56 miles east of Ft. Lauderdale to Hens and Chickens Shoals to proceed with the training exercise. Once completed, they would continue course for 67 miles turn north and continue for 73 miles. The squadron would then be 120 miles away from base. They would then return to Ft. Lauderdale.



Lost and Confused:



An hour and a half after Flight 19 took off from Ft. Lauderdale, the commander and 13 students reported having problems with their compasses. Commander Taylor estimated they were off course and possibly somewhere over the Florida Keys. The commander was directed to correct his heading and turn north (with the sun on his port wing) in order to return to Ft. Lauderdale. This was standard flying protocol for a lost aircraft in that area.

Later, during the investigative naval hearing, command center personnel reported that Commander Taylor seemed disoriented, very confused and agitated.



A Crisis Develops:



Commander Taylor hadn't logged many hours for Bahamas flying. It's unclear why the officer believed he was flying over the Keys. Had the squadron somehow been flying south instead of east? It was a clear day. The sun was shining, so why couldn't they get a bearing on their direction by the sun's position? Whatever the reason, the commander was convinced they were over the Keys and flight direction changes were made.



Transmissions Between the Crew:



The communications between the command center and Flight 19 were broken and at times the squadron couldn't hear the center, but the center could hear the radio transmissions between the crew.

According to the transcript posted on the navy military website, one crewman said, "We can't find west. Everything is wrong. We can't be sure of any direction. Everything looks strange, even the ocean." During another broken transmission, another crewman was heard saying, "Dammit, if we could just fly west we would get home; head west, dammit."







Another Flight Instructor Tries to Help:



During the hearing, another flight instructor stated he overheard the crew discussing being lost and offered assistance. He suggested the commander keep the sun over his port wing, and offered to meet the squadron to help guide them home, but the commander said he now knew where he was.

The other instructor ignored Taylor's refusal and flew south, but as the instructor grew closer to the Keys, Taylor's transmissions weakened. The weakened signal indicated that the two planes were flying further away from each other in opposite directions.



Weather Changes, Storm Brewing:



A storm front moved in. A British vessel reported 50-foot seas and strong wings. The ceiling was around 800 feet with poor visibility.





Weak Signal Enables Tracking:



The ComGulf Sea Frontier Evaluation Center finally managed to locate Flight 19's signals at 5:50 p.m. The signals were very weak and the center was unable to raise them by radio. The military was now able to place the lost planes over the ocean, east of New Smyrna Beach in Florida (approximately 230 miles North of Ft. Lauderdale).



Plane Dispatched to Intercept Squadron:



A Dumbo Flying Boat was dispatched at 6:20 p.m. to find Flight 19 and guide it home. By now, the storm was settling in. The center overhead Taylor change course to west but later change back to east. He informed his crew that the first plane to hit ten gallons was the signal to ditch their planes into the ocean. The rescuers knew they were fighting the clock because Flight 19 was running low on fuel.



Two More Planes Dispatched:



During the next hour, two more planes (Martin Mariners) were sent to help search for the squadron. The two Martin Mariners covered separate areas with a designated rendezvous map point. The plane, Training 49, never made it to the rendezvous point.


COMMENTS

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Urban Legend on the Blair Witch project

19:45 Apr 15 2011
Times Read: 734


Urban Legends on the Blair Witch Project:



If you've watched the movie The Blair Witch Project, you know about the witch named Elly Kedward that was the foundation for the movie. The fictitious legend was ideal for the marketing hype created for the movie. In addition to that core story, there were additional urban legends hidden throughout the movie that weren't quite as obvious.



The Core Legend:



The independent filmmakers developed an elaborate legend about a fictional character, an Irish immigrant named Elly Kedward who was accused of being a witch in 1786. Elly was banished to starve to death in the forests surrounding the fictional township of Blair.



Elements of the Fake Blair Witch Legend:



The filmmakers littered the fabricated story with enough names, dates and places to make the legend feel somewhat believable, especially for anyone who never bothered to verify any of the facts. Since so many people failed to check the authenticity of the story, the legend quickly became viral on the Internet and fueled the hype leading up to the movie release date. The urban legend had the following elements.

In 1786, Elly Kedward was accused of being a witch and banished into the Black Woods to die.

Throughout that winter, the children of the town began disappearing, and the townsfolk soon became convinced that the witch of the Black Woods was taking their children.

The curse of the Black Woods drove away the townsfolk, and Blair became nothing more than an abandoned ghost town.

In 1824, the town was rediscovered and rebuilt along a new railway system. The new town was named Burkittsville.

Before long, children started disappearing once more. One child was pulled into a creek, and a girl disappeared in the forest.

An entire search party disappeared, and a second search party discovered the first, completely massacred in the forest with pagan symbols drawn on their bodies.

A crazed old hermit named Rustin Parr eventually admitted to murdering seven children in his house in the woods, but confessed that he was told to do so by an old woman from the forest who was dressed in a black cloak.



the Blair Witch Legend Persists:



The convincing timeline of the legend extended all the way up to the story of Heather Donahue, Joshua Leanard and Michael Williams. This part of the story included the "fact" that the three student filmmakers entered the forest to investigate the legend of the Blair Witch, only to disappear in the cursed Black Woods. The legend finished with the claim that authorities discovered film canisters, which held evidence of what the three witnessed. The video quality and style were just shaky and amateurish enough that many moviegoers were convinced the footage was authentic. As detailed and convincing as the urban legend of the film's origin appeared, it was completely fabricated by the filmmakers.

Despite the fact that the three actors provided interviews and attended public events following the release of the film, the promotion of the urban legend was so thorough and widespread that there are still people who believe the story is true. This is a clear demonstration of the power of urban legends.



Additional Blair Witch Urban Legends:



In addition to the core legend of Elly Kedward, there are a number of elements throughout the film that were borrowed from existing legends. In particular, the objects that the students found during their walk into the Black Woods were highly symbolic of real world objects steeped in legend and folklore.





The Rock Piles:



As the student filmmakers walked through the woods and became lost, they discovered seven piles of stones. It seemed obvious that each pile of stones represented each of the seven children that were murdered in the Blair Witch legend. Later, the three students wake up one morning to find three more piles of stones around their tent; an ominous threat that they would soon suffer the same fate as the children. But why piles of stones?

The choice to use piles of stones as a symbolic grave or death was probably borrowed from the many old stories of the accused witches' gravesites in both Europe and Colonial America. The executed witches had nothing to mark their graves but a simple pile of stones. One example of this is the prehistoric fort in Lothian, Scotland where piles of stones north of the Fort represent the gravesites of witches that were burned at the stake. Many towns throughout the world share similar legends about local witch graves marked by small piles of stones. By adding this element to the movie, the filmmakers of the Blair Witch movie made the story even more believable.



Hanging Stick Dolls:



Another discovery in the course of the students' adventures was a group of stick dolls hanging from the trees. While the meaning of this discovery wasn't entirely obvious, the use of such figures was reminiscent of voodoo legends of magical rituals that use wooden dolls. In fact, one West African legend mentions the story of a woman named Akua who could not bear children. One day a wise old man advised her to make a wooden doll and treat it as though it were a real child. This is the reason that particular style of wooden doll represented fertility. It may only be coincidence that the Blair Witch legend involved the murder of children, but the connection between stick dolls and voodoo-like magical rituals and children seemed obvious enough.



Urban Legends for Entertainment:



The practice of fabricating new urban legends for the sake of entertainment seems unethical to some people, if for no other reason than many people continue believing the story to be true long after the truth is revealed. Filmmakers may feel that convincing people of false legends is innocent enough, but tall tales and fabricated stories are the very reasons many false urban legends are so prevalent in the world today.


COMMENTS

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great site For Vlad Tepes

18:46 Apr 15 2011
Times Read: 737


http://roswell.fortunecity.com/seance/500/vamps/vlad/intro.html



This one has loads of information on Vlad's Family tree history



is impressed on the info great site





enjoy reading about my idol



(huge History Buff)


COMMENTS

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My idol Vlad Tepes Dracula "Impaler"

02:16 Apr 15 2011
Times Read: 740




Introduction



Most authorities believe the character of Dracula in Bram Stoker’s novel was based upon the historical figure Vlad Tepes (pronounced tse-pesh), who intermittently ruled an area of the Balkans called Wallachia in the mid 15th century. He was also called by the names Vlad III, Vlad Dracula and Vlad the Impaler. The word Tepes stands for "impaler" and was so coined because of Vlad’s propensity to punish victims by impaling them on stakes, then displaying them publicly to frighten his enemies and to warn would-be transgressors of his strict moral code. He is credited with killing between 40,000 to 100,000 people in this fashion.Origin of the name "Dracula"



King Sigismund of Hungary, who became the Holy Roman Emperor in 1410, founded a secret fraternal order of knights called the Order of the Dragon to uphold Christianity and defend the Empire against the Ottoman Turks. Its emblem was a dragon, wings extended, hanging on a cross. Vlad III’s father (Vlad II) was admitted to the Order around 1431 because of his bravery in fighting the Turks. From 1431 onward Vlad II wore the emblem of the order and later, as ruler of Wallachia, his coinage bore the dragon symbol.The word for dragon in Romanian is "drac" and "ul" is the definitive article. Vlad III’s father thus came to be known as "Vlad Dracul," or "Vlad the dragon." In Romanian the ending "ulea" means "the son of". Under this interpretation, Vlad III thus became Vlad Dracula, or "the son of the dragon." (The word "drac" also means "devil" in Romanian. The sobriquet thus took on a double meaning for enemies of Vlad Tepes and his father.)Historical Background



To appreciate the story of Vlad III it is essential to understand the social and political forces of the region during the 15th century. In broad terms this is a story of the struggle to obtain control of Wallachia, a region of the Balkans (in present-day southern Romania) which lay directly between the two powerful forces of Hungary and the Ottoman Empire.For nearly one thousand years Constantinople had stood as the protecting outpost of the Byzantine or East Roman Empire, and blocked Islam’s access to Europe. The Ottomans nonetheless succeeded in penetrating deep into the Balkans during this time. With the fall of Constantinople in 1453 under Sultan Mohammed the Conqueror, all of Christendom was suddenly threatened by the armed might of the Ottoman Turks. The Hungarian Kingdom to the north and west of Wallachia, which reached its zenith during this same time, assumed the ancient mantle as defender of Christendom.



The rulers of Wallachia were thus forced to appease these two empires to maintain their survival, often forging alliances with one or the other, depending upon what served their self-interest at the time. Vlad III is best known by the Romanian people for his success in standing up to the encroaching Ottoman Turks and establishing relative independence and sovereignty (albeit for a relatively brief time).



Another factor influencing political life was the means of succession to the Wallachian throne. The throne was hereditary, but not by the law of primogeniture. The boyars (wealthy land-owning nobles) had the right to elect the voivode (prince) from among various eligible members of the royal family. This allowed for succession to the throne through violent means. Assassinations and other violent overthrows of reigning parties were thus rampant. In fact, both Vlad III and his father assassinated competitors to attain the throne of Wallachia.

History of Wallachia Prior to Vlad III:Wallachia was founded in 1290 by Radu Negru (Rudolph the Black). It was dominated by Hungary until 1330, when it became independent. The first ruler of the new country was Prince Basarab the Great, an ancestor of Dracula. Dracula’s grandfather, Prince Mircea the Old, reigned from 1386 to 1418. Eventually, the House of Basarab was split into two factions—Mircea’s descendant’s, and the descendants of another prince named Dan (called the Danesti). Much of the struggles to assume the throne during Dracula’s time were between these two competing factions.



In 1431 King Sigismund made Vlad Dracul the military governor of Transylvania, a region directly northwest of Wallachia. (Vlad III was born during this time, in the latter part of 1431.) Vlad was not content to serve as mere governor, and so gathered supporters for his plan to seize Wallachia from its current occupant, Alexandru I, a Danesti prince. In 1436 he succeeded in his plan, killing Alexandru and becoming Vlad II. (Presumably there was an earlier prince also named Vlad.)



For six years Vlad Dracul attempted to follow a middle ground between his two powerful neighbors. The prince of Wallachia was officially a vassal of the King of Hungary and Vlad was still a member of the Order of the Dragon and sworn to fight the infidel. At the same time the power of the Ottomans seemed unstoppable. Vlad was forced to pay tribute to the Sultan, just as his father, Mircea the Old, had been forced to do.



In 1442 Vlad attempted to remain neutral when the Turks invaded Transylvania. The Turks were defeated, and the vengeful Hungarians under John Hunyadi—the White Knight of Hungary--forced Vlad Dracul and his family to flee Wallachia. In 1443 Vlad regained the Wallachian throne with Turkish support, but on the condition that Vlad send a yearly contingent of Wallachian boys to join the Sultan’s Janissaries. In 1444, to further assure to the Sultan his good faith, Vlad sent his two younger sons--Vlad III and Radu the Handsome--to Adrianople as hostages. Vlad III remained a hostage in Adrianople until 1448.



In 1444 Hungary broke the peace and launched the Varna Campaign, led by John Hunyadi, in an effort to drive the Turks out of Europe. Hunyadi demanded that Vlad Dracul fulfill his oath as a member of the Order of the Dragon and a vassal of Hungary and join the crusade against the Turks, yet the wily politician still attempted to steer a middle course. Rather than join the Christian forces himself, he sent his oldest son, Mircea. Perhaps he hoped the Sultan would spare his younger sons if he himself did not join the crusade.



The results of the Varna Crusade are well known. The Christian army was utterly destroyed in the Battle of Varna. John Hunyadi managed to escape the battle under inglorious conditions. From this moment forth John Hunyadi was bitterly hostile toward Vlad Dracul and his eldest son. In 1447 Vlad Dracul was assassinated along with his son Mircea. Mircea was apparently buried alive by the boyars and merchants of Tirgoviste. (Vlad III later exacted revenge upon these boyars and merchants.) Hunyadi placed his own candidate, a member of the Danesti clan, on the throne of Wallachia.



On receiving news of Vlad Dracul’s death the Turks released Vlad III and supported him as their own candidate for the Wallachian throne. In 1448, at the age of seventeen, Vlad III managed to briefly seize the Wallachian throne. Yet within two months Hunyadi forced him to surrender the throne and flee to his cousin, the Prince of Moldavia. Vlad III’s successor to the throne, however—Vladislov II—unexpectedly instituted a pro-Turkish policy, which Hunyadi found to be unacceptable. He then turned to Vlad III, the son of his old enemy, as a more reliable candidate for the throne, and forged an allegiance with him to retake the throne by force. Vlad III received the Transylvanian duchies formerly governed by his father and remained there, under the protection of Hunyadi, waitng for an opportunity to retake Wallachia from his rival.



In 1453, however, the Christian world was shocked by the final fall of Constantinople to the Ottomans. Hunyadi thus broadened the scope of his campaign against the insurgent Turks. In 1456 Hunyadi invaded Turkish Serbia while Vlad III simultaneously invaded Wallachia. In the Battle of Belgrade Hunyadi was killed and his army defeated. Meanwhile, Vlad III succeeded in killing Vladislav II and taking the Wallachian throne.



Vlad III then began his main reign of Wallachia, which stretched from 1456-1462. It was during this period that he instituted his strict policies, stood up against the Turks and began his reign of terror by impalement.The Life of Vlad III (1431-1476)



Vlad III was born in November or December of 1431 in the Transylvanian city of Sighisoara. At the time his father, Vlad II (Vlad Dracul), was living in exile in Transylvania. The house where he was born is still standing. It was located in a prosperous neighborhood surrounded by the homes of Saxon and Magyar merchants and the townhouses of the nobilityLittle is known about the early years of Vlad III’s life. He had an older brother, Mircea, and a younger brother, Radu the Handsome. His early education was left in the hands of his mother, a Transylvanian noblewoman, and her family. His real education began in 1436 after his father succeeded in claiming the Wallachian throne by killing his Danesti rival. His training was typical to that of the sons of nobility throughout Europe. His first tutor in his apprenticeship to knighthood was an elderly boyar who had fought against the Turks at the battle of Nicolopolis. Vlad learned all the skills of war and peace that were deemed necessary for a Christian knight.



In 1444, at the age of thirteen, young Vlad and his brother Radu were sent to Adrianople as hostages, to appease the Sultan. He remained there until 1448, at which time he was released by the Turks, who supported him as their candidate for the Wallachian throne. Vlad’s younger brother apparently chose to remain in Turkey, where he had grown up. (Radu is later supported by the Turks as a candidate for the Wallachian throne, in opposition to his own brother, Vlad.)



As previously noted, Vlad III’s initial reign was quite short (two months), and it was not until 1456, under the support of Hunyadi and the Kingdom of Hungary that he returned to the throne. He established Tirgoviste as his capitol city, and began to build his castle some distance away in the mountains near the Arges River. Most of the atrocities associated with Vlad III took place during this time.Atrocities of Vlad Tepes

More than anything else the historical Dracula is known for his inhuman cruelty. Impalement was Vlad III’s preferred method of torture and execution. Impalement was and is one of the most gruesome ways of dying imaginable, as it was typically slow and painful.





Click to Enlarge



Vlad usually had a horse attached to each of the victim’s legs and a sharpened stake was gradually forced into the body. The end of the stake was usually oiled and care was taken that the stake not be too sharp, else the victim might die too rapidly from shock. Normally the stake was inserted into the body through the buttocks and was often forced through the body until it emerged from the mouth. However, there were many instances where victims were impaled through other body orifices or through the abdomen or chest. Infants were sometimes impaled on the stake forced through their mother’s chests. The records indicate that victims were sometimes impaled so that they hung upside down on the stake.



Vlad Tepes often had the stakes arranged in various geometric patterns. The most common pattern was a ring of concentric circles in the outskirts of a city that was his target. The height of the spear indicated the rank of the victim. The decaying corpses were often left up for months. It was once reported that an invading Turkish army turned back in fright when it encountered thousands of rotting corpses impaled on the banks of the Danube. In 1461 Mohammed II, the conqueror of Constantinople, a man not noted for his squeamishness, returned to Constantinople after being sickened by the sight of twenty thousand impaled Turkish prisoners outside of the city of Tirgoviste. This gruesome sight is remembered in history as "the Forest of the Impaled."



Thousands were often impaled at a single time. Ten thousand were impaled in the Transylvanian city of Sibiu in 1460. In 1459, on St. Bartholomew’s Day, Vlad III had thirty thousand of the merchants and boyars of the Transylvanian city of Brasov impaled. One of the most famous woodcuts of the period shows Vlad Dracula feasting amongst a forest of stakes and their grisly burdens outside Brasov while a nearby executioner cuts apart other victims.



Although impalement was Vlad Dracula’s favorite method of torture, it was by no means his only method. The list of tortures employed by this cruel prince reads like an inventory of hell’s tools: nails in heads, cutting off of limbs, blinding, strangulation, burning, cutting off of noses and ears, mutilation of sexual organs (especially in the case of women), scalping, skinning, exposure to the elements or to wild animals, and burning alive.



No one was immune to Vlad’s attentions. His victims included women and children, peasants and great lords, ambassadors from foreign powers and merchants. However, the vast majority of his victims came from the merchants and boyars of Transylvania and his own Wallachia.



Many have attempted to justify Vlad Dracula’s actions on the basis of nascent nationalism and political necessity. Many of the merchants in Transylvania and Wallachia were German Saxons who were seen as parasites, preying upon Romanian natives of Wallachia. The wealthy land owning boyars exerted their own often capricious and unfaithful influence over the reigning princes. Vlad’s own father and older brother were murdered by unfaithful boyars. However, many of Vlad Dracula’s victims were also Wallachians, and few deny that he derived a perverted pleasure from his actions.



Vlad Dracula began his reign of terror almost as soon as he came to power. His first significant act of cruelty may have been motivated by a desire for revenge as well as a need to solidify his power. Early in his main reign he gave a feast for his boyars and their families to celebrate Easter. Vlad was well aware that many of these same nobles were part of the conspiracy that led to his father’s assassination and the burying alive of his elder brother, Mircea. Many had also played a role in the overthrow of numerous Wallachian princes. During the feast Vlad asked his noble guests how many princes had ruled during their lifetimes. All of the nobles present had outlived several princes. None had seen less then seven reigns. Vlad immediately had all the assembled nobles arrested. The older boyars and their families were impaled on the spot. The younger and healthier nobles and their families were marched north from Tirgoviste to the ruins of his castle in the mountains above the Arges River. The enslaved boyars and their families were forced to labor for months rebuilding the old castle with materials from a nearby ruin. According to the reports they labored until the clothes fell off their bodies and then were forced to continue working naked. Very few survived this ordeal.



Throughout his reign Vlad continued to systematically eradicate the old boyar class of Wallachia. Apparently Vlad was determined that his own power be on a modern and thoroughly secure footing. In the place of the executed boyars Vlad promoted new men from among the free peasantry and middle class; men who would be loyal only to their prince.



Vlad Tepes’ atrocities against the people of Wallachia were usually attempts to enforce his own moral code upon his country. He appears to have been particularly concerned with female chastity. Maidens who lost their virginity, adulterous wives and unchaste widows were all targets of Vlad’s cruelty. Such women often had their sexual organs cut out or their breasts cut off, and were often impaled through the vagina on red-hot stakes. One report tells of the execution of an unfaithful wife. Vlad had the woman’s breasts cut off, then she was skinned and impaled in a square in Tirgoviste with her skin lying on a nearby table. Vlad also insisted that his people be honest and hard working. Merchants who cheated their customers were likely to find themselves mounted on a stake beside common thieves.The End of Vlad III



Although Vlad III experienced some success in fending off the Turks, his accomplishments were relatively short-lived. He received little support from his titular overlord, Matthius Corvinus, King of Hungary (son of John Hunyadi) and Wallachian resources were too limited to achieve any lasting success against the powerful Turks.



The Turks finally succeeded in forcing Vlad to flee to Transylvania in 1462. Reportedly, his first wife committed suicide by leaping from the towers of Vlad’s castle into the waters of the Arges River rather than surrender to the Turks. Vlad escaped through a secret passage and fled across the mountains into Transylvania and appealed to Matthias Corvinus for aid. The king immediately had Vlad arrested and imprisoned in a royal tower.



There is some debate as to the exact length of Vlad’s confinement. The Russian pamphlets indicate that he was a prisoner from 1462 until 1474. However, during this period he was able to gradually win his way back into the graces of Matthias Corvinus and ultimately met and married a member of the royal family (possibly the sister of Corvinus) and fathered two sons. It is unlikely that a prisoner would be allowed to marry a member of the royal family. As the eldest son was about 10 years old at the point Vlad regained the Wallachian throne in 1476, his release probably occurred around 1466.



Note: The Russian narrative, normally very favorable to Vlad, indicates that even in captivity he could not give up his favorite past-time; he often captured birds and mice and proceeded to torture and mutilate them. Some were beheaded or tarred-and-feathered and released. Most were impaled on tiny spears.



Another possible reason for Vlad’s rehabilitation was that the new successor to the Wallachian throne, Vlad’s own brother, Radu the Handsome, had instituted a very pro-Turkish policy. The Hungarian king may have viewed Dracula as a possible candidate to retake the throne. The fact that Vlad renounced the Orthodox faith and adopted Catholicism was also surely meant to appease his Hungarian captor.



In 1476 Vlad was again ready to make a bid for power. Vlad Dracula and Prince Stephen Bathory of Transylvania invaded Wallachia with a mixed contingent of forces. Vlad’s brother, Radu, had by then already died and was replaced by Basarab the Old, a member of the Danesti clan. At the approach of Vlad’s army Basarab and his cohorts fled. However, shortly after retaking the throne, Prince Bathory and most of Vlad’s forces returned to Transylvania, leaving Vlad in a vulnerable position. Before he was able to gather support, a large Turkish army entered Wallachia. Vlad was forced to march and meet the Turks with less than four thousand men.Vlad Dracula was killed in battle against the Turks near the town of Bucharest in December of 1476. Some reports indicate that he was assassinated by disloyal Wallachian boyars just as he was about to sweep the Turks from the field. Other accounts have him falling in defeat, surrounded by the ranks of his loyal Moldavian bodyguard. Still other reports claim that Vlad, at the moment of victory, was accidentally struck down by one of his own men. The one undisputed fact is that ultimately his body was decapitated by the Turks and his head sent to Constantinople where the sultan had it displayed on a stake as proof that the horrible Impaler was finally dead. He was reportedly buried at Snagov, an island monastery located near Bucharest.

Historical Evidence



In evaluating the accounts of Vlad Dracula it is important to realize that much of the information comes from sources that may not be entirely accurate. With each of the three main sources there is reason to believe that the information provided may be influenced by local, mainly political, prejudices. The three main sources are as follows: (1) Pamphlets published in Germany shortly after Vlad’s death, (2) pamphlets published in Russia shortly after the German pamphlets, and (3) Romanian oral tradition.



German Pamphlets

At the time of Vlad Dracula’s death Matthias Corvinus of Hungary was seeking to bolster his own reputation in the Holy Roman Empire and may have intended the early pamphlets as justification of his less than vigorous support of his vassal. It must also be remembered that German merchants were often the victims of Vlad Dracula’s cruelty. The pamphlets thus painted Vlad Dracula as an inhuman monster who terrorized the land and butchered innocents with sadistic glee.



The pamphlets were also a form of mass entertainment in a society where the printing press was just coming into widespread use. The pamphlets were reprinted numerous times over the thirty or so years following Vlad’s death—strong proof of their popularity.



Russian Pamphlets

At the time of Vlad III the princes of Moscow were just beginning to build the basis of what would become the autocracy of the czars. Just like Vlad III, they were having considerable problems with the disloyal, often troublesome boyars. In Russia, Vlad Dracula was thus presented as a cruel but just prince whose actions were intended to benefit the greater good of his people.



Romanian Oral Tradition

Legends and tales concerning Vlad the Impaler have remained a part of folklore among the Romanian peasantry. These tales have been passed down from generation to generation for five hundred years. As one might imagine, through constant retelling they have become somewhat garbled and confused and are gradually being forgotten by the younger generations. However, they still provide valuable information about Vlad Dracula and his relationship with his people.

Vlad Dracula is remembered as a just prince who defended his people from foreigners, whether those foreigners were Turkish invaders or German merchants. He is also remembered as a champion of the common man against the oppression of the boyars. A central part of the verbal tradition is Vlad’s insistence on honesty in his effort to eliminate crime and immoral behavior from the region. However, despite the more positive interpretation of his life, Vlad Dracula is still remembered as an exceptionally cruel and often capricious ruler.



Despite the differences between these various sources, there are common strains that run among them. The German and Russian pamphlets, in particular, agree remarkably as to many specifics of Vlad Dracula’s deeds. This level of agreement has led many historians to conclude that much of the information must at least to some extent be true.Anecdotes



There are about nine anecdotes that are almost universal in the Vlad Dracula literature. They include the following:



The Golden Cup

Vlad Dracula was known throughout his land for his fierce insistence on honesty and order. Thieves seldom dared practice their trade within his domain, for they knew that the stake awaited any who were caught. Vlad was so confident in the effectiveness of his law that he laced a golden cup on display in the central square of Tirgoviste. The cup was never stolen and remained entirely unmolested throughout Vlad Dracula’s reign.



The Burning of the Sick and Poor

Vlad Dracula was very concerned that all his subjects work and contribute to the common welfare. He once notice that the poor, vagrants, beggars and cripples had become very numerous in his land. Consequently, he issued an invitation to all the poor and sick in Wallachia to come to Tirgoviste for a great feast, claiming that no one should go hungry in his land. As the poor and crippled arrived in the city they were ushered into a great hall where a fabulous feast was prepared for them. The guests ate and drank late into the night. Vlad himself then made an appearance and asked them, "What else do you desire? Do you want to be without cares, lacking nothing in this world?" When they responded positively Vlad ordered the hall boarded up and set on fire. None escaped the flames. Vlad explained his action to the boyars by claiming that he did this "in order that they represent no further burden to other men, and that no one will be poor in my realm."



The Foreign Ambassadors

Although there are some discrepancies between the German and Russian pamphlets in the interpretation of this story, they agree to the following: Two ambassadors of a foreign power visited Vlad’s court at Tirgoviste. When in the presence of the prince, they refused to remove their hats. Vlad ordered that the hats be nailed to their heads, such that they should never have to remove them again.



Note: The nailing of hats to the heads of those who displeased a monarch was not an unknown act in eastern Europe and by the princes of Moscow.



The Foreign Merchant

A merchant from a foreign land visited Tirgoviste. Aware of the reputation of Vlad Dracula’s land for honesty, he left a treasure-laden cart unguarded in the street over night. Upon returning to his wagon in the morning, the merchant was shocked to find 160 golden ducats missing. Then the merchant complained of his loss to the prince, Vlad assured him that his money would be returned. Vlad Dracula then issued a proclamation to the city—find the thief and return the money or the city will be destroyed. During the night he ordered that 160 ducats plus one extra be taken from his own treasury and placed in the merchant’s cart. On returning to his cart the next morning and counting his money the merchant discovered the extra ducat. The merchant returned to Vlad and reported that his money had indeed been returned plus an extra ducat. Meanwhile the thief had been captured and turned over to the prince’s guards along with the stolen money. Vlad ordered the thief impaled and informed the merchant that if he had not reported the extra ducat he would have been impaled alongside the thief.



The Lazy Woman

Vlad once noticed a man working in the fields while wearing a caftan (shirt) that he adjudged to be too short in length. The prince stopped and asked to see the man’s wife. When the woman was brought before him he asked her how she spent her days. The poor, frightened woman stated that she spent her days washing, baking and sewing. The prince pointed out her husband’s short caftan as evidence of her laziness and dishonesty and ordered her impaled, despite her husband’s protestations that he was well satisfied with his wife. Vlad then ordered another woman to marry the peasant but admonished her to work hard or she would suffer the same fate.



The Nobleman with the Keen Sense of Smell

On St. Bartholomew’s Day in 1459 Vlad Dracula caused thirty thousand of the merchants and nobles of the Transylvanian city of Brasov to be impaled. In order that he might better enjoy the results of his orders, the prince commanded that his table be set up and that his boyars join him for a feast amongst the forest of impaled corpses. While dining, Vlad noticed that one of his boyars was holding his nose in an effort to alleviate the terrible smell of clotting blood and emptied bowels. Vlad then ordered the sensitive nobleman impaled on a stake higher than all the rest so that he might be above the stench.



Vlad Dracula’s Mistress

Vlad Dracula once had a mistress that lived in a house in the back streets of Tirgoviste. This woman apparently loved the prince to distraction and was always anxious to please him. Vlad was often moody and depressed and the woman made every effort to lighten her lover’s burdens. Once, when he was particularly depressed, the woman dared tell him the lie that she was with child. Vlad had the woman examined by the bath matrons. When informed that the woman was lying, Vlad drew his knife and cut her open from the groin to her breast, leaving her to die in agony.



The Polish Nobleman

Benedict de Boithor, a Polish nobleman in the service of the King of Hungary, visited Vlad Dracula at Tirgoviste in September of 1458. At dinner one evening Vlad ordered a golden spear brought and set up directly in front of the royal envoy. Vlad then asked the envoy if he knew why this spear had been set up. Benedict replied that he imagined some boyar had offended the prince and that Vlad intended to honor him. Vlad responded that the spear had, in fact, been set up in honor of his noble, Polish guest. The Pole then responded that if he had done anything to deserve death that Vlad should do as he thought best. Vlad Dracula was greatly pleased by this answer, showered him with gifts, and declared that had he answered in any other manner he would have been immediately impaled.



The Two Monks

There is some discrepancy in the telling of this anecdote. The various sources agree, however, as to the basic story. Two monks from a foreign land came to visit Vlad Dracula in his palace at Tirgoviste. Curious to see the reaction of the churchmen, Vlad showed them rows of impaled corpses in the courtyard. When asked their opinions, the first monk responded, "You are appointed by God to punish evil-doers." The other monk had the moral courage to condemn the cruel prince. In the version of the story most common in the German pamphlets, Vlad rewarded the sycophantic monk and impaled the honest one. In the version found in Russian pamphlets and in Romanian verbal tradition Vlad rewarded the honest monk for his integrity and courage and impaled the sycophant for his dishonesty.

The Origins of the Vampire Myth



It is certainly no coincidence that Bram Stoker chose the Balkans as the home of his famous vampire. The Balkans were still basically medieval even in Stoker’s time. They had only recently shaken off the Turkish yoke when Stoker started working on his novel and the superstitions of the Dark Ages were still prevalent.



The legend of the vampire was and still is deeply rooted in the Balkan region. There have always been vampire-like creatures in the mythologies of many cultures. However, the vampire, as he became known in Europe and hence America, largely originated in the Slavic and Greek lands of Eastern Europe.



A veritable epidemic of vampirism swept through Eastern Europe beginning in the late seventeenth century and continuing through the eighteenth century. The number of reported cases rose dramatically in Hungary and the Balkans. From the Balkans the plague spread westward into Germany, Italy, France, England and Spain. Travelers returning from the Balkans brought with them tales of the undead, igniting an interest in the vampire that has continued to this day.



Philosophers in the West began to study the phenomenon. It was during this period that Dom Augustin Calmet wrote his famous treatise on vampirism in Hungary. It was also during this period that authors and playwrights first began to explore the vampire myth. Stoker’s novel was merely the culminating work of a long series of works that were inspired by the reports coming from the region.

Did Bram Stoker base his Dracula

upon the historical Dracula?:Although it is widely assumed, even among scholars, that Bram Stoker based his novel upon the historical figure of Vlad Tepes, there is at least one prominent scholar who challenges this assumption. Her name is Elizabeth Miller, a professor with the Department of English at Memorial University of Newfoundland. (http://www.ucs.mun.ca/~emiller/owner.htm) Her primary argument is that Bram Stoker kept meticulous notes of his references in creating Dracula, and none of the references contain specific information about the life and/or atrocities of Vlad Tepes.

There is fairly strong evidence the two Draculas are connected. Arguments in favor of this position include the following:



The fictional Dracula and the historical Dracula share the same name. There can be no doubt that Bram Stoker based his character upon some reference to Vlad Dracula.

Stoker researched various sources prior to writing the novel, including the Library at Whitby and literature from the British Museum. It is entirely possible that his readings on Balkan history would have included information about Vlad Tepes.

Stoker was the friend of a Hungarian professor from Budapest, named Arminius Vambery, who he met personally on several occasions and who may have given him information about the historical Dracula.

Some of the text of Stoker’s novel provides direct correlations between the fictional Dracula and Vlad Tepes (e.g., the fighting off of the Turks--also, the physical description of Dracula in the novel is very similar to the traditional image of Vlad Tepes.).

Other references in the novel may also be related to the historical Dracula. For example, the driving of a stake through the vampire’s heart may be related to Vlad’s use of impalement; Renfield’s fixation with insects and small animals may have found inspiration in Vlad’s penchant for torturing small animals during his period of imprisonment; and Dracula’s loathing of holy objects may relate to Vlad’s renunciation of the Orthodox Church.

Professor Miller counters each of these arguments. In particular she notes the only reference provided by Stoker in his notes that contains any information about Vlad Tepes is a book by William Wilkinson entitled An Account of the Principalities of Wallachia and Moldavia (1820), which Stoker borrowed from the Whitby Public Library in 1890 while there on vacation. The book contains a few brief references to a "Voivode Dracula" (never referred to as Vlad) who crossed the Danube and attacked Turkish troops. Also, what seems to have attracted Stoker was a footnote in which Wilkinson states "Dracula in Wallachian language means Devil." Stoker apparently supplemented this with scraps of Romanian history from other sources. Professor Miller argues that The Principalities of Wallachia and Moldavia is the only known source for Stoker’s information on the historical Dracula, and that everything else is mere speculation.



As far as Stoker’s acquaintance with the Hungarian professor Vambrey, Miller notes that the record only documents two meetings between the two individuals, and there is no evidence that Vambrey ever spoke of Vlad Tepes, vampires or Transylvania during their visits.



As far as any likeness between the historical Vlad Dracula and descriptions provided in the novel, professor Miller notes that it is most likely Stoker drew his description of Count Dracula from earlier villains in Gothic literature, or even from his own employer, Henry Irving.



In conclusion, Miller makes an assumption of her own: In the novel Stoker provides thorough historical detail obtained from his various references. Had he known about the atrocities of Vald Tepes, Miller argues, surely he would have included such information in his novel.



For a more detailed argument by professor Miller, see http://www.ucs.mun.ca/~emiller/kalo.htm.

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Lecture notes (Writing skills)

19:21 Apr 14 2011
Times Read: 743


Modern Story Structure:



1. Inciting incident: Something that happens to the protagonist that creates the initial surface problem and introduces the first indications to the story-worthy problem.



2. protagonist's struggle to resolve the surface and and story -worthy problems: The balance of the story focuses on the protagonist's struggle to resolve the surface problem and, eventually , the story -worthy problem, in spite of the obstacles thrown at him by the antagonist.



3. The resolution of the story: The protagonist either achieves or fails to achieve his goal when the story-worthy problem is finally confronted. * Note: A great ending leaves the protagonist with both a win and a loss.



Scene Structure:



1. The protagonist enters the scene with a goal: The protagonist's goal must be related to the resolution of the story problem.



2. The antagonist also enters the scene with a goal: The antagonist's goal must be in conflict with the protagonist's.



3. The scene ends in disaster for the protagonist: The protagonist ends up in worse shape than when the scene began, further away from resolving the story problem. * Remember: When the protagonist solves the story-worthy problem, the story is over.



4. The story continues after the scene ends: Once the scene ends, then you can go into back-story, exposition, summary, character rumination (this is called sequel, and is used to balance scenes and enhance structure).



Opening Scenes VS. Non-opening Scenes:

"The opening scene is the dramatization of the inciting incident." In every other scene, the protagonist enters with a goal in mind. The opening scene sets the stage for the story- worthy problem. Also,this scene is the only one without motive-instead,it sets the motive for the rest of story.



Components of the Opening Scene :

Primary:



1.The inciting incident: Creates the initial surface problem and offers the first hint of the story- worthy problem.



2.The story-Worthy Problem: The driving force behind the initial surface problem (and all surface problems to follow); it's the problem carried within the protagonist which, when resolved, marks the end of the story.



3. The Initial Surface Problem: The problem that occur's as a direct result of the inciting incident. It may appear to be the main conflict of the story, but it is not. It motivates the protagonist to take action and leads ( through other related surface problems) to the revelation of the story-worthy problem can (and should) lead to more intense, *Note: The initial surface problem can (and should) lead to more intense, sequential surface problems which must develop from the initial problem and be firmly linked to the story-worthy problem.



4. The setup: Information that "sets up" the opening scene which gives the reader just enough to understand the scene that follows and nothing more. Save detail and description for later ( back-story) . "Your setup should contain at least a hint of the trouble to come,either directly or indirectly.



Secondary:



5. Back-story: Includes everything that has happened before the inciting incident. * Note: Beware of adding too much - try to get away with using nest to none. Include only what's "necessary for the reader to understand the inciting incident and why it's important. "



6. The Opening Line: You should spend a lot of time on the sentence-more then any other sentence in your story! It is the key that will either cause readers to open the door to your story or slam it shut and move on.



7. Language: Avoid adverbs and too many adjectives- the opening should use strong, original verbs and concrete nouns (as should the rest of your writing!).



8. Character Introduction: Introduce your protagonist without giving his/her entire life history. Instead "introduce your readers to your characters by showing the characters' reaction to the inciting incident. * Remember : Character's are better revealed by action than description or back-story.



9. Setting: "A brief description of setting is important, and it's important that it be brief."



10. Foreshadowing: Depending upon the genre,foreshadowing can be a critical element of an opening. yet it's often a good idea to include at least a high of the ending at the beginning- it's one of the ways writers keep readers reading.


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Bloody Mary (Mary Worthington ) legend

00:47 Apr 14 2011
Times Read: 747


Analysis: The Bloody Mary legend and its several variants date from the 1960s. Like so many folk rituals and traditional tales, its origin is impossible to pin down with much specificity. Folklorists didn't begin collecting versions of the text until 1970 or so.



That said, there is a body of myths and superstitions attributing magical and/or divinatory properties to mirrors dating back to ancient times. Such beliefs typically contain elements of danger and foreboding. The most familiar of these lingering into modernity is the centuries-old superstition that breaking a mirror brings bad luck. The notion that one can foretell the future by peering into a mirror is even older, described in the Bible (I Corinthians 13) as "see[ing] through a glass, darkly." There are mentions of looking-glass divination in Chaucer's Squire's Tale (c. 1390), Spenser's The Faerie Queen (1590), and Shakespeare's Macbeth (1606), among other early literary sources.



Summoning a vision



A particular form of divination associated in the British Isles with Halloween entailed gazing into a mirror and performing a nonverbal ritual to summon a vision of one's future betrothed. This example is from the Poems of Robert Burns, published in 1787:



Take a candle, and go alone to a looking glass; eat an apple before it, and some traditions say, you should comb your hair all the time; the face of your conjugal companion, to be, will be seen in the glass, as if peeping over your shoulder.

Another example of mirror divination, in this case accompanied by ritual chanting, appears in the fairy tale "Snow White," as told by the Brothers Grimm in 1857 (trans. by D.L. Ashliman):



She was a beautiful woman, but she was proud and arrogant, and she could not stand it if anyone might surpass her in beauty. She had a magic mirror. Every morning she stood before it, looked at herself, and said:

Mirror, mirror, on the wall,

Who in this land is fairest of all?



To this the mirror answered:



You, my queen, are fairest of all.



As everyone who grew up reading "Snow White" (or watching the animated Disney version) knows, the mirror-obsessed queen was eventually destroyed by her own vanity, and it is in this and similar cautionary folktales that we see basic elements of the Bloody Mary legend begin to take shape.


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Shape-shifter (Skin walker) myth

22:34 Apr 12 2011
Times Read: 749


Skinwalkers are people who have the ability to transform into any animal that they choose. This is usually due to a family lineage, though the ability can be obtained through magical means (known as as the Witchery Way). The most common forms that skinwalkers use are coyote, fox, or owl, though other variations exist. A skinwalker could decide to become a buffalo in order to bust down a door, or a bear if they wanted to give someone a really big hug. All they need is a general knowledge of the animal and the money to purchase some new clothes.



As you might have guessed, many (though not all) skinwalkers are Native Americans. They have passed down the supernatural ability through the ages, and used it to fight their oppressors. That said, they don’t tend to be very popular – something about the skinwalker transforming into a wolf and eating small children whenever they gets bored really grates on the tribe’s nerves for some reason. Most skinwalkers thus roam from place to place, never having a true home. Or rather, they trot, fly, and scuttle, using whichever mode of transportation they find best.


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Wendigo's

21:24 Apr 11 2011
Times Read: 755


The Wendigo is a scary monster from North American indian legend that has been encountered by hunters and campers in the shadowy forests of the upper regions of Minnesota. It attacks those unlucky enough to cross its path and eats them whole.



Local Indian tribes tell tales of a evil creature or spirit of the wilderness. They call it “Witigo”, “Witiko” or “Wee-Tee-Go” which means “the evil spirit that devours mankind”It’s hunger for human flesh can’t be satisfied and it claims its victims during the night. The wendigo typically stalks hunters or travelers in the woods and thrives in harsh conditions and freezing winters.



They say the creature is gigantic, over fifteen feet tall, and it was once human but was transformed into a monster centuries ago because it resorted to cannibalism while lost out in the remote snowbound forests. It still has the abiltiy to take human form in order to trick and lure its victims to their demise.



Though all of the descriptions of the creature vary slightly, the Wendigo is generally said to have glowing red eyes, long yellowed fangs and a really long tongue. It’s body is matted with fur and some say it has the giant head of a deer, others the huge head of a wolf.



Some say it is the harbringer of death and that if you hear the creature’s voice calling your name faintly in the wind, in the lonely wilderness night, it means you are its next victim. Those who have heard the Wendigo have lost their minds, and unable to resist, went running out into the dark snowy night, never to return.



There are still many stories told of Wendigo’s that have been seen in northern Ontario, near the Cave of the Wendigo, and around the town of Kenora, where a creature has been spotted by traders, trackers and trappers for decades. There are many who still believe that the Wendigo roams the woods and the prairies of northern Minnesota and Canada.



In 1907 a Cree Indian named Jack Fiddler was sent to prison for killing a woman he said was in the process of turning into a Wendigo.



Algernon Blackwood wrote a short story called The Windigo which you can read online.



In the novel “Call of the Wendigo” by Robin Hardy, four teenagers at tennis camp encounter a monster with a heart of ice that devours bodies and souls.



The creature also appeared in episodes of the tv shows Supernatural, Charmed, Psi Factor and Blood Ties.



In Charmed, the Wendigo looks like a normal person during the day but then it transforms at night. It survives by feeding on human hearts. The first Wendigo was a mortal who was betrayed by his lover. He cut out her heart and ate it. As soon as he did, his own heart turned to ice and that’s how he became a monster.



The 2001 movie Wendigo starred Dewey from Malcolm in the Middle as a young boy whose imagination conjours up the vicious Native American spirit of the woods.



The Dark Horse comic book series BPRD features a Wendigo – a creature of the Canadian wilderness that is a cursed ghost looking for another soul to take its place, so that the original host can rest in peace. “Daryl”, the man who inhabits the Wendigo still remembers his life and his family, and he wants to return to this normal existence.



There is also a Marvel comic book called Wendigo and the horror comic Eerie features a comic strip about this famous creature in issue #10.



There is a poem by Ogden Nash which goes like this:



“The wendigo, the wendigo

It’s eyes are ice and indigo

It’s blood is thick and yellowish

It’s voice is hoarse and bellowish”.


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Witch Road in Wisconsin Legend

02:47 Apr 11 2011
Times Read: 763


Location: Rosendale, Fond du Lac County, Wisconsin



Correction: The correct name of the road is "Callan Road."



The Reputed History:

Approximately 50-60 years ago, a witch lived in a house on Witch Road, just outside of Rosendale, and the road has remained haunted ever since her death.

The ghost of a little girl hides in the woods.



The Investigation:



We located Callan "Witch" Road and visited the site.







The Reputed Phenomena:

At night, certain parts of the road are unusually dark and cold.

After dark, the sound of trickling water can be heard near the road, though there no stream nearby.

The witch's dilapidated house can still be seen in the woods.

People have seen flashing lights at the end of the road.

White lights have been observed on the trees.

There is a tree on the side of the road that resembles the witch.

The ghost of a little girl has been seen hiding in the woods and peaking out from behind the trees.





The Investigation:

We did locate the broken-down old house where the witch is supposed to have lived and found that it had fallen into a state of utter disrepair. Further investigation is needed to determine the ownership and history of the property.

A small brook was spotted along the road which would account for the sound of trickling water.

We spoke with an eyewitness who reported seeing mysterious lights on the road.

With a little imagination any number of the old trees along the road could be interpreted as resembling the traditional Halloween witch image.



It is an interesting place my paranormal team did investigate. but alot of reported hauntings were debunked a witch did live in the cabin. Photobucket



Photobucket


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Short Classic Urban legends (dream meanings)

21:03 Apr 09 2011
Times Read: 767


Trickster: To see a trickster in your dream, signifies deceit or a cruel and cynical side of your own character. The trickster may appear in your dream to create Havoc in your life or just to break up the monotony.



Grim Reaper : To see the grim reaper in your dream , signifies the negative, rejected aspects of yourself that you have repressed. Alternatively , it symbolizes death or the end of something yet to come.



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The Hook Man Legend

20:38 Apr 09 2011
Times Read: 768


" The Hook" is also a nickname for the Islamic preacher "Abu Hamazo al-Masri"



The Hookman: Is a classic example of an urban legend. The basic premise involves a young couple parked at a dark lovers ' lane. The radio play as the couple makes out. The music is interrupted by an announcer who reports that a serial killer has just escaped an instantiation which is nearby. The killer has a hook in place of one of his hands. For varying reasons they decide to leave quickly. The legend ends with the discovery of the killers hook attached to the outside handle of on of the car doors. Many variations include the sound of scarping on the car door. Some legends have the same beginning, but end up with them seeing him first, warning some others, and then having him come to their car. They try to escape, but end up with him holding on to the top of the car. it ends with both dying.



In an alternative version of the story, the couple while driving through the an unknown part of the country decide to stop the car in the middle of the woods at night because the man has to relieve himself. While waiting for him to return the wife/girlfriend turns on the radio and hears about the escaped mental patient. She notices that her husband/boyfriend has not returned yet and is disturbed many times by a loud thumping on the roof of the car. She eventually exits her car and sees the crazy man on the roof of the car holding her husband/boyfriend decapitated head in his hand and hitting the roof with it. Other variations tell of her seeing her husband/boyfriend's butchered body suspended upside down from a tree above the car with his fingers dangling just above the roof of the car. ( The car was parked under a bridge.)



References to this legend have been found from at least the 1960's



"Aren't you glad you didn't turn on the lights?"



The Hookman Cemetery:



The cemetery is believed by many to be haunted. Some have claimed that photographs taken there show ectoplasmic mist and other strange phenomenon associated with psychic photography. An urban legend associated with the cemetery claims that it is haunted by a spirit known as the Hookman. There are three different versions of the Hookman legend They are as follows.



. The cemetery caretaker ( who had a hook in a place of a hand) murdered a young boy when he stayed in the cemetery after dark. The boy was found impaled and dangling from a large hook attached to a tree the next day.



. A man with the last name "Hookman" was wrongfully accused of a crime and hanged from a tree at the site.



. A young couple parked by the cemetery one night. When the girl thought she heard something outside, the boyfriend got out of the car to investigate. When he didn't come back, the girlfriend got out of the car only to find her boyfriend's dead body hanging from a hook in the trees.



All three versions of the story have been circulating in the area since the 1950's. There is also a local legend about a house that once stood near the cemetery. Supposedly there was a family who lived there in the house,and the young son murdered the whole family and then killed himself.



Records at the Derby Historical Society show that a small caretaker's house once existed on the grounds of the cemetery; this may have inspired some of the legends. The third version of the story is probably a just another version of the classic "Hookman legend " that originated in Maine in the 1920's. Regardless of whether the legends are true or not m Connecticut Demonlogist Ed and Lorraine Warren believe that the cemetery is filled with "Demonic Evil".


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Hell Hounds legend {Black Dog}

19:32 Apr 09 2011
Times Read: 770


A Hell-hound is a dog of Hell, found in mythology, folklore and fiction. Hell-hounds typically have features such as black fur color, glowing red eyes, super strength or speed, ghostly or phantom characteristics, and sometimes even the ability to talk. Hell-hounds are often associated with fire, and may have fire-based abilities and appearances, hell-hounds appear out of no where suddenly and have been known to vanish in a blink of an eye. They are often assigned to guard the entrances the world of the dead, such as graveyards and Indian burial grounds, or undertake other duties related to the afterlife or the supernatural, such as hunting down lost souls guarding a supernatural treasure. As legend goes, if one happened to see the hell-hound three times, he or she will die an abrupt and unseen death.



Ghostly Hounds: Are ghostly packs of dogs. They are usually hound dogs such as Bassets or Beagles.



These packs are found in legends all over Europe.



Ghost hounds are said to be omens of death.



In fact it is enough just to hear their ghostly howling.



The most dangerous of these packs is the Devils Dandy Dogs which roam around Cornwell. These ghost dogs take on no form of any particular breed.



in various guises, this creature lurks in graveyards,roads and moors through out Britain and Europe. Images of the Black dog abound in folklore and popular literature. Sir Arthur Conan Doyle borrowed it in 1902 for Sherlock Holmes' adventure with the hound of the Baskervilles. Mississippi blues artist Robert Johnson, who was rumored to have obtained his musical talent from the devil, sang about it in the 1930's " Hell-hounds on my trail".



The black dog bears similarities to legends of werewolves and appears in different forms in fairy tails, such as Hans Christain Anderson's 'The Tinderbox'. Winston Churchill used to refer to his chronic depression as " The black dog on my shoulder", and anybody who suffers from the same malady would surely appreciate the sense of darkness and heavy melancholy that such an image invokes.



The core of all of these stories, legends and snatches of folklore is the image of a huge black canine of supernatural origin, which appears and disappears mysteriously bringing fear,chaos and sometimes death. In many variations of the legends, the hound is a phantom or ghost. In others it is a fairy creature or elemental force.



Black dogs have many names . Barghest, Galleytrot, Hell hound , Padfoot,Shuck ,Snarleyow,Striker ,Trash, Whish or Whist Hound,Yell or Yelp Hound- to name a few. They have many aims: Prophecy, revenge,blood-lust, the hunt or merely a warning;but they are always dark and dangerous, and always to be taken very seriously.


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Learning targets in writing

18:43 Apr 09 2011
Times Read: 771


I can create a story in the modern story structure.



I can craft scenes that have clear goals and links to subsequent scenes.



I can write a story that follows a genre formula.



I can revise a story using appropriate editing technique.



Modern Story structure: The story's opening scene has an event that the protagonist is forced to deal with. In dealing with this event, a new problem emerges, That leads to a series of problems for the protagonist. The protagonist has an internal (story worthy) problem ( SWP) that is brought to light by the surface problems . Once the protagonist solves the SWP, a resolution to the surface problem is possible.



. Inciting incident presents a clear and powerful problem for the protagonist in the opening scene. The Initial Surface Problem is a direct result of the protagonist trying to solve the inciting incident. A clear,internal, Story Worthy Problem prevents the protagonist from finding a resolution.



. Inciting Incident presents a problem for the protagonist in the opening scene. The Initial Surface Problem is connected to the protagonist's efforts to solve the Inciting Incident. An internal Story Worthy Problem prevents the protagonist from finding the resolution.



.Inciting Incident must be strengthened to force the protagonist to react. The connection between the protagonist's efforts to solve the Inciting Incident and the Initial Surface problem needs clarification. The SWP should be internal and have a better connection the the protagonist's inability to resolve surface problems.



. Inciting Incident is weak or missing. The initial Surface Problem needs t o be connected to the Inciting Incident the SWP is either missing or inappropriate.



Scene Structure : The scene opens with the protagonist focusing on a goal (except in the opening scene). The antagonist enters the scene with a opposing goal. All scenes (save the resolution scene) end in disaster for the protagonist. A lead is created that allows the story to continue.



. The protagonist 's goal is very evident as every scene ( excluding the opening scene) begins. The antagonist's goal always conflicts directly with the protagonist's goal. Scenes always end in disaster for the protagonist. The ends of scenes always contain compelling reasons for the story to continue.



. The protagonist has a goal when most scenes open. The antagonist's goal usually conflict with the protagonist's goal. Scenes usually end poorly for the protagonist. The end of scenes usually contain a reason for the story to continue.



. The protagonist 's goals need clarification. The antagonist's goals don't conflict with the protagonist's goals. The end of scenes need reasons for the story to continue.



. The protagonist lacks goals. The antagonist's goals don't conflict with the protagonist's goals , if they exist at all the end of scenes present no reason for the story to continue beyond initial scenes.



Genre Formula: The story follows the genre formula, each scene of the story has purpose and fits the formula.



. The story strictly ad heres to the genre formula, Every scene has a purpose and always fits within the genre formula.



. The story adheres to the genre formula. Most scene have a purpose and fit within the genre formula.

. The story strays from the genre formula. Some scenes could be cut, as they seem to be unnecessary in the story to a resolution .



The Editing: The writing has been revised with a focus on character development. The point of view is appropriate for the story. Details are proportioned to add to the story, rather than detract.



. The revision process focuses on character development both with the internal and external struggles. The point of view used strengthens the story by either limiting or adding information at the right points. Details are proportioned to add to the story,rather than direct.



. The revision process includes character development . More focus on internal or external struggles could be added. The point of view is appropriate for the story. Word choice is expressive, engaging and brings life and vision to the story. Details proportioned to add to the story, rather than direct.



. The revision process needs to enhance character development. The external or internal struggles are either weak or missing. The point of view needs to stay with on character. Word choice is sometimes cumbersome. Details are either too few, and leave the reader wanting more, or too many, and leave the reader bored.



. The revision process wasn't used, External or internal struggles are either missing or inappropriate. The point of view moves from character to character with no sense in order. Word choice is limited and/ or inappropriate. Redundancies abound. Details are a distraction rather than an enhancement of the work.


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Rules of Writing

21:10 Apr 03 2011
Times Read: 782


1. Write what you know : Familiarity vs. hardcore knowledge.



2. Your characters must behave in a believable fashion. Setup is crucial - plot and character MUST mesh.



3. Your character must be challenged by a problem requiring resolutions. Story needs to be driven by an unswerving desire by the protagonist to solve his problems and reach his goals.



4. Movement equals growth; growth equals change; without change , nothing happens : Movement - some kind of action ( external,internal) - something must happen in every scene.



5. The strength of the protagonist is measured by the threat of the antagonist. Antagonist -generated threat/conflicts coupled with the fears and limitations of the protagonist (setup)



Show don't tell..



6. Avoid the grocery list approach describing characters. : Character description should "seep" in with the plot - give readers just enough to get by and trust them to fill in the rest of the Characters BIO.



7. Characters must always be in a story for a reason. : No matter how cool they are.. of they're not progressing the plot, they will be halting it instead.



8. Names are important : They should feel the right for the type of story as well as suggest something about the person, place, or thing they are attached to.



9. Don't bore the reader. : Can't get away with breaking this one ! very easy to do



A. Not enough action

B. Too Much action

C. Cardboard Characters

D. Over-complicated characters

E. Plot-less story-lines

F. Impenetrable story-lines

G. leaden prose

H . Purple prose

I. Unfathomable endings

J.Impeccable endings.


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Action- Adventure Character's

20:53 Apr 03 2011
Times Read: 783


The protagonist......



1. is a larger- than life character: The protagonist either is or becomes an extraordinary figure.



2. Possesses martial skills and strategic resources: Action- Adventure is necessarily about physical action. Physical force is absolutely required to break the stalemate of siege and to defeat the antagonist, so the protagonist must be a character who is skilled to some degree in combat.



3. Has the authority to carry out the mission: Action- Adventure characters, as a rule, are law enforcement officers or military personnel in some way. Even though Indiana Jones is neither, he does act on official behalf of the United States government.



4. Has the moral responsibility to act. : He may brood over it, but the protagonist always does the right thing because it is the right thing to do.



5. Has the personal code of honor. : The protagonist possesses a self-contained code of behavior, a kind of personal nobility (belief system) that merges with the values of the society under siege.



6. Has full grasp of the required actions.: The protagonist knows that the problem cannot be negotiated away, or that someone else will "rescue" the situation. He also knows that the inevitable result of his decision to act will be a physical confrontation of lethal properties



7. Remains free of emotional entanglements.: The protagonist cannot fully commit to any emotional entanglements ,which leaves him vulnerable in the face of his single-minded obsession with "taking care of business."



8. Is willing to die for a cost. : Given the decisive confrontation between good and evil , the Action-Adventure protagonist is prepared to make the ultimate gift of life in order to defend an abstract idea (drive behind the story-worthy problem).



The Antagonist :



1. Is a personified individual.: The antagonist has to be a person that the protagonist must face in the final "showdown," even if he is a member of a larger organization (Nazi Germany , for example ).



2. Is a fully dimensional character : Too often the antagonist in an Action-Adventure is nothing more than a drooling psychopath ,unworthy of the protagonist's energies . being evil for the sake of being evil isn't enough.



3. Is not stupid : the antagonist should be brighter,better educated and much better prepared than the protagonist.



4. Forces the protagonist to act : Since the antagonist is so much better prepared, the protagonist is compelled to "scheme"; he cannot simply "walk over " the enemy .



5. Has a morally different point of view : The antagonist commits actions that are morally different justifiable from his point of view.


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How to write Thriller short stories/ Novels properly

10:34 Apr 02 2011
Times Read: 791


Extremely out of the Comfort Zone.



Jurassic park author Micheal Critchon:



"If you're going to do a dinosaur book, people must be munched. You know going in that some of your characters are dino fodder. - it's a dirty job, but some characters might have to do it.-



According to international thriller writers a THRILLER is characterized by "The sudden rush of emotions ,the excitement and sense of suspense, apprehension ,and exhilaration that drive the narrative, sometimes subtly with peaks and lulls, sometimes at a constant break neck peace."



In short, a thriller thrills .How ? Mostly though skillful plotting.



Thriller Checklist:

1. A Mysterious Problem

2. Dashing detective

3. Rock Bottom & Bounce

4. Unmask the Culprit

5. Problem solved



Thriller Criteria:

- Not just murder - always something more at stake.

- Complex plot.

-Protagonist can be expert or not.

- Antagonist can be human or not ( ghost, allien,techno terror).

-Exotic setting

-Threat is extreme

-Writing is fast paced

-Can be combined with other genre's



What to do ..... Start by stripping down the action of the plot to just to the protagonist and antagonist. Then show how that conflict progresses - by focusing on the three steps necessary to create the logical plot... inciting incident,initial surface problem ,and story-worthy problem.



What Makes a Thriller thrilling :



Basic principles : The thriller combines the detective story with the horror story.



Who's detecting : Detective or detecting average Joe... facing relentless peril.



Inside out: Protagonist is on the edge... out of the comfort zone.



Twists and turns : Tension must be maintained- focus on plot and story pacing.



Look Out ! Remember - danger should lurk around every corner !



Q&A :Your story should begin with questions that aren't answered until the very end.


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A writers Horror guide to the a world of dark and disturbing ideas.

19:35 Apr 01 2011
Times Read: 793


From Tristan Tzara's:Dada Manifesto



"Art should be a monster which casts servile minds into terror..."



From Anthony Fonseca & June Pulliam's Hooked on Horror:

" A horror text is one that contains a monster ,weather it be supernatural ,human,or a metaphor for psychological torment."



Horror Stories : Are unsettling tales designed to frighten and panic ,cause dread and alarm,and invoke our worst hidden fears, often in a terrifying,shocking finale, while captivating and entertaining us at the same time in a cathartic experience. Horror stores effectively center on the dark side of life - The Forbidden - using strange and alarming events.



Horror Checklist :

1. The grabber

2. Backfall

3. Turn up the heat

4. Flash Slash

5. Final Jeopardy



Where Is the scare ?



The big 3 : Must have a conflict for your protagonist to solve !



The Scare is the fruit : The seeds are those scenes and images that create the circumstances for the scare.



Emotional Disturbance : Shock passes quickly and is gone fear lingers and makes us hesitate before opening the door.



How to make Horror Scary :



Basic principles : Make sure your writing is invisible.



So, the writing's right; But..... is the story right ?



One spark and it's gone : If you're going to use shock ,do with it !



Suspense : That feeling that something is coming .....and still coming.



Tail ends : Endings are critical---- don't disappoint



So, what's a good ending ? Provide a genuine twist that comes from the story.



I know that guy: A character is a real person,and good stories come from the character.



That really happened to my Uncle Bill : Your story must have a granite like reality.



Roller coaster rides : Put plenty of surprise into your stories



Horror Criteria : Protagonist engaged in exciting test of wits

Antagonist an unpredictable and cruel -"Monster"

Horror figure effectively represents our fears/anxieties

story successfully draws on fear,disgust,and curiousity.


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