.
VR
PALERIDER's Journal


PALERIDER's Journal

THIS JOURNAL IS ON 69 FAVORITE JOURNAL LISTS

Honor: 0    [ Give / Take ]

PROFILE




17 entries this month

 

Please Help VR Member: SpookShow!!!!!!

11:34 May 25 2010
Times Read: 850


Please rate her profile/portfolio, add her as a friend, add her journal, and stalk her.



She is a super nice Lady. She has worked hard and a wonderful person.



Spookshow



COMMENTS

-



 

Separating Myths from Facts in Vampire: The Requiem

18:52 May 05 2010
Times Read: 895


Where does Vampire's mythology diverge from popular belief? Where do the conceits ring true? The following statements outline real-world legends of the undead, clarifying their truth or falsity in the World of Darkness.



Vampires must sustain themselves on the blood of the living: Fact. For the Kindred, the act of feeding is highly sensual. The vessel feels ecstatic when it happens, and the feeding vampire undergoes a heady rush. Certain vampires sustain their undeath by drinking the blood of animals, but rarely for long, as either their tastes or the needs of their cursed bodies force them to seek human blood.

Vampires are immortal: Myth and fact. Although vampires do not appear to age, and some survive for centuries, the Kindred use the word undead rather than immortal. Vampirism is a curse, not a blessing. It does carry with it great power, but the state of being a vampire also brings with it numerous detriments, not the least of which include the internalized rage of the Beast and feeding on human blood.

A vampire's prey automatically becomes a vampire: Myth. You do not necessarily become a vampire if you're bitten or killed by a vampire. It takes a conscious act of will, known as the Embrace, to create a new vampire. Indeed, a vampire leaves little to mark her passing if she is careful. All a vampire must do to hide the wound left by her feeding is to lick it when she's done.

Vampires have every manner of supernatural power, such as turning into animals, flying, and wielding the strength of a dozen men: Fact. While these powers are not universal, vampires have unique abilities, known as Disciplines, that can grant individual undead capabilities such as these and more.



Vampires can have sex:

Fact. While the act of feeding replaces all physical urges, vampires can still indulge in sex and even take pleasure from it. Curiously, however, the emotional aspect of sex vanishes after the Embrace. A vampire might enjoy the physical sensation of sex, but no more than she enjoys a particularly savory smell or the touch of a luxurious fabric.

A wooden stake destroys vampires: Myth. Vampires aren't destroyed upon being staked; they're held in stasis. A vampire's body slowly withers while trapped in this state, becoming ever more corpselike.

Vampires don't show up like normal people on camera or in mirrors: Fact. Vampires show up with their features obscured in photographic media (including video footage) and in mirrors. They can temporarily counteract this effect, but by "default," their features are obscured. The same is not true for voice recordings; vampires' voices are captured normally on voice recorders.

Sunlight burns vampires: Fact. As part of their curse, vampires recoil at the touch of the sun, its vital rays scorching their undead flesh. Vampires typically spend the daylight hours in the cold sleep of undeath, and only the most resolute can shake off the weight of the day's forced slumber for even a short time.

Garlic and running water repel vampires: Myth. Such notions are

nothing more than old wives' tales, cultural biases, or perhaps the banes of certain bloodlines of Kindred.

Vampires are repulsed by crosses and other holy symbols: Myth — almost. While such is not generally the case, the devout sometimes do affect the Kindred with miraculous aspects of their faith.

Vampires' souls are as dead as their bodies: Myth and fact. A vampire may believe that he feels an emotion, but what he actually feels is the echo of mortal emotions that the remnants of his soul apply to his current experience. That is, a vampire who feels angry might indeed be angry at the subject of his ire, but the resonance of the emotion actually comes from some situation the vampire dealt with in life. This condition results in many strange situations. A vampire who has never experienced a given emotion before becoming Kindred might become confused, while a vampiric artist might create a work of art that is awkwardly devoid of any true emotional insight.





COMMENTS

-



 

A TALE OF THE RAGGED MOUNTAINS

17:53 May 05 2010
Times Read: 896


DURING the fall of the year 1827, while residing near

Charlottesville, Virginia, I casually made the acquaintance of Mr.

Augustus Bedloe. This young gentleman was remarkable in every respect,

and excited in me a profound interest and curiosity. I found it

impossible to comprehend him either in his moral or his physical

relations. Of his family I could obtain no satisfactory account.

Whence he came, I never ascertained. Even about his age- although I

call him a young gentleman- there was something which perplexed me

in no little degree. He certainly seemed young- and he made a point of

speaking about his youth- yet there were moments when I should have

had little trouble in imagining him a hundred years of age. But in

no regard was he more peculiar than in his personal appearance. He was

singularly tall and thin. He stooped much. His limbs were

exceedingly long and emaciated. His forehead was broad and low. His

complexion was absolutely bloodless. His mouth was large and flexible,

and his teeth were more wildly uneven, although sound, than I had ever

before seen teeth in a human head. The expression of his smile,

however, was by no means unpleasing, as might be supposed; but it

had no variation whatever. It was one of profound melancholy- of a

phaseless and unceasing gloom. His eyes were abnormally large, and

round like those of a cat. The pupils, too, upon any accession or

diminution of light, underwent contraction or dilation, just such as

is observed in the feline tribe. In moments of excitement the orbs

grew bright to a degree almost inconceivable; seeming to emit luminous

rays, not of a reflected but of an intrinsic lustre, as does a

candle or the sun; yet their ordinary condition was so totally

vapid, filmy, and dull as to convey the idea of the eyes of a

long-interred corpse.

These peculiarities of person appeared to cause him much

annoyance, and he was continually alluding to them in a sort of half

explanatory, half apologetic strain, which, when I first heard it,

impressed me very painfully. I soon, however, grew accustomed to it,

and my uneasiness wore off. It seemed to be his design rather to

insinuate than directly to assert that, physically, he had not

always been what he was- that a long series of neuralgic attacks had

reduced him from a condition of more than usual personal beauty, to

that which I saw. For many years past he had been attended by a

physician, named Templeton- an old gentleman, perhaps seventy years of

age- whom he had first encountered at Saratoga, and from whose

attention, while there, he either received, or fancied that he

received, great benefit. The result was that Bedloe, who was

wealthy, had made an arrangement with Dr. Templeton, by which the

latter, in consideration of a liberal annual allowance, had

consented to devote his time and medical experience exclusively to the

care of the invalid.

Doctor Templeton had been a traveller in his younger days, and at

Paris had become a convert, in great measure, to the doctrines of

Mesmer. It was altogether by means of magnetic remedies that he had

succeeded in alleviating the acute pains of his patient; and this

success had very naturally inspired the latter with a certain degree

of confidence in the opinions from which the remedies had been educed.

The Doctor, however, like all enthusiasts, had struggled hard to

make a thorough convert of his pupil, and finally so far gained his

point as to induce the sufferer to submit to numerous experiments.

By a frequent repetition of these, a result had arisen, which of

late days has become so common as to attract little or no attention,

but which, at the period of which I write, had very rarely been

known in America. I mean to say, that between Doctor Templeton and

Bedloe there had grown up, little by little, a very distinct and

strongly marked rapport, or magnetic relation. I am not prepared to

assert, however, that this rapport extended beyond the limits of the

simple sleep-producing power, but this power itself had attained great

intensity. At the first attempt to induce the magnetic somnolency, the

mesmerist entirely failed. In the fifth or sixth he succeeded very

partially, and after long continued effort. Only at the twelfth was

the triumph complete. After this the will of the patient succumbed

rapidly to that of the physician, so that, when I first became

acquainted with the two, sleep was brought about almost

instantaneously by the mere volition of the operator, even when the

invalid was unaware of his presence. It is only now, in the year 1845,

when similar miracles are witnessed daily by thousands, that I dare

venture to record this apparent impossibility as a matter of serious

fact.

The temperature of Bedloe was, in the highest degree sensitive,

excitable, enthusiastic. His imagination was singularly vigorous and

creative; and no doubt it derived additional force from the habitual

use of morphine, which he swallowed in great quantity, and without

which he would have found it impossible to exist. It was his

practice to take a very large dose of it immediately after breakfast

each morning- or, rather, immediately after a cup of strong coffee,

for he ate nothing in the forenoon- and then set forth alone, or

attended only by a dog, upon a long ramble among the chain of wild and

dreary hills that lie westward and southward of Charlottesville, and

are there dignified by the title of the Ragged Mountains.

Upon a dim, warm, misty day, toward the close of November, and

during the strange interregnum of the seasons which in America is

termed the Indian Summer, Mr. Bedloe departed as usual for the

hills. The day passed, and still he did not return.

About eight o'clock at night, having become seriously alarmed at his

protracted absence, we were about setting out in search of him, when

he unexpectedly made his appearance, in health no worse than usual,

and in rather more than ordinary spirits. The account which he gave of

his expedition, and of the events which had detained him, was a

singular one indeed.

"You will remember," said he, "that it was about nine in the morning

when I left Charlottesville. I bent my steps immediately to the

mountains, and, about ten, entered a gorge which was entirely new to

me. I followed the windings of this pass with much interest. The

scenery which presented itself on all sides, although scarcely

entitled to be called grand, had about it an indescribable and to me a

delicious aspect of dreary desolation. The solitude seemed

absolutely virgin. I could not help believing that the green sods

and the gray rocks upon which I trod had been trodden never before

by the foot of a human being. So entirely secluded, and in fact

inaccessible, except through a series of accidents, is the entrance of

the ravine, that it is by no means impossible that I was indeed the

first adventurer- the very first and sole adventurer who had ever

penetrated its recesses.

"The thick and peculiar mist, or smoke, which distinguishes the

Indian Summer, and which now hung heavily over all objects, served, no

doubt, to deepen the vague impressions which these objects created. So

dense was this pleasant fog that I could at no time see more than a

dozen yards of the path before me. This path was excessively

sinuous, and as the sun could not be seen, I soon lost all idea of the

direction in which I journeyed. In the meantime the morphine had its

customary effect- that of enduing all the external world with an

intensity of interest. In the quivering of a leaf- in the hue of a

blade of grass- in the shape of a trefoil- in the humming of a bee- in

the gleaming of a dew-drop- in the breathing of the wind- in the faint

odors that came from the forest- there came a whole universe of

suggestion- a gay and motley train of rhapsodical and immethodical

thought.

"Busied in this, I walked on for several hours, during which the

mist deepened around me to so great an extent that at length I was

reduced to an absolute groping of the way. And now an indescribable

uneasiness possessed me- a species of nervous hesitation and tremor. I

feared to tread, lest I should be precipitated into some abyss. I

remembered, too, strange stories told about these Ragged Hills, and of

the uncouth and fierce races of men who tenanted their groves and

caverns. A thousand vague fancies oppressed and disconcerted me-

fancies the more distressing because vague. Very suddenly my attention

was arrested by the loud beating of a drum.

"My amazement was, of course, extreme. A drum in these hills was a

thing unknown. I could not have been more surprised at the sound of

the trump of the Archangel. But a new and still more astounding source

of interest and perplexity arose. There came a wild rattling or

jingling sound, as if of a bunch of large keys, and upon the instant a

dusky-visaged and half-naked man rushed past me with a shriek. He came

so close to my person that I felt his hot breath upon my face. He bore

in one hand an instrument composed of an assemblage of steel rings,

and shook them vigorously as he ran. Scarcely had he disappeared in

the mist before, panting after him, with open mouth and glaring

eyes, there darted a huge beast. I could not be mistaken in its

character. It was a hyena.

"The sight of this monster rather relieved than heightened my

terrors- for I now made sure that I dreamed, and endeavored to

arouse myself to waking consciousness. I stepped boldly and briskly

forward. I rubbed my eyes. I called aloud. I pinched my limbs. A small

spring of water presented itself to my view, and here, stooping, I

bathed my hands and my head and neck. This seemed to dissipate the

equivocal sensations which had hitherto annoyed me. I arose, as I

thought, a new man, and proceeded steadily and complacently on my

unknown way.

"At length, quite overcome by exertion, and by a certain

oppressive closeness of the atmosphere, I seated myself beneath a

tree. Presently there came a feeble gleam of sunshine, and the

shadow of the leaves of the tree fell faintly but definitely upon

the grass. At this shadow I gazed wonderingly for many minutes. Its

character stupefied me with astonishment. I looked upward. The tree

was a palm.

"I now arose hurriedly, and in a state of fearful agitation- for the

fancy that I dreamed would serve me no longer. I saw- I felt that I

had perfect command of my senses- and these senses now brought to my

soul a world of novel and singular sensation. The heat became all at

once intolerable. A strange odor loaded the breeze. A low,

continuous murmur, like that arising from a full, but gently flowing

river, came to my ears, intermingled with the peculiar hum of

multitudinous human voices.

"While I listened in an extremity of astonishment which I need not

attempt to describe, a strong and brief gust of wind bore off the

incumbent fog as if by the wand of an enchanter.

"I found myself at the foot of a high mountain, and looking down

into a vast plain, through which wound a majestic river. On the margin

of this river stood an Eastern-looking city, such as we read of in the

Arabian Tales, but of a character even more singular than any there

described. From my position, which was far above the level of the

town, I could perceive its every nook and corner, as if delineated

on a map. The streets seemed innumerable, and crossed each other

irregularly in all directions, but were rather long winding alleys

than streets, and absolutely swarmed with inhabitants. The houses were

wildly picturesque. On every hand was a wilderness of balconies, of

verandas, of minarets, of shrines, and fantastically carved oriels.

Bazaars abounded; and in these were displayed rich wares in infinite

variety and profusion- silks, muslins, the most dazzling cutlery,

the most magnificent jewels and gems. Besides these things, were seen,

on all sides, banners and palanquins, litters with stately dames close

veiled, elephants gorgeously caparisoned, idols grotesquely hewn,

drums, banners, and gongs, spears, silver and gilded maces. And amid

the crowd, and the clamor, and the general intricacy and confusion-

amid the million of black and yellow men, turbaned and robed, and of

flowing beard, there roamed a countless multitude of holy filleted

bulls, while vast legions of the filthy but sacred ape clambered,

chattering and shrieking, about the cornices of the mosques, or

clung to the minarets and oriels. From the swarming streets to the

banks of the river, there descended innumerable flights of steps

leading to bathing places, while the river itself seemed to force a

passage with difficulty through the vast fleets of deeply- burthened

ships that far and wide encountered its surface. Beyond the limits

of the city arose, in frequent majestic groups, the palm and the

cocoa, with other gigantic and weird trees of vast age, and here and

there might be seen a field of rice, the thatched hut of a peasant,

a tank, a stray temple, a gypsy camp, or a solitary graceful maiden

taking her way, with a pitcher upon her head, to the banks of the

magnificent river.

"You will say now, of course, that I dreamed; but not so. What I

saw- what I heard- what I felt- what I thought- had about it nothing

of the unmistakable idiosyncrasy of the dream. All was rigorously

self-consistent. At first, doubting that I was really awake, I entered

into a series of tests, which soon convinced me that I really was.

Now, when one dreams, and, in the dream, suspects that he dreams,

the suspicion never fails to confirm itself, and the sleeper is almost

immediately aroused. Thus Novalis errs not in saying that 'we are near

waking when we dream that we dream.' Had the vision occurred to me

as I describe it, without my suspecting it as a dream, then a dream it

might absolutely have been, but, occurring as it did, and suspected

and tested as it was, I am forced to class it among other phenomena."

"In this I am not sure that you are wrong," observed Dr.

Templeton, "but proceed. You arose and descended into the city."

"I arose," continued Bedloe, regarding the Doctor with an air of

profound astonishment "I arose, as you say, and descended into the

city. On my way I fell in with an immense populace, crowding through

every avenue, all in the same direction, and exhibiting in every

action the wildest excitement. Very suddenly, and by some

inconceivable impulse, I became intensely imbued with personal

interest in what was going on. I seemed to feel that I had an

important part to play, without exactly understanding what it was.

Against the crowd which environed me, however, I experienced a deep

sentiment of animosity. I shrank from amid them, and, swiftly, by a

circuitous path, reached and entered the city. Here all was the

wildest tumult and contention. A small party of men, clad in

garments half-Indian, half-European, and officered by gentlemen in a

uniform partly British, were engaged, at great odds, with the swarming

rabble of the alleys. I joined the weaker party, arming myself with

the weapons of a fallen officer, and fighting I knew not whom with the

nervous ferocity of despair. We were soon overpowered by numbers,

and driven to seek refuge in a species of kiosk. Here we barricaded

ourselves, and, for the present were secure. From a loop-hole near the

summit of the kiosk, I perceived a vast crowd, in furious agitation,

surrounding and assaulting a gay palace that overhung the river.

Presently, from an upper window of this place, there descended an

effeminate-looking person, by means of a string made of the turbans of

his attendants. A boat was at hand, in which he escaped to the

opposite bank of the river.

"And now a new object took possession of my soul. I spoke a few

hurried but energetic words to my companions, and, having succeeded in

gaining over a few of them to my purpose made a frantic sally from the

kiosk. We rushed amid the crowd that surrounded it. They retreated, at

first, before us. They rallied, fought madly, and retreated again.

In the mean time we were borne far from the kiosk, and became

bewildered and entangled among the narrow streets of tall, overhanging

houses, into the recesses of which the sun had never been able to

shine. The rabble pressed impetuously upon us, harrassing us with

their spears, and overwhelming us with flights of arrows. These latter

were very remarkable, and resembled in some respects the writhing

creese of the Malay. They were made to imitate the body of a

creeping serpent, and were long and black, with a poisoned barb. One

of them struck me upon the right temple. I reeled and fell. An

instantaneous and dreadful sickness seized me. I struggled- I

gasped- I died."

"You will hardly persist now," said I smiling, "that the whole of

your adventure was not a dream. You are not prepared to maintain

that you are dead?"

When I said these words, I of course expected some lively sally from

Bedloe in reply, but, to my astonishment, he hesitated, trembled,

became fearfully pallid, and remained silent. I looked toward

Templeton. He sat erect and rigid in his chair- his teeth chattered,

and his eyes were starting from their sockets. "Proceed!" he at length

said hoarsely to Bedloe.

"For many minutes," continued the latter, "my sole sentiment- my

sole feeling- was that of darkness and nonentity, with the

consciousness of death. At length there seemed to pass a violent and

sudden shock through my soul, as if of electricity. With it came the

sense of elasticity and of light. This latter I felt- not saw. In an

instant I seemed to rise from the ground. But I had no bodily, no

visible, audible, or palpable presence. The crowd had departed. The

tumult had ceased. The city was in comparative repose. Beneath me

lay my corpse, with the arrow in my temple, the whole head greatly

swollen and disfigured. But all these things I felt- not saw. I took

interest in nothing. Even the corpse seemed a matter in which I had no

concern. Volition I had none, but appeared to be impelled into motion,

and flitted buoyantly out of the city, retracing the circuitous path

by which I had entered it. When I had attained that point of the

ravine in the mountains at which I had encountered the hyena, I

again experienced a shock as of a galvanic battery, the sense of

weight, of volition, of substance, returned. I became my original

self, and bent my steps eagerly homeward- but the past had not lost

the vividness of the real- and not now, even for an instant, can I

compel my understanding to regard it as a dream."

"Nor was it," said Templeton, with an air of deep solemnity, "yet it

would be difficult to say how otherwise it should be termed. Let us

suppose only, that the soul of the man of to-day is upon the verge

of some stupendous psychal discoveries. Let us content ourselves

with this supposition. For the rest I have some explanation to make.

Here is a watercolor drawing, which I should have shown you before,

but which an unaccountable sentiment of horror has hitherto

prevented me from showing."

We looked at the picture which he presented. I saw nothing in it

of an extraordinary character, but its effect upon Bedloe was

prodigious. He nearly fainted as he gazed. And yet it was but a

miniature portrait- a miraculously accurate one, to be sure- of his

own very remarkable features. At least this was my thought as I

regarded it.

"You will perceive," said Templeton, "the date of this picture- it

is here, scarcely visible, in this corner- 1780. In this year was

the portrait taken. It is the likeness of a dead friend- a Mr.

Oldeb- to whom I became much attached at Calcutta, during the

administration of Warren Hastings. I was then only twenty years old.

When I first saw you, Mr. Bedloe, at Saratoga, it was the miraculous

similarity which existed between yourself and the painting which

induced me to accost you, to seek your friendship, and to bring

about those arrangements which resulted in my becoming your constant

companion. In accomplishing this point, I was urged partly, and

perhaps principally, by a regretful memory of the deceased, but

also, in part, by an uneasy, and not altogether horrorless curiosity

respecting yourself.

"In your detail of the vision which presented itself to you amid the

hills, you have described, with the minutest accuracy, the Indian city

of Benares, upon the Holy River. The riots, the combat, the

massacre, were the actual events of the insurrection of Cheyte Sing,

which took place in 1780, when Hastings was put in imminent peril of

his life. The man escaping by the string of turbans was Cheyte Sing

himself. The party in the kiosk were sepoys and British officers,

headed by Hastings. Of this party I was one, and did all I could to

prevent the rash and fatal sally of the officer who fell, in the

crowded alleys, by the poisoned arrow of a Bengalee. That officer

was my dearest friend. It was Oldeb. You will perceive by these

manuscripts," (here the speaker produced a note-book in which

several pages appeared to have been freshly written,) "that at the

very period in which you fancied these things amid the hills, I was

engaged in detailing them upon paper here at home."

In about a week after this conversation, the following paragraphs

appeared in a Charlottesville paper:

"We have the painful duty of announcing the death of Mr. Augustus

Bedlo, a gentleman whose amiable manners and many virtues have long

endeared him to the citizens of Charlottesville.

"Mr. B., for some years past, has been subject to neuralgia, which

has often threatened to terminate fatally; but this can be regarded

only as the mediate cause of his decease. The proximate cause was

one of especial singularity. In an excursion to the Ragged

Mountains, a few days since, a slight cold and fever were

contracted, attended with great determination of blood to the head. To

relieve this, Dr. Templeton resorted to topical bleeding. Leeches were

applied to the temples. In a fearfully brief period the patient

died, when it appeared that in the jar containing the leeches, had

been introduced, by accident, one of the venomous vermicular

sangsues which are now and then found in the neighboring ponds. This

creature fastened itself upon a small artery in the right temple.

Its close resemblance to the medicinal leech caused the mistake to

be overlooked until too late.

"N. B. The poisonous sangsue of Charlottesville may always be

distinguished from the medicinal leech by its blackness, and

especially by its writhing or vermicular motions, which very nearly

resemble those of a snake."

I was speaking with the editor of the paper in question, upon the

topic of this remarkable accident, when it occurred to me to ask how

it happened that the name of the deceased had been given as Bedlo.

"I presume," I said, "you have authority for this spelling, but I

have always supposed the name to be written with an e at the end."

"Authority?- no," he replied. "It is a mere typographical error. The

name is Bedlo with an e, all the world over, and I never knew it to be

spelt otherwise in my life."

"Then," said I mutteringly, as I turned upon my heel, "then indeed

has it come to pass that one truth is stranger than any fiction- for

Bedloe, without the e, what is it but Oldeb conversed! And this man

tells me that it is a typographical error."





By: Edgar Allan Poe 1850


COMMENTS

-



 

THE PREMATURE BURIAL

17:49 May 05 2010
Times Read: 900


THERE are certain themes of which the interest is all-absorbing, but

which are too entirely horrible for the purposes of legitimate

fiction. These the mere romanticist must eschew, if he do not wish

to offend or to disgust. They are with propriety handled only when the

severity and majesty of Truth sanctify and sustain them. We thrill,

for example, with the most intense of "pleasurable pain" over the

accounts of the Passage of the Beresina, of the Earthquake at

Lisbon, of the Plague at London, of the Massacre of St. Bartholomew,

or of the stifling of the hundred and twenty-three prisoners in the

Black Hole at Calcutta. But in these accounts it is the fact- it is

the reality- it is the history which excites. As inventions, we should

regard them with simple abhorrence.

I have mentioned some few of the more prominent and august

calamities on record; but in these it is the extent, not less than the

character of the calamity, which so vividly impresses the fancy. I

need not remind the reader that, from the long and weird catalogue

of human miseries, I might have selected many individual instances

more replete with essential suffering than any of these vast

generalities of disaster. The true wretchedness, indeed- the

ultimate woe- is particular, not diffuse. That the ghastly extremes of

agony are endured by man the unit, and never by man the mass- for this

let us thank a merciful God!

To be buried while alive is, beyond question, the most terrific of

these extremes which has ever fallen to the lot of mere mortality.

That it has frequently, very frequently, so fallen will scarcely be

denied by those who think. The boundaries which divide Life from Death

are at best shadowy and vague. Who shall say where the one ends, and

where the other begins? We know that there are diseases in which occur

total cessations of all the apparent functions of vitality, and yet in

which these cessations are merely suspensions, properly so called.

They are only temporary pauses in the incomprehensible mechanism. A

certain period elapses, and some unseen mysterious principle again

sets in motion the magic pinions and the wizard wheels. The silver

cord was not for ever loosed, nor the golden bowl irreparably

broken. But where, meantime, was the soul?

Apart, however, from the inevitable conclusion, a priori that such

causes must produce such effects- that the well-known occurrence of

such cases of suspended animation must naturally give rise, now and

then, to premature interments- apart from this consideration, we

have the direct testimony of medical and ordinary experience to

prove that a vast number of such interments have actually taken place.

I might refer at once, if necessary to a hundred well authenticated

instances. One of very remarkable character, and of which the

circumstances may be fresh in the memory of some of my readers,

occurred, not very long ago, in the neighboring city of Baltimore,

where it occasioned a painful, intense, and widely-extended

excitement. The wife of one of the most respectable citizens-a

lawyer of eminence and a member of Congress- was seized with a

sudden and unaccountable illness, which completely baffled the skill

of her physicians. After much suffering she died, or was supposed to

die. No one suspected, indeed, or had reason to suspect, that she

was not actually dead. She presented all the ordinary appearances of

death. The face assumed the usual pinched and sunken outline. The lips

were of the usual marble pallor. The eyes were lustreless. There was

no warmth. Pulsation had ceased. For three days the body was preserved

unburied, during which it had acquired a stony rigidity. The

funeral, in short, was hastened, on account of the rapid advance of

what was supposed to be decomposition.

The lady was deposited in her family vault, which, for three

subsequent years, was undisturbed. At the expiration of this term it

was opened for the reception of a sarcophagus;- but, alas! how fearful

a shock awaited the husband, who, personally, threw open the door!

As its portals swung outwardly back, some white-apparelled object fell

rattling within his arms. It was the skeleton of his wife in her yet

unmoulded shroud.

A careful investigation rendered it evident that she had revived

within two days after her entombment; that her struggles within the

coffin had caused it to fall from a ledge, or shelf to the floor,

where it was so broken as to permit her escape. A lamp which had

been accidentally left, full of oil, within the tomb, was found empty;

it might have been exhausted, however, by evaporation. On the

uttermost of the steps which led down into the dread chamber was a

large fragment of the coffin, with which, it seemed, that she had

endeavored to arrest attention by striking the iron door. While thus

occupied, she probably swooned, or possibly died, through sheer

terror; and, in failing, her shroud became entangled in some iron-

work which projected interiorly. Thus she remained, and thus she

rotted, erect.

In the year 1810, a case of living inhumation happened in France,

attended with circumstances which go far to warrant the assertion that

truth is, indeed, stranger than fiction. The heroine of the story

was a Mademoiselle Victorine Lafourcade, a young girl of illustrious

family, of wealth, and of great personal beauty. Among her numerous

suitors was Julien Bossuet, a poor litterateur, or journalist of

Paris. His talents and general amiability had recommended him to the

notice of the heiress, by whom he seems to have been truly beloved;

but her pride of birth decided her, finally, to reject him, and to wed

a Monsieur Renelle, a banker and a diplomatist of some eminence. After

marriage, however, this gentleman neglected, and, perhaps, even more

positively ill-treated her. Having passed with him some wretched

years, she died,- at least her condition so closely resembled death as

to deceive every one who saw her. She was buried- not in a vault,

but in an ordinary grave in the village of her nativity. Filled with

despair, and still inflamed by the memory of a profound attachment,

the lover journeys from the capital to the remote province in which

the village lies, with the romantic purpose of disinterring the

corpse, and possessing himself of its luxuriant tresses. He reaches

the grave. At midnight he unearths the coffin, opens it, and is in the

act of detaching the hair, when he is arrested by the unclosing of the

beloved eyes. In fact, the lady had been buried alive. Vitality had

not altogether departed, and she was aroused by the caresses of her

lover from the lethargy which had been mistaken for death. He bore her

frantically to his lodgings in the village. He employed certain

powerful restoratives suggested by no little medical learning. In

fine, she revived. She recognized her preserver. She remained with him

until, by slow degrees, she fully recovered her original health. Her

woman's heart was not adamant, and this last lesson of love sufficed

to soften it. She bestowed it upon Bossuet. She returned no more to

her husband, but, concealing from him her resurrection, fled with

her lover to America. Twenty years afterward, the two returned to

France, in the persuasion that time had so greatly altered the

lady's appearance that her friends would be unable to recognize her.

They were mistaken, however, for, at the first meeting, Monsieur

Renelle did actually recognize and make claim to his wife. This

claim she resisted, and a judicial tribunal sustained her in her

resistance, deciding that the peculiar circumstances, with the long

lapse of years, had extinguished, not only equitably, but legally, the

authority of the husband.

The "Chirurgical Journal" of Leipsic- a periodical of high authority

and merit, which some American bookseller would do well to translate

and republish, records in a late number a very distressing event of

the character in question.

An officer of artillery, a man of gigantic stature and of robust

health, being thrown from an unmanageable horse, received a very

severe contusion upon the head, which rendered him insensible at once;

the skull was slightly fractured, but no immediate danger was

apprehended. Trepanning was accomplished successfully. He was bled,

and many other of the ordinary means of relief were adopted.

Gradually, however, he fell into a more and more hopeless state of

stupor, and, finally, it was thought that he died.

The weather was warm, and he was buried with indecent haste in one

of the public cemeteries. His funeral took place on Thursday. On the

Sunday following, the grounds of the cemetery were, as usual, much

thronged with visiters, and about noon an intense excitement was

created by the declaration of a peasant that, while sitting upon the

grave of the officer, he had distinctly felt a commotion of the earth,

as if occasioned by some one struggling beneath. At first little

attention was paid to the man's asseveration; but his evident

terror, and the dogged obstinacy with which he persisted in his story,

had at length their natural effect upon the crowd. Spades were

hurriedly procured, and the grave, which was shamefully shallow, was

in a few minutes so far thrown open that the head of its occupant

appeared. He was then seemingly dead; but he sat nearly erect within

his coffin, the lid of which, in his furious struggles, he had

partially uplifted.

He was forthwith conveyed to the nearest hospital, and there

pronounced to be still living, although in an asphytic condition.

After some hours he revived, recognized individuals of his

acquaintance, and, in broken sentences spoke of his agonies in the

grave.

From what he related, it was clear that he must have been

conscious of life for more than an hour, while inhumed, before lapsing

into insensibility. The grave was carelessly and loosely filled with

an exceedingly porous soil; and thus some air was necessarily

admitted. He heard the footsteps of the crowd overhead, and endeavored

to make himself heard in turn. It was the tumult within the grounds of

the cemetery, he said, which appeared to awaken him from a deep sleep,

but no sooner was he awake than he became fully aware of the awful

horrors of his position.

This patient, it is recorded, was doing well and seemed to be in a

fair way of ultimate recovery, but fell a victim to the quackeries

of medical experiment. The galvanic battery was applied, and he

suddenly expired in one of those ecstatic paroxysms which,

occasionally, it superinduces.

The mention of the galvanic battery, nevertheless, recalls to my

memory a well known and very extraordinary case in point, where its

action proved the means of restoring to animation a young attorney

of London, who had been interred for two days. This occurred in

1831, and created, at the time, a very profound sensation wherever

it was made the subject of converse.

The patient, Mr. Edward Stapleton, had died, apparently of typhus

fever, accompanied with some anomalous symptoms which had excited

the curiosity of his medical attendants. Upon his seeming decease, his

friends were requested to sanction a post-mortem examination, but

declined to permit it. As often happens, when such refusals are

made, the practitioners resolved to disinter the body and dissect it

at leisure, in private. Arrangements were easily effected with some of

the numerous corps of body-snatchers, with which London abounds;

and, upon the third night after the funeral, the supposed corpse was

unearthed from a grave eight feet deep, and deposited in the opening

chamber of one of the private hospitals.

An incision of some extent had been actually made in the abdomen,

when the fresh and undecayed appearance of the subject suggested an

application of the battery. One experiment succeeded another, and

the customary effects supervened, with nothing to characterize them in

any respect, except, upon one or two occasions, a more than ordinary

degree of life-likeness in the convulsive action.

It grew late. The day was about to dawn; and it was thought

expedient, at length, to proceed at once to the dissection. A student,

however, was especially desirous of testing a theory of his own, and

insisted upon applying the battery to one of the pectoral muscles. A

rough gash was made, and a wire hastily brought in contact, when the

patient, with a hurried but quite unconvulsive movement, arose from

the table, stepped into the middle of the floor, gazed about him

uneasily for a few seconds, and then- spoke. What he said was

unintelligible, but words were uttered; the syllabification was

distinct. Having spoken, he fell heavily to the floor.

For some moments all were paralyzed with awe- but the urgency of the

case soon restored them their presence of mind. It was seen that Mr.

Stapleton was alive, although in a swoon. Upon exhibition of ether

he revived and was rapidly restored to health, and to the society of

his friends- from whom, however, all knowledge of his resuscitation

was withheld, until a relapse was no longer to be apprehended. Their

wonder- their rapturous astonishment- may be conceived.

The most thrilling peculiarity of this incident, nevertheless, is

involved in what Mr. S. himself asserts. He declares that at no period

was he altogether insensible- that, dully and confusedly, he was aware

of everything which happened to him, from the moment in which he was

pronounced dead by his physicians, to that in which he fell swooning

to the floor of the hospital. "I am alive," were the uncomprehended

words which, upon recognizing the locality of the dissecting-room,

he had endeavored, in his extremity, to utter.

It were an easy matter to multiply such histories as these- but I

forbear- for, indeed, we have no need of such to establish the fact

that premature interments occur. When we reflect how very rarely, from

the nature of the case, we have it in our power to detect them, we

must admit that they may frequently occur without our cognizance.

Scarcely, in truth, is a graveyard ever encroached upon, for any

purpose, to any great extent, that skeletons are not found in postures

which suggest the most fearful of suspicions.

Fearful indeed the suspicion- but more fearful the doom! It may be

asserted, without hesitation, that no event is so terribly well

adapted to inspire the supremeness of bodily and of mental distress,

as is burial before death. The unendurable oppression of the lungs-

the stifling fumes from the damp earth- the clinging to the death

garments- the rigid embrace of the narrow house- the blackness of

the absolute Night- the silence like a sea that overwhelms- the unseen

but palpable presence of the Conqueror Worm- these things, with the

thoughts of the air and grass above, with memory of dear friends who

would fly to save us if but informed of our fate, and with

consciousness that of this fate they can never be informed- that our

hopeless portion is that of the really dead- these considerations, I

say, carry into the heart, which still palpitates, a degree of

appalling and intolerable horror from which the most daring

imagination must recoil. We know of nothing so agonizing upon Earth-

we can dream of nothing half so hideous in the realms of the

nethermost Hell. And thus all narratives upon this topic have an

interest profound; an interest, nevertheless, which, through the

sacred awe of the topic itself, very properly and very peculiarly

depends upon our conviction of the truth of the matter narrated.

What I have now to tell is of my own actual knowledge- of my own

positive and personal experience.

For several years I had been subject to attacks of the singular

disorder which physicians have agreed to term catalepsy, in default of

a more definitive title. Although both the immediate and the

predisposing causes, and even the actual diagnosis, of this disease

are still mysterious, its obvious and apparent character is

sufficiently well understood. Its variations seem to be chiefly of

degree. Sometimes the patient lies, for a day only, or even for a

shorter period, in a species of exaggerated lethargy. He is

senseless and externally motionless; but the pulsation of the heart is

still faintly perceptible; some traces of warmth remain; a slight

color lingers within the centre of the cheek; and, upon application of

a mirror to the lips, we can detect a torpid, unequal, and vacillating

action of the lungs. Then again the duration of the trance is for

weeks- even for months; while the closest scrutiny, and the most

rigorous medical tests, fail to establish any material distinction

between the state of the sufferer and what we conceive of absolute

death. Very usually he is saved from premature interment solely by the

knowledge of his friends that he has been previously subject to

catalepsy, by the consequent suspicion excited, and, above all, by the

non-appearance of decay. The advances of the malady are, luckily,

gradual. The first manifestations, although marked, are unequivocal.

The fits grow successively more and more distinctive, and endure

each for a longer term than the preceding. In this lies the

principal security from inhumation. The unfortunate whose first attack

should be of the extreme character which is occasionally seen, would

almost inevitably be consigned alive to the tomb.

My own case differed in no important particular from those mentioned

in medical books. Sometimes, without any apparent cause, I sank,

little by little, into a condition of hemi-syncope, or half swoon;

and, in this condition, without pain, without ability to stir, or,

strictly speaking, to think, but with a dull lethargic consciousness

of life and of the presence of those who surrounded my bed, I

remained, until the crisis of the disease restored me, suddenly, to

perfect sensation. At other times I was quickly and impetuously

smitten. I grew sick, and numb, and chilly, and dizzy, and so fell

prostrate at once. Then, for weeks, all was void, and black, and

silent, and Nothing became the universe. Total annihilation could be

no more. From these latter attacks I awoke, however, with a

gradation slow in proportion to the suddenness of the seizure. Just as

the day dawns to the friendless and houseless beggar who roams the

streets throughout the long desolate winter night- just so tardily-

just so wearily- just so cheerily came back the light of the Soul to

me.

Apart from the tendency to trance, however, my general health

appeared to be good; nor could I perceive that it was at all

affected by the one prevalent malady- unless, indeed, an

idiosyncrasy in my ordinary sleep may be looked upon as

superinduced. Upon awaking from slumber, I could never gain, at

once, thorough possession of my senses, and always remained, for

many minutes, in much bewilderment and perplexity;- the mental

faculties in general, but the memory in especial, being in a condition

of absolute abeyance.

In all that I endured there was no physical suffering but of moral

distress an infinitude. My fancy grew charnel, I talked "of worms,

of tombs, and epitaphs." I was lost in reveries of death, and the idea

of premature burial held continual possession of my brain. The ghastly

Danger to which I was subjected haunted me day and night. In the

former, the torture of meditation was excessive- in the latter,

supreme. When the grim Darkness overspread the Earth, then, with every

horror of thought, I shook- shook as the quivering plumes upon the

hearse. When Nature could endure wakefulness no longer, it was with

a struggle that I consented to sleep- for I shuddered to reflect that,

upon awaking, I might find myself the tenant of a grave. And when,

finally, I sank into slumber, it was only to rush at once into a world

of phantasms, above which, with vast, sable, overshadowing wing,

hovered, predominant, the one sepulchral Idea.

From the innumerable images of gloom which thus oppressed me in

dreams, I select for record but a solitary vision. Methought I was

immersed in a cataleptic trance of more than usual duration and

profundity. Suddenly there came an icy hand upon my forehead, and an

impatient, gibbering voice whispered the word "Arise!" within my ear.

I sat erect. The darkness was total. I could not see the figure of

him who had aroused me. I could call to mind neither the period at

which I had fallen into the trance, nor the locality in which I then

lay. While I remained motionless, and busied in endeavors to collect

my thought, the cold hand grasped me fiercely by the wrist, shaking it

petulantly, while the gibbering voice said again:

"Arise! did I not bid thee arise?"

"And who," I demanded, "art thou?"

"I have no name in the regions which I inhabit," replied the

voice, mournfully; "I was mortal, but am fiend. I was merciless, but

am pitiful. Thou dost feel that I shudder.- My teeth chatter as I

speak, yet it is not with the chilliness of the night- of the night

without end. But this hideousness is insufferable. How canst thou

tranquilly sleep? I cannot rest for the cry of these great agonies.

These sights are more than I can bear. Get thee up! Come with me

into the outer Night, and let me unfold to thee the graves. Is not

this a spectacle of woe?- Behold!"

I looked; and the unseen figure, which still grasped me by the

wrist, had caused to be thrown open the graves of all mankind, and

from each issued the faint phosphoric radiance of decay, so that I

could see into the innermost recesses, and there view the shrouded

bodies in their sad and solemn slumbers with the worm. But alas! the

real sleepers were fewer, by many millions, than those who slumbered

not at all; and there was a feeble struggling; and there was a general

sad unrest; and from out the depths of the countless pits there came a

melancholy rustling from the garments of the buried. And of those

who seemed tranquilly to repose, I saw that a vast number had changed,

in a greater or less degree, the rigid and uneasy position in which

they had originally been entombed. And the voice again said to me as I

gazed:

"Is it not- oh! is it not a pitiful sight?"- but, before I could

find words to reply, the figure had ceased to grasp my wrist, the

phosphoric lights expired, and the graves were closed with a sudden

violence, while from out them arose a tumult of despairing cries,

saying again: "Is it not- O, God, is it not a very pitiful sight?"

Phantasies such as these, presenting themselves at night, extended

their terrific influence far into my waking hours. My nerves became

thoroughly unstrung, and I fell a prey to perpetual horror. I

hesitated to ride, or to walk, or to indulge in any exercise that

would carry me from home. In fact, I no longer dared trust myself

out of the immediate presence of those who were aware of my

proneness to catalepsy, lest, falling into one of my usual fits, I

should be buried before my real condition could be ascertained. I

doubted the care, the fidelity of my dearest friends. I dreaded

that, in some trance of more than customary duration, they might be

prevailed upon to regard me as irrecoverable. I even went so far as to

fear that, as I occasioned much trouble, they might be glad to

consider any very protracted attack as sufficient excuse for getting

rid of me altogether. It was in vain they endeavored to reassure me by

the most solemn promises. I exacted the most sacred oaths, that

under no circumstances they would bury me until decomposition had so

materially advanced as to render farther preservation impossible. And,

even then, my mortal terrors would listen to no reason- would accept

no consolation. I entered into a series of elaborate precautions.

Among other things, I had the family vault so remodelled as to admit

of being readily opened from within. The slightest pressure upon a

long lever that extended far into the tomb would cause the iron portal

to fly back. There were arrangements also for the free admission of

air and light, and convenient receptacles for food and water, within

immediate reach of the coffin intended for my reception. This coffin

was warmly and softly padded, and was provided with a lid, fashioned

upon the principle of the vault-door, with the addition of springs

so contrived that the feeblest movement of the body would be

sufficient to set it at liberty. Besides all this, there was suspended

from the roof of the tomb, a large bell, the rope of which, it was

designed, should extend through a hole in the coffin, and so be

fastened to one of the hands of the corpse. But, alas? what avails the

vigilance against the Destiny of man? Not even these well-contrived

securities sufficed to save from the uttermost agonies of living

inhumation, a wretch to these agonies foredoomed!

There arrived an epoch- as often before there had arrived- in

which I found myself emerging from total unconsciousness into the

first feeble and indefinite sense of existence. Slowly- with a

tortoise gradation- approached the faint gray dawn of the psychal day.

A torpid uneasiness. An apathetic endurance of dull pain. No care-

no hope- no effort. Then, after a long interval, a ringing in the

ears; then, after a lapse still longer, a prickling or tingling

sensation in the extremities; then a seemingly eternal period of

pleasurable quiescence, during which the awakening feelings are

struggling into thought; then a brief re-sinking into non-entity; then

a sudden recovery. At length the slight quivering of an eyelid, and

immediately thereupon, an electric shock of a terror, deadly and

indefinite, which sends the blood in torrents from the temples to

the heart. And now the first positive effort to think. And now the

first endeavor to remember. And now a partial and evanescent

success. And now the memory has so far regained its dominion, that, in

some measure, I am cognizant of my state. I feel that I am not awaking

from ordinary sleep. I recollect that I have been subject to

catalepsy. And now, at last, as if by the rush of an ocean, my

shuddering spirit is overwhelmed by the one grim Danger- by the one

spectral and ever-prevalent idea.

For some minutes after this fancy possessed me, I remained without

motion. And why? I could not summon courage to move. I dared not

make the effort which was to satisfy me of my fate- and yet there

was something at my heart which whispered me it was sure. Despair-

such as no other species of wretchedness ever calls into being-

despair alone urged me, after long irresolution, to uplift the heavy

lids of my eyes. I uplifted them. It was dark- all dark. I knew that

the fit was over. I knew that the crisis of my disorder had long

passed. I knew that I had now fully recovered the use of my visual

faculties- and yet it was dark- all dark- the intense and utter

raylessness of the Night that endureth for evermore.

I endeavored to shriek-, and my lips and my parched tongue moved

convulsively together in the attempt- but no voice issued from the

cavernous lungs, which oppressed as if by the weight of some incumbent

mountain, gasped and palpitated, with the heart, at every elaborate

and struggling inspiration.

The movement of the jaws, in this effort to cry aloud, showed me

that they were bound up, as is usual with the dead. I felt, too,

that I lay upon some hard substance, and by something similar my sides

were, also, closely compressed. So far, I had not ventured to stir any

of my limbs- but now I violently threw up my arms, which had been

lying at length, with the wrists crossed. They struck a solid wooden

substance, which extended above my person at an elevation of not

more than six inches from my face. I could no longer doubt that I

reposed within a coffin at last.

And now, amid all my infinite miseries, came sweetly the cherub

Hope- for I thought of my precautions. I writhed, and made spasmodic

exertions to force open the lid: it would not move. I felt my wrists

for the bell-rope: it was not to be found. And now the Comforter

fled for ever, and a still sterner Despair reigned triumphant; for I

could not help perceiving the absence of the paddings which I had so

carefully prepared- and then, too, there came suddenly to my

nostrils the strong peculiar odor of moist earth. The conclusion was

irresistible. I was not within the vault. I had fallen into a trance

while absent from home-while among strangers- when, or how, I could

not remember- and it was they who had buried me as a dog- nailed up in

some common coffin- and thrust deep, deep, and for ever, into some

ordinary and nameless grave.

As this awful conviction forced itself, thus, into the innermost

chambers of my soul, I once again struggled to cry aloud. And in

this second endeavor I succeeded. A long, wild, and continuous shriek,

or yell of agony, resounded through the realms of the subterranean

Night.

"Hillo! hillo, there!" said a gruff voice, in reply.

"What the devil's the matter now!" said a second.

"Get out o' that!" said a third.

"What do you mean by yowling in that ere kind of style, like a

cattymount?" said a fourth; and hereupon I was seized and shaken

without ceremony, for several minutes, by a junto of very

rough-looking individuals. They did not arouse me from my slumber- for

I was wide awake when I screamed- but they restored me to the full

possession of my memory.

This adventure occurred near Richmond, in Virginia. Accompanied by a

friend, I had proceeded, upon a gunning expedition, some miles down

the banks of the James River. Night approached, and we were

overtaken by a storm. The cabin of a small sloop lying at anchor in

the stream, and laden with garden mould, afforded us the only

available shelter. We made the best of it, and passed the night on

board. I slept in one of the only two berths in the vessel- and the

berths of a sloop of sixty or twenty tons need scarcely be

described. That which I occupied had no bedding of any kind. Its

extreme width was eighteen inches. The distance of its bottom from the

deck overhead was precisely the same. I found it a matter of exceeding

difficulty to squeeze myself in. Nevertheless, I slept soundly, and

the whole of my vision- for it was no dream, and no nightmare- arose

naturally from the circumstances of my position- from my ordinary bias

of thought- and from the difficulty, to which I have alluded, of

collecting my senses, and especially of regaining my memory, for a

long time after awaking from slumber. The men who shook me were the

crew of the sloop, and some laborers engaged to unload it. From the

load itself came the earthly smell. The bandage about the jaws was a

silk handkerchief in which I had bound up my head, in default of my

customary nightcap.

The tortures endured, however, were indubitably quite equal for

the time, to those of actual sepulture. They were fearfully- they were

inconceivably hideous; but out of Evil proceeded Good; for their

very excess wrought in my spirit an inevitable revulsion. My soul

acquired tone- acquired temper. I went abroad. I took vigorous

exercise. I breathed the free air of Heaven. I thought upon other

subjects than Death. I discarded my medical books. "Buchan" I

burned. I read no "Night Thoughts"- no fustian about churchyards- no

bugaboo tales- such as this. In short, I became a new man, and lived a

man's life. From that memorable night, I dismissed forever my

charnel apprehensions, and with them vanished the cataleptic disorder,

of which, perhaps, they had been less the consequence than the cause.

There are moments when, even to the sober eye of Reason, the world

of our sad Humanity may assume the semblance of a Hell- but the

imagination of man is no Carathis, to explore with impunity its

every cavern. Alas! the grim legion of sepulchral terrors cannot be

regarded as altogether fanciful- but, like the Demons in whose company

Afrasiab made his voyage down the Oxus, they must sleep, or they

will devour us- they must be suffered to slumber, or we perish.



By: Edgar Allan Poe 1850



COMMENTS

-



 

THE MASQUE OF THE RED DEATH

17:44 May 05 2010
Times Read: 901


THE "Red Death" had long devastated the country. No pestilence had

ever been so fatal, or so hideous. Blood was its Avatar and its seal

--the redness and the horror of blood. There were sharp pains, and

sudden dizziness, and then profuse bleeding at the pores, with

dissolution. The scarlet stains upon the body and especially upon

the face of the victim, were the pest ban which shut him out from

the aid and from the sympathy of his fellow-men. And the whole

seizure, progress and termination of the disease, were the incidents

of half an hour.

But the Prince Prospero was happy and dauntless and sagacious.

When his dominions were half depopulated, he summoned to his

presence a thousand hale and light-hearted friends from among the

knights and dames of his court, and with these retired to the deep

seclusion of one of his castellated abbeys. This was an extensive

and magnificent structure, the creation of the prince's own

eccentric yet august taste. A strong and lofty wall girdled it in.

This wall had gates of iron. The courtiers, having entered, brought

furnaces and massy hammers and welded the bolts. They resolved to

leave means neither of ingress or egress to the sudden impulses of

despair or of frenzy from within. The abbey was amply provisioned.

With such precautions the courtiers might bid defiance to

contagion. The external world could take care of itself. In the

meantime it was folly to grieve, or to think. The prince had

provided all the appliances of pleasure. There were buffoons, there

were improvisatori, there were ballet-dancers, there were musicians,

there was Beauty, there was wine. All these and security were

within. Without was the "Red Death."

It was toward the close of the fifth or sixth month of his

seclusion, and while the pestilence raged most furiously abroad,

that the Prince Prospero entertained his thousand friends at a

masked ball of the most unusual magnificence.

It was a voluptuous scene, that masquerade. But first let me

tell of the rooms in which it was held. There were seven --an imperial

suite. In many palaces, however, such suites form a long and

straight vista, while the folding doors slide back nearly to the walls

on either hand, so that the view of the whole extent is scarcely

impeded. Here the case was very different; as might have been expected

from the duke's love of the bizarre. The apartments were so

irregularly disposed that the vision embraced but little more than one

at a time. There was a sharp turn at every twenty or thirty yards, and

at each turn a novel effect. To the right and left, in the middle of

each wall, a tall and narrow Gothic window looked out upon a closed

corridor which pursued the windings of the suite. These windows were

of stained glass whose color varied in accordance with the

prevailing hue of the decorations of the chamber into which it opened.

That at the eastern extremity was hung, for example, in blue --and

vividly blue were its windows. The second chamber was purple in its

ornaments and tapestries, and here the panes were purple. The third

was green throughout, and so were the casements. The fourth was

furnished and lighted with orange --the fifth with white --the sixth

with violet. The seventh apartment was closely shrouded in black

velvet tapestries that hung all over the ceiling and down the walls,

falling in heavy folds upon a carpet of the same material and hue. But

in this chamber only, the color of the windows failed to correspond

with the decorations. The panes here were scarlet --a deep blood

color. Now in no one of the seven apartments was there any lamp or

candelabrum, amid the profusion of golden ornaments that lay scattered

to and fro or depended from the roof. There was no light of any kind

emanating from lamp or candle within the suite of chambers. But in the

corridors that followed the suite, there stood, opposite to each

window, a heavy tripod, bearing a brazier of fire that protected its

rays through the tinted glass and so glaringly illumined the room. And

thus were produced a multitude of gaudy and fantastic appearances. But

in the western or black chamber the effect of the fire-light that

streamed upon the dark hangings through the blood-tinted panes, was

ghastly in the extreme, and produced so wild a look upon the

countenances of those who entered, that there were few of the

company bold enough to set foot within its precincts at all.

It was in this apartment, also, that there stood against the

western wall, a gigantic clock of ebony. Its pendulum swung to and fro

with a dull, heavy, monotonous clang; and when the minute-hand made

the circuit of the face, and the hour was to be stricken, there came

from the brazen lungs of the clock a sound which was clear and loud

and deep and exceedingly musical, but of so peculiar a note and

emphasis that, at each lapse of an hour, the musicians of the

orchestra were constrained to pause, momentarily, in their

performance, to hearken to the sound; and thus the waltzers perforce

ceased their evolutions; and there was a brief disconcert of the whole

gay company; and, while the chimes of the clock yet rang, it was

observed that the giddiest grew pale, and the more aged and sedate

passed their hands over their brows as if in confused reverie or

meditation. But when the echoes had fully ceased, a light laughter

at once pervaded the assembly; the musicians looked at each other

and smiled as if at their own nervousness and folly, and made

whispering vows, each to the other, that the next chiming of the clock

should produce in them no similar emotion; and then, after the lapse

of sixty minutes, (which embrace three thousand and six hundred

seconds of the Time that flies,) there came yet another chiming of the

clock, and then were the same disconcert and tremulousness and

meditation as before.

But, in spite of these things, it was a gay and magnificent revel.

The tastes of the duke were peculiar. He had a fine eye for colors and

effects. He disregarded the decora of mere fashion. His plans were

bold and fiery, and his conceptions glowed with barbaric lustre. There

are some who would have thought him mad. His followers felt that he

was not. It was necessary to hear and see and touch him to be sure

that he was not.

He had directed, in great part, the moveable embellishments of the

seven chambers, upon occasion of this great fete; and it was his own

guiding taste which had given character to the masqueraders. Be sure

they were grotesque. There were much glare and glitter and piquancy

and phantasm --much of what has been since seen in "Hernani." There

were arabesque figures with unsuited limbs and appointments. There

were delirious fancies such as the madman fashions. There was much

of the beautiful, much of the wanton, much of the bizarre, something

of the terrible, and not a little of that which might have excited

disgust. To and fro in the seven chambers there stalked, in fact, a

multitude of dreams. And these --the dreams --writhed in and about,

taking hue from the rooms, and causing the wild music of the orchestra

to seem as the echo of their steps. And, anon, there strikes the ebony

clock which stands in the hall of the velvet. And then, for a

moment, all is still, and all is silent save the voice of the clock.

The dreams are stiff-frozen as they stand. But the echoes of the chime

die away --they have endured but an instant --and a light,

half-subdued laughter floats after them as they depart. And now

again the music swells, and the dreams live, and writhe to and fro

more merrily than ever, taking hue from the many-tinted windows

through which stream the rays from the tripods. But to the chamber

which lies most westwardly of the seven, there are now none of the

maskers who venture; for the night is waning away; and there flows a

ruddier light through the blood-colored panes; and the blackness of

the sable drapery appals; and to him whose foot falls upon the sable

carpet, there comes from the near clock of ebony a muffled peal more

solemnly emphatic than any which reaches their ears who indulge in the

more remote gaieties of the other apartments.

But these other apartments were densely crowded, and in them

beat feverishly the heart of life. And the revel went whirlingly on,

until at length there commenced the sounding of midnight upon the

clock. And then the music ceased, as I have told; and the evolutions

of the waltzers were quieted; and there was an uneasy cessation of all

things as before. But now there were twelve strokes to be sounded by

the bell of the clock; and thus it happened, perhaps, that more of

thought crept, with more of time, into the meditations of the

thoughtful among those who revelled. And thus, too, it happened,

perhaps, that before the last echoes of the last chime had utterly

sunk into silence, there were many individuals in the crowd who had

found leisure to become aware of the presence of a masked figure which

had arrested the attention of no single individual before. And the

rumor of this new presence having spread itself whisperingly around,

there arose at length from the whole company a buzz, or murmur,

expressive of disapprobation and surprise --then, finally, of

terror, of horror, and of disgust.

In an assembly of phantasms such as I have painted, it may well be

supposed that no ordinary appearance could have excited such

sensation. In truth the masquerade license of the night was nearly

unlimited; but the figure in question had out-Heroded Herod, and

gone beyond the bounds of even the prince's indefinite decorum.

There are chords in the hearts of the most reckless which cannot be

touched without emotion. Even with the utterly lost, to whom life

and death are equally jests, there are matters of which no jest can be

made. The whole company, indeed, seemed now deeply to feel that in the

costume and bearing of the stranger neither wit nor propriety existed.

The figure was tall and gaunt, and shrouded from head to foot in the

habiliments of the grave. The mask which concealed the visage was made

so nearly to resemble the countenance of a stiffened corpse that the

closest scrutiny must have had difficulty in detecting the cheat.

And yet all this might have been endured, if not approved, by the

mad revellers around. But the mummer had gone so far as to assume

the type of the Red Death. His vesture was dabbled in blood --and

his broad brow, with all the features of the face, was besprinkled

with the scarlet horror.

When the eyes of Prince Prospero fell upon this spectral image

(which with a slow and solemn movement, as if more fully to sustain

its role, stalked to and fro among the waltzers) he was seen to be

convulsed, in the first moment with a strong shudder either of

terror or distaste; but, in the next, his brow reddened with rage.

"Who dares?" he demanded hoarsely of the courtiers who stood

near him --"who dares insult us with this blasphemous mockery? Seize

him and unmask him --that we may know whom we have to hang at sunrise,

from the battlements!"

It was in the eastern or blue chamber in which stood the Prince

Prospero as he uttered these words. They rang throughout the seven

rooms loudly and clearly --for the prince was a bold and robust man,

and the music had become hushed at the waving of his hand.

It was in the blue room where stood the prince, with a group of

pale courtiers by his side. At first, as he spoke, there was a

slight rushing movement of this group in the direction of the

intruder, who at the moment was also near at hand, and now, with

deliberate and stately step, made closer approach to the speaker.

But from a certain nameless awe with which the mad assumptions of

the mummer had inspired the whole party, there were found none who put

forth hand to seize him; so that, unimpeded, he passed within a yard

of the prince's person; and, while the vast assembly, as if with one

impulse, shrank from the centres of the rooms to the walls, he made

his way uninterruptedly, but with the same solemn and measured step

which had distinguished him from the first, through the blue chamber

to the purple --through the purple to the green --through the green to

the orange --through this again to the white --and even thence to

the violet, ere a decided movement had been made to arrest him. It was

then, however, that the Prince Prospero, maddening with rage and the

shame of his own momentary cowardice, rushed hurriedly through the six

chambers, while none followed him on account of a deadly terror that

had seized upon all. He bore aloft a drawn dagger, and had approached,

in rapid impetuosity, to within three or four feet of the retreating

figure, when the latter, having attained the extremity of the velvet

apartment, turned suddenly and confronted his pursuer. There was a

sharp cry --and the dagger dropped gleaming upon the sable carpet,

upon which, instantly afterwards, fell prostrate in death the Prince

Prospero. Then, summoning the wild courage of despair, a throng of the

revellers at once threw themselves into the black apartment, and,

seizing the mummer, whose tall figure stood erect and motionless

within the shadow of the ebony clock, gasped in unutterable horror

at finding the grave-cerements and corpse-like mask which they handled

with so violent a rudeness, untenanted by any tangible form.

And now was acknowledged the presence of the Red Death. He had

come like a thief in the night. And one by one dropped the revellers

in the blood-bedewed halls of their revel, and died each in the

despairing posture of his fall. And the life of the ebony clock went

out with that of the last of the gay. And the flames of the tripods

expired. And Darkness and Decay and the Red Death held illimitable

dominion over all.



By: Edgar Allan Poe 1842


COMMENTS

-



 

The Picture in the House

17:27 May 05 2010
Times Read: 903


Searchers after horror haunt strange, far places. For them are the catacombs

of Ptolemais, and the carven mausolea of the nightmare countries. They climb to

the moonlit towers of ruined Rhine castles, and falter down black cobwebbed

steps beneath the scattered stones of forgotten cities in Asia. The haunted wood

and the desolate mountain are their shrines, and they linger around the sinister

monoliths on uninhabited islands. But the true epicure in the terrible, to whom

a new thrill of unutterable ghastliness is the chief end and justification of

existence, esteems most of all the ancient, lonely farmhouses of backwoods New

England; for there the dark elements of strength, solitude, grotesqueness and

ignorance combine to form the perfection of the hideous.

Most horrible of all sights are the little unpainted wooden houses remote

from travelled ways, usually squatted upon some damp grassy slope or leaning

against some gigantic outcropping of rock. Two hundred years and more they have

leaned or squatted there, while the vines have crawled and the trees have

swelled and spread. They are almost hidden now in lawless luxuriances of green

and guardian shrouds of shadow; but the small-paned windows still stare

shockingly, as if blinking through a lethal stupor which wards off madness by

dulling the memory of unutterable things.

In such houses have dwelt generations of strange people, whose like the

world has never seen. Seized with a gloomy and fanatical belief which exiled

them from their kind, their ancestors sought the wilderness for freedom. There

the scions of a conquering race indeed flourished free from the restrictions of

their fellows, but cowered in an appalling slavery to the dismal phantasms of

their own minds. Divorced from the enlightenment of civilization, the strength

of these Puritans turned into singular channels; and in their isolation, morbid

self-repression, and struggle for life with relentless Nature, there came to

them dark furtive traits from the prehistoric depths of their cold Northern

heritage. By necessity practical and by philosophy stern, these folks were not

beautiful in their sins. Erring as all mortals must, they were forced by their

rigid code to seek concealment above all else; so that they came to use less and

less taste in what they concealed. Only the silent, sleepy, staring houses in

the backwoods can tell all that has lain hidden since the early days, and they

are not communicative, being loath to shake off the drowsiness which helps them

forget. Sometimes one feels that it would be merciful to tear down these houses,

for they must often dream.

It was to a time-battered edifice of this description that I was driven one

afternoon in November, 1896, by a rain of such chilling copiousness that any

shelter was preferable to exposure. I had been travelling for some time amongst

the people of the Miskatonic Valley in quest of certain genealogical data; and

from the remote, devious, and problematical nature of my course, had deemed it

convenient to employ a bicycle despite the lateness of the season. Now I found

myself upon an apparently abandoned road which I had chosen as the shortest cut

to Arkham, overtaken by the storm at a point far from any town, and confronted

with no refuge save the antique and repellent wooden building which blinked with

bleared windows from between two huge leafless elms near the foot of a rocky

hill. Distant though it is from the remnant of a road, this house none the less

impressed me unfavorably the very moment I espied it. Honest, wholesome

structures do not stare at travellers so slyly and hauntingly, and in my

genealogical researches I had encountered legends of a century before which

biased me against places of this kind. Yet the force of the elements was such as

to overcome my scruples, and I did not hesitate to wheel my machine up the weedy

rise to the closed door which seemed at once so suggestive and secretive.

I had somehow taken it for granted that the house was abandoned, yet as I

approached it I was not so sure, for though the walks were indeed overgrown with

weeds, they seemed to retain their nature a little tco well to argue complete

desertion. Therefore instead of trying the dcor I knocked, feeling as I did so a

trepidation I could scarcely explain. As I waited on the rough, mossy rock which

served as a dcor-step, I glanced at the neighboring windows and the panes of the

transom above me, and noticed that although old, rattling, and almost opaque

with dirt, they were not broken. The building, then, must still be inhabited,

despite its isolation and general neglect. However, my rapping evoked no

response, so after repeating the summons I tried the rusty latch and found the

door unfastened. Inside was a little vestibule with walls from which the plaster

was falling, and through the doorway came a faint but peculiarly hateful odor. I

entered, carrying my bicycle, and closed the door behind me. Ahead rose a narrow

staircase, flanked by a small door probably leading to the cellar, while to the

left and right were closed doors leading to rooms on the ground floor.

Leaning my cycle against the wall I opened the door at the left, and crossed

into a small low-ceiled chamber but dimly lighted by its two dusty windows and

furnished in the barest and most primitive possible way. It appeared to be a

kind of sitting-room, for it had a table and several chairs, and an immense

fireplace above which ticked an antique clock on a mantel. Books and papers were

very few, and in the prevailing gloom I could not readily discern the titles.

What interested me was the uniform air of archaism as displayed in every visible

detail. Most of the houses in this region I had found rich in relics of the

past, but here the antiquity was curiously complete; for in all the room I could

not discover a single article of definitely post-revolutionary date. Had the

furnishings been less humble, the place would have been a collector's paradise.

As I surveyed this quaint apartment, I felt an increase in that aversion

first excited by the bleak exterior of the house. Just what it was that I feared

or loathed, I could by no means define; but something in the whole atmosphere

seemed redolent of unhallowed age, of unpleasant crudeness, and of secrets which

should be forgotten. I felt disinclined to sit down, and wandered about

examining the various articles which I had noticed. The first object of my

curiosity was a book of medium size lying upon the table and presenting such an

antediluvian aspect that I marvelled at beholding it outside a museum or

library. It was bound in leather with metal fittings, and was in an excellent

state of preservation; being altogether an unusual sort of volume to encounter

in an abode so lowly. When I opened it to the title page my wonder grew even

greater, for it proved to be nothing less rare than Pigafetta's account of the

Congo region, written in Latin from the notes of the sailor Lopex and printed at

Frankfurt in 1598. I had often heard of this work, with its curious

illustrations by the brothers De Bry, hence for a moment forgot my uneasiness in

my desire to turn the pages before me. The engravings were indeed interesting,

drawn wholly from imagination and careless descriptions, and represented negroes

with white skins and Caucasian features; nor would I soon have closed the book

had not an exceedingly trivial circumstance upset my tired nerves and revived my

sensation of disquiet. What annoyed me was merely the persistent way in which

the volume tended to fall open of itself at Plate XII, which represented in

gruesome detail a butcher's shop of the cannibal Anziques. I experienced some

shame at my susceptibility to so slight a thing, but the drawing nevertheless

disturbed me, especially in connection with some adjacent passages descriptive

of Anzique gastronomy.

I had turned to a neighboring shelf and was examining its meagre literary

contents - an eighteenth century Bible, a "Pilgrim's Progress" of like period,

illustrated with grotesque woodcuts and printed by the almanack-maker Isaiah

Thomas, the rotting bulk of Cotton Mather's "Magnalia Christi Americana," and a

few other books of evidently equal age - when my attention was aroused by the

unmistakable sound of walking in the room overhead. At first astonished and

startled, considering the lack of response to my recent knocking at the door, I

immediately afterward concluded that the walker had just awakened from a sound

sleep, and listened with less surprise as the footsteps sounded on the creaking

stairs. The tread was heavy, yet seemed to contain a curious quality of

cautiousness; a quality which I disliked the more because the tread was heavy.

When I had entered the room I had shut the door behind me. Now, after a moment

of silence during which the walker may have been inspecting my bicycle in the

hall, I heard a fumbling at the latch and saw the paneled portal swing open

again.

In the doorway stood a person of such singular appearance that I should have

exclaimed aloud but for the restraints of good breeding. Old, white-bearded, and

ragged, my host possessed a countenance and physique which inspired equal wonder

and respect. His height could not have been less than six feet, and despite a

general air of age and poverty he was stout and powerful in proportion. His

face, almost hidden by a long beard which grew high on the cheeks, seemed

abnormally ruddy and less wrinkled than one might expect; while over a high

forehead fell a shock of white hair little thinned by the years. His blue eyes,

though a trifle bloodshot, seemed inexplicably keen and burning. But for his

horrible unkemptness the man would have been as distinguished-looking as he was

impressive. This unkemptness, however, made him offensive despite his face and

figure. Of what his clothing consisted I could hardly tell, for it seemed to me

no more than a mass of tatters surmounting a pair of high, heavy boots; and his

lack of cleanliness surpassed description.

The appearance of this man, and the instinctive fear he inspired, prepared

me for something like enmity; so that I almost shuddered through surprise and a

sense of uncanny incongruity when he motioned me to a chair and addressed me in

a thin, weak voice full of fawning respect and ingratiating hospitality. His

speech was very curious, an extreme form of Yankee dialect I had thought long

extinct; and I studied it closely as he sat down opposite me for conversation.

"Ketched in the rain, be ye?" he greeted. "Glad ye was nigh the haouse en'

hed the sense ta come right in. I calc'late I was alseep, else I'd a heerd ye-I

ain't as young as I uster be, an' I need a paowerful sight o' naps naowadays.

Trav'lin fur? I hain't seed many folks 'long this rud sence they tuk off the

Arkham stage."

I replied that I was going to Arkham, and apologized for my rude entry into

his domicile, whereupon he continued.

"Glad ta see ye, young Sir - new faces is scurce arount here, an' I hain't

got much ta cheer me up these days. Guess yew hail from Bosting, don't ye? I

never ben thar, but I kin tell a taown man when I see 'im - we hed one fer

deestrick schoolmaster in 'eighty-four, but he quit suddent an' no one never

heerd on 'im sence - " here the old man lapsed into a kind of chuckle, and made

no explanation when I questioned him. He seemed to be in an aboundingly good

humor, yet to possess those eccentricities which one might guess from his

grooming. For some time he rambled on with an almost feverish geniality, when it

struck me to ask him how he came by so rare a book as Pigafetta's "Regnum

Congo." The effect of this volume had not left me, and I felt a certain

hesitancy in speaking of it, but curiosity overmastered all the vague fears

which had steadily accumulated since my first glimpse of the house. To my

relief, the question did not seem an awkward one, for the old man answered

freely and volubly.

"Oh, that Afriky book? Cap'n Ebenezer Holt traded me thet in 'sixty-eight -

him as was kilt in the war." Something about the name of Ebenezer Holt caused me

to look up sharply. I had encountered it in my genealogical work, but not in any

record since the Revolution. I wondered if my host could help me in the task at

which I was laboring, and resolved to ask him about it later on. He continued.

"Ebenezer was on a Salem merchantman for years, an' picked up a sight o'

queer stuff in every port. He got this in London, I guess - he uster like ter

buy things at the shops. I was up ta his haouse onct, on the hill, tradin'

hosses, when I see this book. I relished the picters, so he give it in on a

swap. 'Tis a queer book - here, leave me git on my spectacles-" The old man

fumbled among his rags, producing a pair of dirty and amazingly antique glasses

with small octagonal lenses and steel bows. Donning these, he reached for the

volume on the table and turned the pages lovingly.

"Ebenezer cud read a leetle o' this-'tis Latin - but I can't. I had two er

three schoolmasters read me a bit, and Passon Clark, him they say got draownded

in the pond - kin yew make anything outen it?" I told him that I could, and

translated for his benefit a paragraph near the beginning. If I erred, he was

not scholar enough to correct me; for he seemed childishly pleased at my English

version. His proximity was becoming rather obnoxious, yet I saw no way to escape

without offending him. I was amused at the childish fondness of this ignorant

old man for the pictures in a book he could not read, and wondered how much

better he could read the few books in English which adorned the room. This

revelation of simplicity removed much of the ill-defined apprehension I had

felt, and I smiled as my host rambled on:

"Queer haow picters kin set a body thinkin'. Take this un here near the

front. Hey yew ever seed trees like thet, with big leaves a floppin' over an'

daown? And them men - them can't be niggers - they dew beat all. Kinder like

Injuns, I guess, even ef they be in Afriky. Some o' these here critters looks

like monkeys, or half monkeys an' half men, but I never heerd o' nothin' like

this un." Here he pointed to a fabulous creature of the artist, which one might

describe as a sort of dragon with the head of an alligator.

"But naow I'll show ye the best un - over here nigh the middle - "The old

man's speech grew a trifle thicker and his eyes assumed a brighter glow; but his

fumbling hands, though seemingly clumsier than before, were entirely adequate to

their mission. The book fell open, almost of its own accord and as if from

frequent consultation at this place, to the repellent twelfth plate showing a

butcher's shop amongst the Anzique cannibals. My sense of restlessness returned,

though I did not exhibit it. The especially bizarre thing was that the artist

had made his Africans look like white men - the limbs and quarters hanging about

the walls of the shop were ghastly, while the butcher with his axe was hideously

incongruous. But my host seemed to relish the view as much as I disliked it.

"What d'ye think o' this - ain't never see the like hereabouts, eh? When I

see this I telled Eb Holt, 'That's suthin' ta stir ye up an' make yer blood

tickle.' When I read in Scripter about slayin' - like them Midianites was slew -

I kinder think things, but I ain't got no picter of it. Here a body kin see all

they is to it - I s'pose 'tis sinful, but ain't we all born an' livin' in sin? -

Thet feller bein' chopped up gives me a tickle every time I look at 'im - I hey

ta keep lookin' at 'im - see whar the butcher cut off his feet? Thar's his head

on thet bench, with one arm side of it, an' t'other arm's on the other side o'

the meat block."

As the man mumbled on in his shocking ecstasy the expression on his hairy,

spectacled face became indescribable, but his voice sank rather than mounted. My

own sensations can scarcely be recorded. All the terror I had dimly felt before

rushed upon me actively and vividly, and I knew that I loathed the ancient and

abhorrent creature so near me with an infinite intensity. His madness, or at

least his partial perversion, seemed beyond dispute. He was almost whispering

now, with a huskiness more terrible than a scream, and I trembled as I listened.

"As I says, 'tis queer haow picters sets ye thinkin'. D'ye know, young Sir,

I'm right sot on this un here. Arter I got the book off Eb I uster look at it a

lot, especial when I'd heerd Passon Clark rant o' Sundays in his big wig. Onct I

tried suthin' funny - here, young Sir, don't git skeert - all I done was ter

look at the picter afore I kilt the sheep for market - killin' sheep was kinder

more fun arter lookin' at it - " The tone of the old man now sank very low,

sometimes becoming so faint that his words were hardly audible. I listened to

the rain, and to the rattling of the bleared, small-paned windows, and marked a

rumbling of approaching thunder quite unusual for the season. Once a terrific

flash and peal shook the frail house to its foundations, but the whisperer

seemed not to notice it.

"Killin' sheep was kinder more fun - but d'ye know, 'twan't quite

satisfyin'. Queer haow a cravin' gits a holt on ye - As ye love the Almighty,

young man, don't tell nobody, but I swar ter Gawd thet picter begun to make me

hungry fer victuals I couldn't raise nor buy - here, set still, what's ailin'

ye? - I didn't do nothin', only I wondered haow 'twud be ef I did - They say

meat makes blood an' flesh, an' gives ye new life, so I wondered ef 'twudn't

make a man live longer an' longer ef 'twas more the same - " But the whisperer

never continued. The interruption was not produced by my fright, nor by the

rapidly increasing storm amidst whose fury I was presently to open my eyes on a

smoky solitude of blackened ruins. It was produced by a very simple though

somewhat unusual happening.

The open book lay flat between us, with the picture staring repulsively

upward. As the old man whispered the words "more the same" a tiny splattering

impact was heard, and something showed on the yellowed paper of the upturned

volume. I thought of the rain and of a leaky roof, but rain is not red. On the

butcher's shop of the Anzique cannibals a small red spattering glistened

picturesquely, lending vividness to the horror of the engraving. The old man saw

it, and stopped whispering even before my expression of horror made it

necessary; saw it and glanced quickly toward the floor of the room he had left

an hour before. I followed his glance, and beheld just above us on the loose

plaster of the ancient ceiling a large irregular spot of wet crimson which

seemed to spread even as I viewed it. I did not shriek or move, but merely shut

my eyes. A moment later came the titanic thunderbolt of thunderbolts; blasting

that accursed house of unutterable secrets and bringing the oblivion which alone

saved my mind.



By: H.P. Lovecraft


COMMENTS

-



 

_The Devil's Dictionary_

17:21 May 05 2010
Times Read: 904


was begun in a weekly paper in 1881, and was

continued in a desultory way at long intervals until 1906. In that year

a large part of it was published in covers with the title _The Cynic's

Word Book_, a name which the author had not the power to reject or

happiness to approve. To quote the publishers of the present work:



"This more reverent title had previously been forced upon him by the

religious scruples of the last newspaper in which a part of the work had

appeared, with the natural consequence that when it came out in covers

the country already had been flooded by its imitators with a score of

'cynic' books -- _The Cynic's This_, _The Cynic's That_, and _The

Cynic's t'Other_. Most of these books were merely stupid, though some

of them added the distinction of silliness. Among them, they brought

the word 'cynic' into disfavor so deep that any book bearing it was

discredited in advance of publication."



Meantime, too, some of the enterprising humorists of the country had

helped themselves to such parts of the work as served their needs, and

many of its definitions, anecdotes, phrases and so forth, had become

more or less current in popular speech. This explanation is made, not

with any pride of priority in trifles, but in simple denial of possible

charges of plagiarism, which is no trifle. In merely resuming his own

the author hopes to be held guiltless by those to whom the work is

addressed -- enlightened souls who prefer dry wines to sweet, sense to

sentiment, wit to humor and clean English to slang.



A conspicuous, and it is hope not unpleasant, feature of the book is its

abundant illustrative quotations from eminent poets, chief of whom is

that learned and ingenius cleric, Father Gassalasca Jape, S.J., whose

lines bear his initials. To Father Jape's kindly encouragement and

assistance the author of the prose text is greatly indebted.



By: Ambrose Bierce


COMMENTS

-



 

The Tree

17:15 May 05 2010
Times Read: 905


On a verdant slope of Mount Maenalus, in Arcadia, there stands an olive grove about the ruins of a villa. Close by is a tomb, once beautiful with the sublimest sculptures, but now fallen into as great decay as the house. At one end of that tomb, its curious roots displacing the time-stained blocks of Panhellic marble, grows an unnaturally large olive tree of oddly repellent shape; so like to some grotesque man, or death-distorted body of a man, that the country folk fear to pass it at night when the moon shines faintly through the crooked boughs. Mount Maenalus is a chosen haunt of dreaded Pan, whose queer companions are many, and simple swains believe that the tree must have some hideous kinship to these weird Panisci; but an old bee-keeper who lives in the neighboring cottage told me a different story.



Many years ago, when the hillside villa was new and resplendent, there dwelt within it the two sculptors Kalos and Musides. From Lydia to Neapolis the beauty of their work was praised, and none dared say that the one excelled the other in skill. The Hermes of Kalos stood in a marble shrine in Corinth, and the Pallas of Musides surmounted a pillar in Athens near the Parthenon. All men paid homage to Kalos and Musides, and marvelled that no shadow of artistic jealousy cooled the warmth of their brotherly friendship.





But though Kalos and Musides dwelt in unbroken harmony, their natures were not alike. Whilst Musides revelled by night amidst the urban gaieties of Tegea, Saios would remain at home; stealing away from the sight of his slaves into the cool recesses of the olive grove. There he would meditate upon the visions that filled his mind, and there devise the forms of beauty which later became immortal in breathing marble. Idle folk, indeed, said that Kalos conversed with the spirits of the grove, and that his statues were but images of the fauns and dryads he met there for he patterned his work after no living model.





So famous were Kalos and Musides, that none wondered when the Tyrant of Syracuse sent to them deputies to speak of the costly statue of Tyche which he had planned for his city. Of great size and cunning workmanship must the statue be, for it was to form a wonder of nations and a goal of travellers. Exalted beyond thought would be he whose work should gain acceptance, and for this honor Kalos and Musides were invited to compete. Their brotherly love was well known, and the crafty Tyrant surmised that each, instead of concealing his work from the other, would offer aid and advice; this charity producing two images of unheard of beauty, the lovelier of which would eclipse even the dreams of poets.





With joy the sculptors hailed the Tyrant's offer, so that in the days that followed their slaves heard the ceaseless blows of chisels. Not from each other did Kalos and Musides conceal their work, but the sight was for them alone. Saving theirs, no eyes beheld the two divine figures released by skillful blows from the rough blocks that had imprisoned them since the world began.





At night, as of yore, Musides sought the banquet halls of Tegea whilst Kalos wandered alone in the olive Grove. But as time passed, men observed a want of gaiety in the once sparkling Musides. It was strange, they said amongst themselves that depression should thus seize one with so great a chance to win art's loftiest reward. Many months passed yet in the sour face of Musides came nothing of the sharp expectancy which the situation should arouse.





Then one day Musides spoke of the illness of Kalos, after which none marvelled again at his sadness, since the sculptors' attachment was known to be deep and sacred. Subsequently many went to visit Kalos, and indeed noticed the pallor of his face; but there was about him a happy serenity which made his glance more magical than the glance of Musides who was clearly distracted with anxiety and who pushed aside all the slaves in his eagerness to feed and wait upon his friend with his own hands. Hidden behind heavy curtains stood the two unfinished figures of Tyche, little touched of late by the sick man and his faithful attendant.





As Kalos grew inexplicably weaker and weaker despite the ministrations of puzzled physicians and of his assiduous friend, he desired to be carried often to the grove which he so loved. There he would ask to be left alone, as if wishing to speak with unseen things. Musides ever granted his requests, though his eyes filled with visible tears at the thought that Kalos should care more for the fauns and the dryads than for him. At last the end drew near, and Kalos discoursed of things beyond this life. Musides, weeping, promised him a sepulchre more lovely than the tomb of Mausolus; but Kalos bade him speak no more of marble glories. Only one wish now haunted the mind of the dying man; that twigs from certain olive trees in the grove be buried by his resting place-close to his head. And one night, sitting alone in the darkness of the olive grove, Kalos died. Beautiful beyond words was the marble sepulchre which stricken Musides carved for his beloved friend. None but Kalos himself could have fashioned such basreliefs, wherein were displayed all the splendours of Elysium. Nor did Musides fail to bury close to Kalos' head the olive twigs from the grove.





As the first violence of Musides' grief gave place to resignation, he labored with diligence upon his figure of Tyche. All honour was now his, since the Tyrant of Syracuse would have the work of none save him or Kalos. His task proved a vent for his emotion and he toiled more steadily each day, shunning the gaieties he once had relished. Meanwhile his evenings were spent beside the tomb of his friend, where a young olive tree had sprung up near the sleeper's head. So swift was the growth of this tree, and so strange was its form, that all who beheld it exclaimed in surprise; and Musides seemed at once fascinated and repelled.





Three years after the death of Kalos, Musides despatched a messenger to the Tyrant, and it was whispered in the agora at Tegea that the mighty statue was finished. By this time the tree by the tomb had attained amazing proportions, exceeding all other trees of its kind, and sending out a singularly heavy branch above the apartment in which Musides labored. As many visitors came to view the prodigious tree, as to admire the art of the sculptor, so that Musides was seldom alone. But he did not mind his multitude of guests; indeed, he seemed to dread being alone now that his absorbing work was done. The bleak mountain wind, sighing through the olive grove and the tomb-tree, had an uncanny way of forming vaguely articulate sounds.





The sky was dark on the evening that the Tyrant's emissaries came to Tegea. It was definitely known that they had come to bear away the great image of Tyche and bring eternal honour to Musides, so their reception by the proxenoi was of great warmth. As the night wore on a violent storm of wind broke over the crest of Maenalus, and the men from far Syracuse were glad that they rested snugly in the town. They talked of their illustrious Tyrant, and of the splendour of his capital and exulted in the glory of the statue which Musides had wrought for him. And then the men of Tegea spoke of the goodness of Musides, and of his heavy grief for his friend and how not even the coming laurels of art could console him in the absence of Kalos, who might have worn those laurels instead. Of the tree which grew by the tomb, near the head of Kalos, they also spoke. The wind shrieked more horribly, and both the Syracusans and the Arcadians prayed to Aiolos.





In the sunshine of the morning the proxenoi led the Tyrant's messengers up the slope to the abode of the sculptor, but the night wind had done strange things. Slaves' cries ascended from a scene of desolation, and no more amidst the olive grove rose the gleaming colonnades of that vast hall wherein Musides had dreamed and toiled. Lone and shaken mourned the humble courts and the lower walls, for upon the sumptuous greater peri-style had fallen squarely the heavy overhanging bough of the strange new tree, reducing the stately poem in marble with odd completeness to a mound of unsightly ruins. Strangers and Tegeans stood aghast, looking from the wreckage to the great, sinister tree whose aspect was so weirdly human and whose roots reached so queerly into the sculptured sepulchre of Kalos. And their fear and dismay increased when they searched the fallen apartment, for of the gentle Musides, and of the marvellously fashioned image of Tyche, no trace could be discovered. Amidst such stupendous ruin only chaos dwelt, and the representatives of two cities left disappointed; Syracusans that they had no statue to bear home, Tegeans that they had no artist to crown. However, the Syracusans obtained after a while a very splendid statue in Athens, and the Tegeans consoled themselves by erecting in the agora a marble temple commemorating the gifts, virtues, and brotherly piety of Musides.





But the olive grove still stands, as does the tree growing out of the tomb of Kalos, and the old bee-keeper told me that sometimes the boughs whisper to one another in the night wind, saying over and over again. "Oida! Oida! -I know! I know



By: H.P. Lovecraft © 1917



COMMENTS

-



 

The Legend of Sleepy Hollow

17:11 May 05 2010
Times Read: 906


Found among the papers of the late Diedrech Knickerbocker.





A pleasing land of drowsy head it was,

Of dreams that wave before the half-shut eye;

And of gay castles in the clouds that pass,

Forever flushing round a summer sky.

Castle of Indolence.







In the bosom of one of those spacious coves which indent the eastern shore of the Hudson, at that broad expansion of the river denominated by the ancient Dutch navigators the Tappan Zee, and where they always prudently shortened sail and implored the protection of St. Nicholas when they crossed, there lies a small market town or rural port, which by some is called Greensburgh, but which is more generally and properly known by the name of Tarry Town. This name was given, we are told, in former days, by the good housewives of the adjacent country, from the inveterate propensity of their husbands to linger about the village tavern on market days. Be that as it may, I do not vouch for the fact, but merely advert to it, for the sake of being precise and authentic. Not far from this village, perhaps about two miles, there is a little valley or rather lap of land among high hills, which is one of the quietest places in the whole world. A small brook glides through it, with just murmur enough to lull one to repose; and the occasional whistle of a quail or tapping of a woodpecker is almost the only sound that ever breaks in upon the uniform tranquillity.





I recollect that, when a stripling, my first exploit in squirrel-shooting was in a grove of tall walnut-trees that shades one side of the valley. I had wandered into it at noontime, when all nature is peculiarly quiet, and was startled by the roar of my own gun, as it broke the Sabbath stillness around and was prolonged and reverberated by the angry echoes. If ever I should wish for a retreat whither I might steal from the world and its distractions, and dream quietly away the remnant of a troubled life, I know of none more promising than this little valley.





From the listless repose of the place, and the peculiar character of its inhabitants, who are descendants from the original Dutch settlers, this sequestered glen has long been known by the name of SLEEPY HOLLOW, and its rustic lads are called the Sleepy Hollow Boys throughout all the neighboring country. A drowsy, dreamy influence seems to hang over the land, and to pervade the very atmosphere. Some say that the place was bewitched by a High German doctor, during the early days of the settlement; others, that an old Indian chief, the prophet or wizard of his tribe, held his powwows there before the country was discovered by Master Hendrick Hudson. Certain it is, the place still continues under the sway of some witching power, that holds a spell over the minds of the good people, causing them to walk in a continual reverie. They are given to all kinds of marvelous beliefs; are subject to trances and visions, and frequently see strange sights, and hear music and voices in the air. The whole neighborhood abounds with local tales, haunted spots, and twilight superstitions; stars shoot and meteors glare oftener across the valley than in any other part of the country, and the nightmare, with her whole ninefold, seems to make it the favorite scene of her gambols.





The dominant spirit, however, that haunts this enchanted region, and seems to be commander-in-chief of all the powers of the air, is the apparition of a figure on horseback, without a head. It is said by some to be the ghost of a Hessian trooper, whose head had been carried away by a cannon-ball, in some nameless battle during the Revolutionary War, and who is ever and anon seen by the country folk hurrying along in the gloom of night, as if on the wings of the wind. His haunts are not confined to the valley, but extend at times to the adjacent roads, and especially to the vicinity of a church at no great distance. Indeed, certain of the most authentic historians of those parts, who have been careful in collecting and collating the floating facts concerning this spectre, allege that the body of the trooper having been buried in the churchyard, the ghost rides forth to the scene of battle in nightly quest of his head, and that the rushing speed with which he sometimes passes along the Hollow, like a midnight blast, is owing to his being belated, and in a hurry to get back to the churchyard before daybreak.



Such is the general purport of this legendary superstition, which has furnished materials for many a wild story in that region of shadows; and the spectre is known at all the country firesides, by the name of the Headless Horseman of Sleepy Hollow.





It is remarkable that the visionary propensity I have mentioned is not confined to the native inhabitants of the valley, but is unconsciously imbibed by every one who resides there for a time. However wide awake they may have been before they entered that sleepy region, they are sure, in a little time, to inhale the witching influence of the air, and begin to grow imaginative, to dream dreams, and see apparitions.





I mention this peaceful spot with all possible laud for it is in such little retired Dutch valleys, found here and there embosomed in the great State of New York, that population, manners, and customs remain fixed, while the great torrent of migration and improvement, which is making such incessant changes in other parts of this restless country, sweeps by them unobserved. They are like those little nooks of still water, which border a rapid stream, where we may see the straw and bubble riding quietly at anchor, or slowly revolving in their mimic harbor, undisturbed by the rush of the passing current. Though many years have elapsed since I trod the drowsy shades of Sleepy Hollow, yet I question whether I should not still find the same trees and the same families vegetating in its sheltered bosom.





In this by-place of nature there abode, in a remote period of American history, that is to say, some thirty years since, a worthy wight of the name of Ichabod Crane, who sojourned, or, as he expressed it, "tarried," in Sleepy Hollow, for the purpose of instructing the children of the vicinity. He was a native of Connecticut, a State which supplies the Union with pioneers for the mind as well as for the forest, and sends forth yearly its legions of frontier woodmen and country schoolmasters. The cognomen of Crane was not inapplicable to his person. He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weather-cock perched upon his spindle neck to tell which way the wind blew. To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him, one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield.





His schoolhouse was a low building of one large room, rudely constructed of logs; the windows partly glazed, and partly patched with leaves of old copybooks. It was most ingeniously secured at vacant hours, by a *withe twisted in the handle of the door, and stakes set against the window shutters; so that though a thief might get in with perfect ease, he would find some embarrassment in getting out, --an idea most probably borrowed by the architect, Yost Van Houten, from the mystery of an eelpot. The schoolhouse stood in a rather lonely but pleasant situation, just at the foot of a woody hill, with a brook running close by, and a formidable birch-tree growing at one end of it. From hence the low murmur of his pupils' voices, conning over their lessons, might be heard in a drowsy summer's day, like the hum of a beehive; interrupted now and then by the authoritative voice of the master, in the tone of menace or command, or, peradventure, by the appalling sound of the birch, as he urged some tardy loiterer along the flowery path of knowledge. Truth to say, he was a conscientious man, and ever bore in mind the golden maxim, "Spare the rod and spoil the child." Ichabod Crane's scholars certainly were not spoiled.





I would not have it imagined, however, that he was one of those cruel potentates of the school who joy in the smart of their subjects; on the contrary, he administered justice with discrimination rather than severity; taking the burden off the backs of the weak, and laying it on those of the strong. Your mere puny stripling, that winced at the least flourish of the rod, was passed by with indulgence; but the claims of justice were satisfied by inflicting a double portion on some little tough wrong headed, broad-skirted Dutch urchin, who sulked and swelled and grew dogged and sullen beneath the birch. All this he called "doing his duty by their parents;" and he never inflicted a chastisement without following it by the assurance, so consolatory to the smarting urchin, that "he would remember it and thank him for it the longest day he had to live."





When school hours were over, he was even the companion and playmate of the larger boys; and on holiday afternoons would convoy some of the smaller ones home, who happened to have pretty sisters, or good housewives for mothers, noted for the comforts of the cupboard. Indeed, it behooved him to keep on good terms with his pupils. The revenue arising from his school was small, and would have been scarcely sufficient to furnish him with daily bread, for he was a huge feeder, and, though lank, had the dilating powers of an anaconda; but to help out his maintenance, he was, according to country custom in those parts, boarded and lodged at the houses of the farmers whose children he instructed. With these he lived successively a week at a time, thus going the rounds of the neighborhood, with all his worldly effects tied up in a cotton handkerchief.





That all this might not be too onerous on the purses of his rustic patrons, who are apt to considered the costs of schooling a grievous burden, and schoolmasters as mere drones he had various ways of rendering himself both useful and agreeable. He assisted the farmers occasionally in the lighter labors of their farms, helped to make hay, mended the fences, took the horses to water, drove the cows from pasture, and cut wood for the winter fire. He laid aside, too, all the dominant dignity and absolute sway with which he lorded it in his little empire, the school, and became wonderfully gentle and ingratiating. He found favor in the eyes of the mothers by petting the children, particularly the youngest; and like the lion bold, which whilom so magnanimously the lamb did hold, he would sit with a child on one knee, and rock a cradle with his foot for whole hours together.





In addition to his other vocations, he was the singing- master of the neighborhood, and picked up many bright shillings by instructing the young folks in psalmody. It was a matter of no little vanity to him on Sundays, to take his station in front of the church gallery, with a band of chosen singers; where, in his own mind, he completely carried away the palm from the parson. Certain it is, his voice resounded far above all the rest of the congregation; and there are peculiar quavers still to be heard in that church, and which may even be heard half a mile off, quite to the opposite side of the mill-pond, on a still Sunday morning, which are said to be legitimately descended from the nose of Ichabod Crane. Thus, by divers little makeshifts, in that ingenious way which is commonly denominated "by hook and by crook," the worthy pedagogue got on tolerably enough, and was thought, by all who understood nothing of the labor of headwork, to have a wonderfully easy life of it.





The schoolmaster is generally a man of some importance in the female circle of a rural neighborhood; being considered a kind of idle, gentlemanlike personage, of vastly superior taste and accomplishments to the rough country swains, and, indeed, inferior in learning only to the parson. His appearance, therefore, is apt to occasion some little stir at the tea-table of a farmhouse, and the addition of a supernumerary dish of cakes or sweetmeats, or, peradventure, the parade of a silver teapot. Our man of letters, therefore, was peculiarly happy in the smiles of all the country damsels. How he would figure among them in the churchyard, between services on Sundays; gathering grapes for them from the wild vines that overran the surrounding trees; reciting for their amusement all the epitaphs on the tombstones; or sauntering, with a whole bevy of them, along the banks of the adjacent mill-pond; while the more bashful country bumpkins hung sheepishly back, envying his superior elegance and address.





From his half-itinerant life, also, he was a kind of traveling gazette, carrying the whole budget of local gossip from house to house, so that his appearance was always greeted with satisfaction. He was, moreover, esteemed by the women as a man of great erudition, for he had read several books quite through, and was a perfect master of Cotton Mather's "History of New England Witchcraft," in which, by the way, he most firmly and potently believed.





He was, in fact, an odd mixture of small shrewdness and simple credulity. His appetite for the marvelous, and his powers of digesting it, were equally extraordinary; and both had been increased by his residence in this spell-bound region. No tale was too gross or monstrous for his capacious swallow. It was often his delight, after his school was dismissed in the afternoon, to stretch himself on the rich bed of clover bordering the little brook that whimpered by his school-house, and there con over old Mather's direful tales, until the gathering dusk of evening made the printed page a mere mist before his eyes. Then, as he wended his way by swamp and stream and awful woodland, to the farmhouse where he happened to be quartered, every sound of nature, at that witching hour, fluttered his excited imagination, --the moan of the whip-poor-will from the hillside, the boding cry of the tree toad, that harbinger of storm, the dreary hooting of the screech owl, to the sudden rustling in the thicket of birds frightened from their roost. The fireflies, too, which sparkled most vividly in the darkest places, now and then startled him, as one of uncommon brightness would stream across his path; and if, by chance, a huge blockhead of a beetle came winging his blundering flight against him, the poor varlet was ready to give up the ghost, with the idea that he was struck with a witch's token. His only resource on such occasions, either to drown thought or drive away evil spirits, was to sing psalm tunes and the good people of Sleepy Hollow, as they sat by their doors of an evening, were often filled with awe at hearing his nasal melody, "in linked sweetness long drawn out," floating from the distant hill, or along the dusky road.





Another of his sources of fearful pleasure was to pass long winter evenings with the old Dutch wives, as they sat spinning by the fire, with a row of apples roasting and spluttering along the hearth, and listen to their marvellous tales of ghosts and goblins, and haunted fields, and haunted brooks, and haunted bridges, and haunted houses, and particularly of the headless horseman, or Galloping Hessian of the Hollow, as they sometimes called him. He would delight them equally by his anecdotes of witchcraft, and of the direful omens and portentous sights and sounds in the air, which prevailed in the earlier times of Connecticut; and would frighten them woefully with speculations upon comets and shooting stars; and with the alarming fact that the world did absolutely turn round, and that they were half the time topsy-turvy! But if there was a pleasure in all this, while snugly cuddling in the chimney corner of a chamber that was all of a ruddy glow from the crackling wood fire, and where, of course, no spectre dared to show its face, it was dearly purchased by the terrors of his subsequent walk homewards. What fearful shapes and shadows beset his path, amidst the dim and ghastly glare of a snowy night! With what wistful look did he eye every trembling ray of light streaming across the waste fields from some distant window! How often was he appalled by some shrub covered with snow, which, like a sheeted spectre, beset his very path! How often did he shrink with curdling awe at the sound of his own steps on the frosty crust beneath his feet; and dread to look over his shoulder, lest he should behold some uncouth being tramping close behind him! and how often was he thrown into complete dismay by some rushing blast, howling among the trees, in the idea that it was the Galloping Hessian on one of his nightly scourings!





All these, however, were mere terrors of the night, phantoms of the mind that walk in darkness; and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely perambulations, yet daylight put an end to all these evils; and he would have passed a pleasant life of it, in despite of the Devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was--a woman.





Among the musical disciples who assembled, one evening in each week, to receive his instructions in psalmody, was Katrina Van Tassel, the daughter and only child of a substantial Dutch farmer. She was a booming lass of fresh eighteen; plump as a partridge; ripe and melting and rosy-cheeked as one of her father's peaches, and universally famed, not merely for her beauty, but her vast expectations. She was withal a little of a coquette, as might be perceived even in her dress, which was a mixture of ancient and modern fashions, as most suited to set of her charms. She wore the ornaments of pure yellow gold, which her great-great-grandmother had brought over from Saar dam; the tempting stomacher of the olden time, and withal a provokingly short petticoat, to display the prettiest foot and ankle in the country round.





Ichahod Crane had a soft and foolish heart towards the sex; and it is not to be wondered at, that so tempting a morsel soon found favor in his eyes, more especially after he had visited her in her paternal mansion. Old Baltus Van Tassel was a perfect picture of a thriving, contented, liberal-hearted farmer. He seldom, it is true, sent either his eyes or his thoughts beyond the boundaries of his own farm; but within those everything was snug, happy and well-conditioned. He was satisfied with his wealth, but not proud of it; and piqued himself upon the hearty abundance, rather than the style in which he lived. His stronghold was situated on the banks of the Hudson, in one of those green, sheltered, fertile nooks in which the Dutch farmers are so fond of nestling. A great elm tree spread its broad branches over it, at the foot of which bubbled up a spring of the softest and sweetest water, in a little well formed of a barrel; and then stole sparkling away through the grass, to a neighboring brook, that babbled along among alders and dwarf willows. Hard by the farmhouse was a vast barn, that might have served for a church; every window and crevice of which seemed bursting forth with the treasures of the farm; the flail was busily resounding within it from morning to night; swallows and martins skimmed twittering about the eaves; an rows of pigeons, some with one eye turned up, as if watching the weather, some with their heads under their wings or buried in their bosoms, and others swelling, and cooing, and bowing about their dames, were enjoying the sunshine on the roof. Sleek unwieldy porkers were grunting in the repose and abundance of their pens, from whence sallied forth, now and then, troops of sucking pigs, as if to snuff the air. A stately squadron of snowy geese were riding in an adjoining pond, convoying whole fleets of ducks; regiments of turkeys were gobbling through the farmyard, and Guinea fowls fretting about it, like ill-tempered housewives, with their peevish, discontented cry. Before the barn door strutted the gallant cock, that pattern of a husband, a warrior and a fine gentleman, clapping his burnished wings and crowing in the pride and gladness of his heart, --sometimes tearing up the earth with his feet, and then generously calling his ever-hungry family of wives and children to enjoy the rich morsel which he had discovered.





The pedagogue's mouth watered as he looked upon this sumptuous promise of luxurious winter fare. In his devouring mind's eye, he pictured to himself every roasting-pig running about with a pudding in his belly, and an apple in his mouth; the pigeons were snugly put to bed in a comfortable pie, and tucked in with a coverlet of crust; the geese were swimming in their own gravy; and the ducks pairing cosily in dishes, like snug married couples, with a decent competency of onion sauce. In the porkers he saw carved out the future sleek side of bacon, and juicy relishing ham; not a turkey but he beheld daintily trussed up, with its gizzard under its wing, and, peradventure, a necklace of savory sausages; and even bright chanticleer himself lay sprawling on his back, in a side dish, with uplifted claws, as if craving that quarter which his chivalrous spirit disdained to ask while living.





As the enraptured Ichabod fancied all this, and as he rolled his great green eyes over the fat meadow lands, the rich fields of wheat, of rye, of buckwheat, and Indian corn, and the orchards burdened with ruddy fruit, which surrounded the warm tenement of Van Tassel, his heart yearned after the damsel who was to inherit these domains, and his imagination expanded with the idea, how they might be readily turned into cash, and the money invested in immense tracts of wild land, and shingle palaces in the wilderness. Nay, his busy fancy already realized his hopes, and presented to him the blooming Katrina, with a whole family of children, mounted on the top of a wagon loaded with household trumpery, with pots and kettles dangling beneath; and he beheld himself bestriding a pacing mare, with a colt at her heels, setting out for Kentucky, Tennessee, --or the Lord knows where!





When he entered the house, the conquest of his heart was complete. It was one of those spacious farmhouses, with high- ridged but lowly sloping roofs, built in the style handed down from the first Dutch settlers; the low projecting eaves forming a piazza along the front, capable of being closed up in bad weather. Under this were hung flails, harness, various utensils of husbandry, and nets for fishing in the neighboring river. Benches were built along the sides for summer use; and a great spinning-wheel at one end, and a churn at the other, showed the various uses to which this important porch might be devoted. From this piazza the wondering Ichabod entered the hall, which formed the centre of the mansion, and the place of usual residence. Here rows of resplendent pewter, ranged on a long dresser, dazzled his eyes. In one corner stood a huge bag of wool, ready to be spun; in another, a quantity of linsey-woolsey just from the loom; ears of Indian corn, and strings of dried apples and peaches, hung in gay festoons along the walls, mingled with the gaud of red peppers; and a door left ajar gave him a peep into the best parlor, where the claw-footed chairs and dark mahogany tables shone like mirrors; andirons, with their accompanying shovel and tongs, glistened from their covert of asparagus tops; mock- oranges and conch - shells decorated the mantelpiece; strings of various-colored birds eggs were suspended above it; a great ostrich egg was hung from the centre of the room, and a corner cupboard, knowingly left open, displayed immense treasures of old silver and well-mended china.





From the moment Ichabod laid his eyes upon these regions of delight, the peace of his mind was at an end, and his only study was how to gain the affections of the peerless daughter of Van Tassel. In this enterprise, however, he had more real difficulties than generally fell to the lot of a knight-errant of yore, who seldom had anything but giants, enchanters, fiery dragons, and such like easily conquered adversaries, to contend with and had to make his way merely through gates of iron and brass, and walls of adamant to the castle keep, where the lady of his heart was confined; all which he achieved as easily as a man would carve his way to the centre of a Christmas pie; and then the lady gave him her hand as a matter of course. Ichabod, on the contrary, had to win his way to the heart of a country coquette, beset with a labyrinth of whims and caprices, which were forever presenting new difficulties and impediments; and he had to encounter a host of fearful adversaries of real flesh and blood, the numerous rustic admirers, who beset every portal to her heart, keeping a watchful and angry eye upon each other, but ready to fly out in the common cause against any new competitor.





Among these, the most formidable was a burly, roaring, roystering blade, of the name of Abraham, or, according to the Dutch abbreviation, Brom Van Brunt, the hero of the country round which rang with his feats of strength and hardihood. He was broad-shouldered and double-jointed, with short curly black hair, and a bluff but not unpleasant countenance, having a mingled air of fun and arrogance From his Herculean frame and great powers of limb he had received the nickname of BROM BONES, by which he was universally known. He was famed for great knowledge and skill in horsemanship, being as dexterous on horseback as a Tartar. He was foremost at all races and cock fights; and, with the ascendancy which bodily strength always acquires in rustic life, was the umpire in all disputes, setting his hat on one side, and giving his decisions with an air and tone that admitted of no gainsay or appeal. He was always ready for either a fight or a frolic; but had more mischief than ill-will in his composition; and with all his overbearing roughness, there was a strong dash of waggish good humor at bottom. He had three or four boon companions, who regarded him as their model, and at the head of whom he scoured the country, attending every scene of feud or merriment for miles round. In cold weather he was distinguished by a fur cap, surmounted with a flaunting fox's tail; and when the folks at a country gathering descried this well-known crest at a distance, whisking about among a squad of hard riders, they always stood by for a squall. Sometimes his crew would be heard dashing along past the farmhouses at midnight, with whoop and halloo, like a troop of Don Cossacks; and the old dames, startled out of their sleep, would listen for a moment till the hurry-scurry had clattered by, and then exclaim, "Ay, there goes Brom Bones and his gang!" The neighbors looked upon him with a mixture of awe, admiration, and good-will; and, when any madcap prank or rustic brawl occurred in the vicinity, always shook their heads, and warranted Brom Bones was at the bottom of it.





This rantipole hero had for some time singled out the blooming Katrina for the object of his uncouth gallantries, and though his amorous toyings were something like the gentle caresses and endearments ofa bear, yet it was whispered that she did not altogether discourage his hopes. Certain it is, his advances were signals for rival candidates to retire, who felt no inclination to cross a lion in his amours; insomuch, that when his horse was seen tied to Van Tassel's paling, on a Sunday night, a sure sign that his master was courting, or, as it is termed, " sparking," within, all other suitors passed by in despair, and carried the war into other quarters.





Such was the formidable rival with whom Ichabod Crane had to contend, and, considering, all things, a stouter man than he would have shrunk from the competition, and a wiser man would have despaired. He had, however, a happy mixture of pliability and perseverance in his nature; he was in form and spirit like a supple-jackÄyielding, but tough; though he bent, he never broke; and though he bowed beneath the slightest pressure, yet, the moment it was away--jerk!--he was as erect, and carried his head as high as ever.





To have taken the field openly against his rival would have been madness; for he was not a man to be thwarted in his amours, any more than that stormy lover, Achilles. Ichabod, therefore, made his advances in a quiet and gently insinuating manner. Under cover of his character of singing-master, he made frequent visits at the farmhouse; not that he had anything to apprehend from the meddlesome interference of parents, which is so often a stumbling-block in the path of lovers. Balt Van Tassel was an easy indulgent soul; he loved his daughter better even than his pipe, and, like a reasonable man and an excellent father, let her have her way in everything. His notable little wife, too, had enough to do to attend to her housekeeping and manage her poultry; for, as she sagely observed, ducks and geese are foolish things, and must be looked after, but girls can take care of themselves. Thus, while the busy dame bustled about the house, or plied her spinning-wheel at one end of the piazza, honest Balt would sit smoking his evening pipe at the other, watching the achievements of a little wooden warrior, who, armed with a sword in each hand, was most valiantly fighting the wind on the pinnacle of the barn. In the mean time, Ichabod would carry on his suit with the daughter by the side of the spring under the great elm, or sauntering along in the twilight, that hour so favorable to the lover's eloquence.





I profess not to know how women's hearts are wooed and won. To me they have always been matters of riddle and admiration. Some seem to have but one vulnerable point, or door of access; while others have a thousand avenues, and may be captured in a thousand different ways. It is a great triumph of skill to gain the former, but a still greater proof of generalship to maintain possession of the latter, for man must battle for his fortress at every door and window. He who wins a thousand common hearts is therefore entitled to some renown; but he who keeps undisputed sway over the heart of a coquette is indeed a hero. Certain it is, this was not the case with the redoubtable Brom Bones; and from the moment Ichabod Crane made his advances, the interests of the former evidently declined: his horse was no longer seen tied to the palings on Sunday nights, and a deadly feud gradually arose between him and the preceptor of Sleepy Hollow.





Brom, who had a degree of rough chivalry in his nature, would fain have carried matters to open warfare and have settled their pretensions to the lady, according to the mode of those most concise and simple reasoners, the knights-errant of yore, -- by single combat; but lchabod was too conscious of the superior might of his adversary to enter the lists against him; he had overheard a boast of Bones, that he would "double the schoolmaster up, and lay him on a shelf of his own schoolhouse;" and he was too wary to give him an opportunity. There was something extremely provoking, in this obstinately pacific system; it left Brom no alternative but to draw upon the funds of rustic waggery in his disposition, and to play off boorish practical jokes upon his rival. Ichabod became the object of whimsical persecution to Bones and his gang of rough riders. They harried his hitherto peaceful domains, smoked out his singing- school by stopping up the chimney, broke into the schoolhouse at night, in spite of its formidable fastenings of withe and window stakes, and turned everything topsy-turvy, so that the poor schoolmaster began to think all the witches in the country held their meetings there. But what was still more annoying, Brom took all Opportunities of turning him into ridicule in presence of his mistress, and had a scoundrel dog whom he taught to whine in the most ludicrous manner, and introduced as a rival of Ichabod's, to instruct her in psalmody.





In this way matters went on for some time, without producing any material effect on the relative situations of the contending powers. On a fine autumnal afternoon, Ichabod, in pensive mood, sat enthroned on the lofty stool from whence he usually watched all the concerns of his little literary realm. In his hand he swayed a ferule, that sceptre of despotic power; the birch of justice reposed on three nails behind the throne, a constant terror to evil doers, while on the desk before him might be seen sundry contraband articles and prohibited weapons, detected upon the persons of idle urchins, such as half-munched apples, popguns, whirligigs, fly-cages, and whole legions of rampant little paper game-cocks. Apparently there had been some appalling act of justice recently inflicted, for his scholars were all busily intent upon their books, or slyly whispering behind them with one eye kept upon the master; and a kind of buzzing stillness reigned throughout the schoolroom. It was suddenly interrupted by the appearance of a negro in tow-cloth jacket and trowsers. a round-crowned fragment of a hat, like the cap of Mercury, and mounted on the back of a ragged, wild, half-broken colt, which he managed with a rope by way of halter. He came clattering up to the school-door with an invitation to Ichabod to attend a merry - making or "quilting-frolic," to be held that evening at Mynheer Van Tassel's; and having, delivered his message with that air of importance and effort at fine language which a negro is apt to display on petty embassies of the kind, he dashed over the brook, and was seen scampering, away up the Hollow, full of the importance and hurry of his mission.





All was now bustle and hubbub in the late quiet schoolroom. The scholars were hurried through their lessons without stopping at trifles; those who were nimble skipped over half with impunity, and those who were tardy had a smart application now and then in the rear, to quicken their speed or help them over a tall word. Books were flung aside without being put away on the shelves, inkstands were overturned, benches thrown down, and the whole school was turned loose an hour before the usual time, bursting forth like a legion of young imps, yelping and racketing about the green in joy at their early emancipation.





The gallant Ichabod now spent at least an extra half hour at his toilet, brushing and furbishing up his best, and indeed only suit of rusty black, and arranging his locks by a bit of broken looking-glass that hung up in the schoolhouse. That he might make his appearance before his mistress in the true style of a cavalier, he borrowed a horse from the farmer with whom he was domiciliated, a choleric old Dutchman of the name of Hans Van Ripper, and, thus gallantly mounted, issued forth like a knight- errant in quest of adventures. But it is meet I should, in the true spirit of romantic story, give some account of the looks and equipments of my hero and his steed. The animal he bestrode was a broken-down plow-horse, that had outlived almost everything but its viciousness. He was gaunt and shagged, with a ewe neck, and a head like a hammer; his rusty mane and tail were tangled and knotted with burs; one eye had lost its pupil, and was glaring and spectral, but the other had the gleam of a genuine devil in it. Still he must have had fire and mettle in his day, if we may judge from the name he bore of Gunpowder. He had, in fact, been a favorite steed of his master's, the choleric Van Ripper, who was a furious rider, and had infused, very probably, some of his own spirit into the animal; for, old and broken-down as he looked, there was more of the lurking devil in him than in any young filly in the country.





Ichabod was a suitable figure for such a steed . He rode with short stirrups, which brought his knees nearly up to the pommel of the saddle; his sharp elbows stuck out like grasshoppers'; he carried his whip perpendicularly in his hand, like a sceptre, and as his horse jogged on, the motion of his arms was not unlike the flapping of a pair of wings. A small wool hat rested on the top of his nose, for so his scanty strip of forehead might be called, and the skirts of his black coat fluttered out almost to the horses tail. Such was the appearance of Ichabod and his steed as they shambled out of the gate of Hans Van Ripper, and it was altogether such an apparition as is seldom to be met with in broad daylight.





It was, as I have said, a fine autumnal day; the sky was clear and serene, and nature wore that rich and golden livery which we always associate with the idea of abundance. The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the bark of the squirrel might be heard from the groves of beech and hickory- nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field.





The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered, chirping and frolicking from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cockrobin, the favorite game of stripling sportsmen, with its loud querulous note; and the twittering blackbirds flying in sable clouds, and the golden- winged woodpecker with his crimson crest, his broad black gorget, and splendid plumage; and the cedar-bird, with its red tipt wings and yellow-tipt tail and its little monteiro cap of feathers; and the blue jay, that noisy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove.





As Ichabod jogged slowly on his way, his eye, ever open to every symptom of culinary abundance, ranged with delight over the treasures of jolly autumn. On all sides he beheld vast store of apples: some hanging in oppressive opulence on the trees; some gathered into baskets and barrels for the market; others heaped up in rich piles for the cider-press. Farther on he beheld great fields of Indian corn, with its golden ears peeping from their leafy coverts, and holding out the promise of cakes and hasty- pudding; and the yellow pumpkins lying beneath them, turning up their fair round bellies to the sun, and giving ample prospects of the most luxurious of pies; and anon he passed the fragrant buckwheat fields breathing the odor of the beehive, and as he beheld them, soft anticipations stole over his mind of dainty slap-jacks, well buttered, and garnished with honey or treacle, by the delicate little dimpled hand of Katrina Van Tassel.





Thus feeding his mind with many sweet thoughts and "sugared suppositions," he journeyed along the sides of a range of hills which look out upon some of the goodliest scenes of the mighty Hudson. The sun gradually wheeled his broad disk down in the west. The wide bosom of the Tappan Zee lay motionless and glassy, excepting that here and there a gentle undulation waved and prolonged the blue shallow of the distant mountain. A few amber clouds floated in the sky, without a breath of air to move them. The horizon was of a fine golden tint, changing gradually into a pure apple green, and from that into the deep blue of the mid- heaven. A slanting ray lingered on the woody crests of the precipices that overhung some parts of the river, giving greater depth to the dark gray and purple of their rocky sides. A sloop was loitering in the distance, dropping slowly down with the tide, her sail hanging uselessly against the mast; and as the reflection of the sky gleamed along the still water, it seemed as if the vessel was suspended in the air.





It was toward evening that Ichabod arrived at the castle of the Heer Van Tassel, which he found thronged with the pride and flower of the adjacent country Old farmers, a spare leathern- faced race, in homespun coats and breeches, blue stockings, huge shoes, and magnificent pewter buckles. Their brisk, withered little dames, in close crimped caps, long waisted short-gowns, homespun petticoats, with scissors and pin-cushions, and gay calico pockets hanging on the outside. Buxom lasses, almost as antiquated as their mothers, excepting where a straw hat, a fine ribbon, or perhaps a white frock, gave symptoms of city innovation. The sons, in short square-skirted coats, with rows of stupendous brass buttons, and their hair generally queued in the fashion of the times, especially if they could procure an eelskin for the purpose, it being esteemed throughout the country as a potent nourisher and strengthener of the hair.





Brom Bones, however, was the hero of the scene, having come to the gathering on his favorite steed Daredevil, a creature, like himself, full of mettle and mischief, and which no one but himself could manage. He was, in fact, noted for preferring vicious animals, given to all kinds of tricks which kept the rider in constant risk of his neck, for he held a tractable, wellbroken horse as unworthy of a lad of spirit.





Fain would I pause to dwell upon the world of charms that burst upon the enraptured gaze of my hero, as he entered the state parlor of Van Tassel's mansion. Not those of the bevy of buxom lasses, with their luxurious display of red and white; but the ample charms of a genuine Dutch country tea-table, in the sumptuous time of autumn. Such heaped up platters of cakes of various and almost indescribable kinds, known only to experienced Dutch housewives! There was the doughty doughnut, the tender olykoek, and the crisp and crumbling cruller; sweet cakes and short cakes, ginger cakes and honey cakes, and the whole family of cakes. And then there were apple pies, and peach pies, and pumpkin pies; besides slices of ham and smoked beef; and moreover delectable dishes of preserved plums, and peaches, and pears, and quinces; not to mention broiled shad and roasted chickens; together with bowls of milk and cream, all mingled higgledy- pigglely, pretty much as I have enumerated them, with the motherly teapot sending up its clouds of vapor from the midst-- Heaven bless the mark! I want breath and time to discuss this banquet as it deserves, and am too eager to get on with my story. Happily, Ichabod Crane was not in so great a hurry as his historian, but did ample justice to every dainty.





He was a kind and thankful creature, whose heart dilated in proportion as his skin was filled with good cheer, and whose spirits rose with eating, as some men's do with drink. He could not help, too, rolling his large eyes round him as he ate, and chuckling with the possibility that he might one day be lord of all this scene of almost unimaginable luxury and splendor. Then, he thought, how soon he 'd turn his back upon the old schoolhouse; snap his fingers in the face of Hans Van Ripper, and every other niggardly patron, and kick any itinerant pedagogue out of doors that should dare to call him comrade!





Old Baltus Van Tassel moved about among his guests with a face dilated with content and goodhumor, round and jolly as the harvest moon. His hospitable attentions were brief, but expressive, being confined to a shake of the hand, a slap on the shoulder, a loud laugh, and a pressing invitation to "fall to, and help themselves."





And now the sound of the music from the common room, or hall, summoned to the dance. The musician was an old gray-headed negro, who had been the itinerant orchestra of the neighborhood for more than half a century. His instrument was as old and battered as himself. The greater part of the time he scraped on two or three strings, accompanying every movement of the bow with a motion of the head; bowing almost to the ground, and stamping with his foot whenever a fresh couple were to start.





Ichabod prided himself upon his dancing as much as upon his vocal powers. Not a limb, not a fibre about him was idle; and to have seen his loosely hung frame in full motion, and clattering about the room, you would have thought St. Vitus himself, that blessed patron of the dance, was figuring before you in person. He was the admiration of all the negroes; who, having gathered, of all ages and sizes, from the farm and the neighborhood, stood forming a pyramid of shining black faces at every door and window; gazing with delight at the scene; rolling their white eye-balls, and showing grinning rows of ivory from ear to ear. How could the flogger of urchins be otherwise than animated and joyous? the lady of his heart was his partner in the dance, and smiling graciously in reply to all his amorous oglings; while Brom Bones, sorely smitten with love and jealousy, sat brooding by himself in one corner.





When the dance was at an end, Ichabod was attracted to a knot of the sager folks, who, with Old V an Tassel, sat smoking at one end of the piazza, gossiping over former times, and drawing out long stories about the war. This neighborhood, at the time of which I am speaking, was one of those highly favored places which abound with chronicle and great men. The British and American line had run near it during the war; it had, therefore], been the scene of marauding and infested with refugees, cow-boys, and all kinds of border chivalry. Just sufficient time had elapsed to enable each story-teller to dress up his tale with a little becoming fiction, and, in the indistinctness of his recollection, to make himself the hero of every exploit.





There was the story of Doffue Martling, a large blue-bearded Dutchman, who had nearly taken a British frigate with an old iron nine-pounder from a mud breastwork, only that his gun burst at the sixth discharge. And there was an old gentleman who shall be nameless, being too rich a mynheer to be lightly mentioned, who, in the battle of White Plains, being an excellent master of defence, parried a musket-ball with a small-sword, insomuch that he absolutely felt it whiz round the blade, and glance off at the hilt; in proof of which he was ready at any time to show the sword, with the hilt a little bent. There were several more that had been equally great in the field, not one of whom but was persuaded that he had a considerable hand in bringing the war to a happy termination. But all these were nothing to the tales of ghosts and apparitions that succeeded. The neighborhood is rich in legendary treasures of the kind. Local tales and superstitions thrive best in these sheltered, long settled retreats; but are trampled under foot by the shifting throng that forms the population of most of our country places. Besides, there is no encouragement for ghosts in most of our villages, for they have scarcely had time to finish their first nap and turn themselves in their graves, before their surviving friends have travelled away from the neighborhood; so that when they turn out at night to walk their rounds, they have no acquaintance left to call upon. This is perhaps the reason why we so seldom hear of ghosts except in our long-established Dutch communities.





The immediate cause, however, of the prevalence of supernatural stories in these parts, was doubtless owing to the vicinity of Sleepy Hollow. There was a contagion in the very air that blew from that haunted region; it breathed forth an atmosphere of dreams and fancies infecting all the land. Several of the Sleepy Hollow people were present at Van Tassel's, and, as usual, were doling out their wild and wonderful legends. Many dismal tales were told about funeral trains, and mourning cries and wailings heard and seen about the great tree where the unfortunate Major Andre was taken, and which stood in the neighborhood. Some mention was made also of the woman in white, that haunted the dark glen at Raven Rock, and was often heard to shriek on winter nights before a storm, having perished there in the snow. The chief part of the stories, however, turned upon the favorite spectre of Sleepy Hollow, the Headless Horseman, who had been heard several times of late, patrolling the country; and, it was said, tethered his horse nightly among the graves in the churchyard.





The sequestered situation of this church seems always to have made it a favorite haunt of troubled spirits. It stands on a knoll, surrounded by locust, trees and lofty elms, from among which its decent, whitewashed walls shine modestly forth, like Christian purity beaming through the shades of retirement. A gentle slope descends from it to a silver sheet of water, bordered by high trees, between which, peeps may be caught at the blue hills of the Hudson. To look upon its grass-grown yard, where the sunbeams seem to sleep so quietly, one would think that there at least the dead might rest in peace. On one side of the church extends a wide woody dell, along which raves a large brook among broken rocks and trunks of fallen trees. Over a deep black part of the stream, not far from the church, was formerly thrown a wooden bridge; the road that led to it, and the bridge itself, were thickly shaded by overhanging trees, which cast a gloom about it, even in the daytime; but occasioned a fearful darkness at night. Such was one of the favorite haunts of the Headless Horseman, and the place where he was most frequently encountered. The tale was told of old Brouwer, a most heretical disbeliever in ghosts, how he met the Horseman returning from his foray into Sleepy Hollow, and was obliged to get up behind him; how they galloped over bush and brake, over hill and swamp, until they reached the bridge; when the Horseman suddenly turned into a skeleton, threw old Brouwer into the brook, and sprang away over the tree-tops with a clap of thunder.





This story was immediately matched by a thrice marvellous adventure of Brom Bones, who made light of the Galloping Hessian as an arrant jockey. He affirmed that on returning one night from the neighboring village of Sing Sing, he had been overtaken by this midnight trooper; that he had offered to race with him for a bowl of punch, and should have won it too, for Daredevil beat the goblin horse all hollow, but just as they came to the church bridge, the Hessian bolted, and vanished in a flash of fire.





All these tales, told in that drowsy undertone with which men talk in the dark, the countenances of the listeners only now and then receiving a casual gleam from the glare of a pipe, sank deep in the mind of Ichabod. He repaid them in kind with large extracts from his invaluable author, Cotton Mather, and added many marvellous events that had taken place in his native State of Connecticut, and fearful sights which he had seen in his nightly walks about Sleepy Hollow.





The revel now gradually broke up. The old farmers gathered together their families in their wagons, and were heard for some time rattling along the hollow roads, and over the distant hills. Some of the damsels mounted on pillions behind their favorite swains, and their light-hearted laughter, mingling with the clatter of hoofs, echoed along the silent woodlands, sounding fainter and fainter, until they gradually died away, --and the late scene of noise and frolic was all silent and deserted. Ichabod only lingered behind, according to the custom of country lovers, to have a tete-a-tete with the heiress; fully convinced that he was now on the high road to success. What passed at this interview I will not pretend to say, for in fact I do not know. Something, however, I fear me, must have gone wrong, for he certainly sallied forth, after no very great interval, with an air quite desolate and chapfallen. Oh, these women! these women! Could that girl have been playing off any of her coquettish tricks? Was her encouragement of the poor pedagogue all a mere sham to secure her conquest of his rival? Heaven only knows, not I! Let it suffice to say, Ichabod stole forth with the air of one who had been sacking a henroost, rather than a fair lady's heart. Without looking to the right or left to notice the scene of rural wealth, on which he had so often gloated, he went straight to the stable, and with several hearty cuffs and kicks roused his steed most uncourteously from the comfortable quarters in which he was soundly sleeping, dreaming of mountains of corn and oats, and whole valleys of timothy and clover.





It was the very witching time of night that Ichabod, heavy hearted and crest-fallen, pursued his travels homewards, along the sides of the lofty hills which rise above Tarry Town, and which he had traversed so cheerily in the afternoon. The hour was as dismal as himself. Far below him the Tappan Zee spread its dusky and indistinct waste of waters, with here and there the tall mast of a sloop, riding quietly at anchor under the land. In the dead hush of midnight, he could even hear the barking of the watchdog from the opposite shore of the Hudson; but it was so vague and faint as only to give an idea of his distance from this faithful companion of man. Now and then, too, the long-drawn crowing of a cock, accidentally awakened, would sound far, far off, from some farmhouse away among the hills--but it was like a dreaming sound in his ear. No signs of life occurred near him, but occasionally the melancholy chirp of a cricket, or perhaps the guttural twang of a bull-frog from a neighboring marsh, as if sleeping uncomfortably and turning suddenly in his bed.





All the stories of ghosts and goblins that he had heard in the afternoon now came crowding upon his recollection. The night grew darker and darker; the stars seemed to sink deeper in the sky, and driving clouds occasionally hid them from his sight. He had never felt so lonely and dismal. He was, moreover, approaching the very place where many of the scenes of the ghost stories had been laid. In the centre of the road stood an enormous tulip-tree, which towered like a giant above all the other trees of the neighborhood, and formed a kind of landmark. Its limbs were gnarled and fantastic, large enough to form trunks for ordinary trees, twisting down almost to the earth, and rising again into the air. It was connected with the tragical story of the unfortunate Andre, who had been taken prisoner hard by; and was universally known by the name of Major Andre's tree. The common people regarded it with a mixture of respect and superstition, partly out of sympathy for the fate of its ill- starred namesake, and partly from the tales of strange sights, and doleful lamentations, told concerning it.





As Ichabod approached this fearful tree, he began to whistle; he thought his whistle was answered; it was but a blast sweeping sharply through the dry branches. As he approached a little nearer, he thought he saw something white, hanging in the midst of the tree: he paused, and ceased whistling but, on looking more narrowly, perceived that it was a place where the tree had been scathed by lightning, and the white wood laid bare. Suddenly he heard a groan--his teeth chattered, and his knees smote against the saddle: it was but the rubbing of one huge bough upon another, as they were swayed about by the breeze. He passed the tree in safety, but new perils lay before him.





About two hundred yards from the tree, a small brook crossed the road, and ran into a marshy and thickly-wooded glen, known by the name of Wiley's Swamp. A few rough logs, laid side by side, served for a bridge over this stream. On that side of the road where the brook entered the wood, a group of oaks and chestnuts, matted thick with wild grape-vines, threw a cavernous gloom over it. To pass this bridge was the severest trial. It was at this identical spot that the unfortunate Andre was captured, and under the covert of those chestnuts and vines were the sturdy yeomen concealed who surprised him. This has ever since been considered a haunted stream, and fearful are the feelings of the school-boy who has to pass it alone after dark.





As he approached the stream, his heart began to thump he summoned up, however, all his resolution, gave his horse half a score of kicks in the ribs, and attempted to dash briskly across the bridge; but instead of starting forward, the perverse old animal made a lateral movement, and ran broadside against the fence. Ichabod, whose fears increased with the delay, jerked the reins on the other side, and kicked lustily with the contrary foot: it was all in vain; his steed started, it is true, but it was only to plunge to the opposite side of the road into a thicket of brambles and alder-bushes. The schoolmaster now bestowed both whip and heel upon the starveling ribs of old Gunpowder, who dashed forward, snuffling and snorting, but came to a stand just by the bridge, with a suddenness that had nearly sent his rider sprawling over his head. Just at this moment a plashy tramp by the side of the bridge caught the sensitive ear of Ichabod. In the dark shadow of the grove, on the margin of the brook, he beheld something huge, misshapen and towering. It stirred not, but seemed gathered up in the gloom, like some gigantic monster ready to spring upon the traveller.





The hair of the affrighted pedagogue rose upon his head with terror. What was to be done? To turn and fly was now too late; and besides, what chance was there of escaping ghost or goblin, if such it was, which could ride upon the wings of the wind? Summoning up, therefore, a show of courage, he demanded in stammering accents, " Who are you?" He received no reply. He repeated his demand in a still more agitated voice. Still there was no answer. Once more he cudgelled the sides of the inflexible Gunpowder, and, shutting his eyes, broke forth with involuntary fervor into a psalm tune. Just then the shadowy object of alarm put itself in motion, and with a scramble and a bound stood at once in the middle of the road. Though the night was dark and dismal, yet the form of the unknown might now in some degree be ascertained. He appeared to be a horseman of large dimensions, and mounted on a black horse of powerful frame. He made no offer of molestation or sociability, but kept aloof on one side of the road, jogging along on the blind side of old Gunpowder, who had now got over his fright and waywardness.





Ichabod, who had no relish for this strange midnight companion, and bethought himself of the adventure of Brom Bones with the Galloping Hessian, now quickened his steed in hopes of leaving him behind. The stranger, however, quickened his horse to an equal pace. Ichabod pulled up, and fell into a walk, thinking to lag behind, --the other did the same. His heart began to sink within him; he endeavored to resume his psalm tune, but his parched tongue clove to the roof of his mouth, and he could not utter a stave. There was something in the moody and dogged silence of this pertinacious companion that was mysterious and appalling. It was soon fearfully accounted for. On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horror-struck on perceiving that he was headless! but his horror was still more increased on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of his saddle! His terror rose to desperation; he rained a shower of kicks and blows upon Gunpowder, hoping by a sudden movement to give his companion the slip; but the spectre started full jump with him. Away, then, they dashed through thick and thin; stones flying and sparks flashing at every bound. Ichabod's flimsy garments fluttered in the air, as he stretched his long lank body away over his horse's head, in the eagerness of his flight.





They had now reached the road which turns off to Sleepy Hollow; but Gunpowder, who seemed possessed with a demon, instead of keeping up it, made an opposite turn, and plunged headlong down hill to the left. This road leads through a sandy hollow shaded by trees for about a quarter of a mile, where it crosses the bridge famous in goblin story; and just beyond swells the green knoll on which stands the whitewashed church.





As yet the panic of the steed had given his unskilful rider an apparent advantage in the chase, but just as he had got half way through the hollow, the girths of the saddle gave way, and he felt it slipping from under him. He seized it by the pommel, and endeavored to hold it firm, but in vain; and had just time to save himself by clasping old Gunpowder round the neck, when the saddle fell to the earth, and he heard it trampled under foot by his pursuer. For a moment the terror of Hans Van Ripper's wrath passed across his mind, --for it was his Sunday saddle; but this was no time for petty fears; the goblin was hard on his haunches; and (unskilful rider that he was!) he had much ado to maintain his seat; sometimes slipping on one side, sometimes on another, and sometimes jolted on the high ridge of his horse's backbone, with a violence that he verily feared would cleave him asunder.





An opening, in the trees now cheered him with the hopes that the church bridge was at hand. The wavering reflection of a silver star in the bosom of the brook told him that he was not mistaken. He saw the walls of the church dimly glaring under the trees beyond. He recollected the place where Brom Bones' ghostly competitor had disappeard. "If I can but reach that bridge," thought Ichabod, " I am safe." Just then he heard the black steed panting and blowing close behind him; he even fancied that he felt his hot breath. Another convulsive kick in the ribs, and old Gunpowder sprang upon the bridge; he thundered over the resounding planks; he gained the opposite side; and now Ichabod cast a look behind to see if his pursuer should vanish, according to rule, in a flash of fire and brimstone. Just then he saw the goblin rising in his stirrups, and in the very act of hurling his head at him. Ichabod endeavored to dodge the horrible missile, but too late. It encountered his cranium with a tremendous crash, --he was tumbled headlong into the dust, and Gunpowder, the black steed, and the goblin rider, passed by like a whirlwind.





The next morning the old horse was found without his saddle, and with the bridle under his feet, soberly cropping the grass at his master's gate. Ichabod did not make his appearance at breakfast; dinner-hour came, but no Ichabod. The boys assembled at the schoolhouse, and strolled idly about the banks of the brook; but no schoolmaster. Hans Van Ripper now began to feel some uneasiness about the fate of poor Ichabod, and his saddle. An inquiry was set on foot, and after diligent investigation they came upon his traces. In one part of the road leading to the church was found the saddle trampled in the dirt; the tracks of horses' hoofs deeply dented in the road, and evidently at furious speed, were traced to the bridge, beyond which, on the bank of a broad part oœ the brook, where the water ran deep and black, was found the hat of the unfortunate Ichabod, and close beside it a shattered pumpkin.





The brook was searched, but the body of the schoolmaster was not to be discovered. Hans Van Ripper as executor of his estate, examined the bundle which contained all his worldly effects. They consisted of two shirts and a half; two stocks for the neck; a pair or two of worsted stockings; an old pair of corduroy small- clothes; a rusty razor; a book of psalm tunes full of dog's-ears; and a broken pitch-pipe. As to the books and furniture of the schoolhouse, they belonged to the community, excepting Cotton Mather's History of Witchcraft, a New England Almanac, and book of dreams and fortune-telling; in which last was a sheet of foolscap much scribbled and blotted in several fruitless attempts to make a copy of verses in honor of the heiress of Van Tassel. These magic books and the poetic scrawl were forthwith consigned to the flames by Hans Van Ripper; who, from that time forward, determined to send his children no more to school; observing that he never knew any good come of this same reading and writing. Whatever money the schoolmaster possessed, and he had received his quarter's pay but a day or two before, he must have had about his person at the time of his disappearance.





The mysterious event caused much speculation at the church on the following Sunday. Knots of gazers and gossips were collected in the churchyard, at the bridge, and at the spot where the hat and pumpkin had been found. The stories of Brouwer, of Bones, and a whole budget of others were called to mind; and when they had diligently considered them all, and compared them with the symptoms of the present case, they shook their heads, and came to the conclusion chat Ichabod had been carried off by the Galloping Hessian. As he was a bachelor, and in nobody's debt, nobody troubled his head any more about him; the school was removed to a different quarter of the Hollow, and another pedagogue reigned in his stead.





It is true, an old farmer, who had been down to New York on a visit several years after, and from whom this account of the ghostly adventure was received, brought home the intelligence that Ichabod Crane was still alive; that he had left the neighborhood partly through fear of the goblin and Hans Van Ripper, and partly in mortification at having been suddenly dismissed by the heiress; that he had changed his quarters to a distant part of the country; had kept school and studied law at the same time; had been admitted to the bar; turned politician; electioneered; written for the newspapers; and finally had been made a justice of the ten pound court. Brom Bones, too, who, shortly after his rival's disappearance conducted the blooming Katrina in triumph to the altar, was observed to look exceedingly knowing whenever the story of Ichabod was related, and always burst into a hearty laugh at the mention of the pumpkin; which led some to suspect that he knew more about the matter than he chose to tell.





The old country wives, however, who are the best judges of these matters, maintain to this day that Ichabod was spirited away by supernatural means; and it is a favorite story often told about the neighborhood round the winter evening fire. The bridge became more than ever an object of superstitious awe; and that may be the reason why the road has been altered of late years, so as to approach the church by the border of the mill-pond. The schoolhouse being deserted soon fell to decay, and was reported to be haunted by the ghost of the unfortunate pedagogue and the plough-boy, loitering homeward of a still summer evening, has often fancied his voice at a distance, chanting a melancholy psalm tune among the tranquil solitudes of Sleepy Hollow.



By: Washington Irving


COMMENTS

-



 

The Vampyre (poem)

17:08 May 05 2010
Times Read: 907


But first, on earth as Vampire sent,

Thy corse shall from its tomb be rent:

Then ghastly haunt thy native place,

And suck the blood of all thy race:

There from thy daughter, sister, wife,

At midnight drain the stream of life;

Yet loathe the banquet

By which perforce

Must feed thy livid living corse:

Thy victims, ere they yet expire,

Shall know the demon for their sire,

As cursing thee, thou cursing them,

Thy flowers are wither'd on the stem...

Wet with thine own best blood shall drip

Thy gnashing tooth and haggard lip;

Then stalking to thy sullen grave,

Go--and with Gouls and Afrits rave;

Till these in horror shrink away

From spectre more accursed than they


COMMENTS

-



 

A Wicked Spider's Due

17:02 May 05 2010
Times Read: 909


Creeping and crawling, hairy and fat,

The spider sped cross the floor.

The spider was wicked

Without a doubt

Killing was all that it cared about

It wanted a victim;

It wanted blood;

It wanted to kill someone!





Sneaking and stalking, nasty and mean,

The spider spied its next victim.

The spider was awful,

That was for sure.

When it came to evil the spider was pure

It bit him hard;

It injected its venom;

It savored the pitch of the scream!





Grinning and gloating, victorious and gay,

The spider began to flee.

The spider was skilled.

The spider was fast.

It had killed so many in the past!

It had bit him so deep;

It had wounded so foul;

It enjoyed the taste of the blood!





Shaking and scurrying, nervous and scared,

The spider entered the hall.

The spider was foolish,

And coming unhinged

Because its victim wanted revenge.

It couldn't outrun him;

It couldn't escape;

It couldn't alter the hand of fate!





Spasming and suffering, wounded and twisted,

The spider was nearly dead.

The spider had lost,

Squashed under a shoe

At last the spider has paid its due.

It wouldn't go to heaven;

It wouldn't bite again.

For the spider, you see, this is the end.





By: Bobette Bryan



COMMENTS

-



 

Eternal Lovers

16:59 May 05 2010
Times Read: 910


Memories come sharply, strongly

Mingling with myth and lore,

You bow and sigh then call me, vowing,

“We are one forevermore.”





Roses gathered, gently, softly,

A shocking red against my grave.

You place them there, then whisper, sighing,

“We are one forevermore.”





Tear drops falling, quickly, briskly,

Forming streams of icy gray.

You say you love me, and I think, yearning,

We are one forevermore.





Gray mist rising, thickly, darkly,

Dancing around the man in black.

I circle you, and you hear me, crying,

“We are one forevermore.”





My form appearing, swiftly, vividly,

Pleasing you with my gown of white.

I stand beside you, and you smile, saying,

“We are one forevermore.”





Hand extended, lovingly, adoringly

Shuddering with expectant bliss,

You touch me, and we tremble, singing,

“We are one forevermore.”





In your arms, gladly, hotly,

Shocking emotion sears my soul.

We dance as specters watch us, humming,

They are one forevermore.





Daylight rising, brightly, quickly,

Fading black a call for sleep.

At your grave, I kiss you, swearing

We are one forevermore.





By: Bobette Bryan


COMMENTS

-



 

The Edge of Night

16:57 May 05 2010
Times Read: 911


There's a channel between us.

When the moon shines bright,

I can hear your footsteps

On the edge of night.

When you're near it seems like time

Has fallen deathly still,

Your shadow dancing on the wall,

Arriving with a chill.

And I know you're ever wandering,

A twilight place you roam,

Your spirit merely brushing

The place you once called home.

Sometimes in the night,

I can hear you sigh,

Or sense the plaintive echo

Of your lost soul's cry.

Your spirit is familiar;

I've come to know you well

Within these faded walls

Where you used to dwell.

And even though I feel a chill

When you pass my way,

I'd be quite content

If you'd like to stay.


COMMENTS

-



 

The Haunted Manor

16:52 May 05 2010
Times Read: 912


Dusty halls of maddened gloom

Thick in the air

Like Death’s perfume,

Shadows, black, and bilious cracks,

Sinking, slinking, and silently weeping;

An air of desolation and doom



Empty rooms of grim despair;

Silent and cold

December air.

Still and gray with hideous decay,

Moaning, groaning, and carefully honing,

Illusions of yesterday’s fare.





Musty trails of secret tales,

A place where death

And blackness dwells,

Old and Brown, mystery abounds,

Haunting, daunting, patiently waiting,

For newfound souls to steal.



COMMENTS

-



 

More info about the Bell Witch

16:47 May 05 2010
Times Read: 914


Americans have responded in droves to the lure of the paranormal by making both "The Sixth Sense" and "The Blair Witch Project" box office hits. "The Blair Witch Project" has even been the subject of debate about its authenticity, and as to whether it was modeled after similar productions in the past. As fascination with the paranormal increased with the proliferation of these films, interest in yet another story increased. This "other story" is that of the infamous "Bell Witch," which haunted a family in rural Tennessee during the early 1800s.



Unlike the two new fiction films, the story of the "Bell Witch" is corroborated by credible eyewitness accounts, sworn affidavits, and meticulously compiled manuscripts penned by those that lived during the period who experienced direct encounters with the "spirit." The area where the story took place was recently documented in a list of "America’s 10 Most Haunted Places," taking the number-one slot…the most haunted place in America today.





The Bell Family



In 1804, John Bell moved his family from Halifax County, North Carolina to the fertile Red River bottomland in Robertson County, Tennessee, settling in a community which later became known as Adams. John Bell purchased 320 acres of land and a large log and weatherboard house for his family. The Bells made many friends and quickly gained prominence in the community. Over the course of several years, Bell and his sons cleared a number of fields and created several orchards that still exist today.





First Signs of Trouble



One day in 1817, John Bell was walking in his corn field when he encountered a strange-looking animal sitting in the middle of a corn row. Shocked by the appearance of this animal with the body of a dog and the head of a rabbit, Bell shot at it several times but to no avail. The animal vanished, and Bell thought nothing more about it. That evening, the Bells began to hear what sounded like "beating" on the outside walls of their house.



These beating sounds continued for several nights, and the force and frequency seemed to increase each night. John Bell and his sons would often go outside with hopes of finding the culprit, but always returned empty-handed. These nightly noises continued, followed by more problems when the Bell children began waking up in the middle of the night frightened and complaining of noises that sounded like rats gnawing at the bottoms of their bedposts. The children also complained of having their bed covers pulled, and that their pillows were often jerked and tossed onto the floor.





The Encounters Intensify



As time went on, the Bells began to hear faint, whispering voices when other manifestations of this mysterious "spirit" took place. The voices were too weak to understand, but sometimes sounded as if they were the voice a feeble, old woman crying or singing hymns. The encounters escalated in frequency and intensity, and the Bells’ daughter, Betsey, experienced a series of brutal encounters with the "spirit." It pulled her hair and slapped her face repeatedly, leaving visible handprints on her face and body for days at a time. The experiences escalated to the point that the Bells had all they could take. It was time to share this "family trouble," as they called it, with people outside the family in hopes that someone could determine what was happening to them.



The Bells decided to tell their neighbor, James Johnson, about the encounters and to seek his guidance. Johnson and his wife spent the night at the Bell home, where they were subjected to terrifying noises, their bed covers being pulled, and several episodes of being physically beaten. Johnson finally sprang out of bed and exclaimed, "I ask you in the name of the Lord God, who are you and what do you want?" The "spirit" did not respond, and the remainder of the night was peaceful.





The Word Spreads



As word of the encounters spread throughout the community, so did the "spirit’s" antics. Over time, the "spirit’s" voice strengthened to the point that it was loud and understandable. The "spirit" was known to have sung hymns, quoted scripture, carried on intelligent conversations, and once even quoted word-for-word two ministers’ sermons that took place at exactly the same time but some thirteen miles apart.



In the 1815 Battle of New Orleans, both John Bell, Jr. and Jesse Bell fought under then General Andrew Jackson, and had developed a good rapport with him. In 1819, Jackson got word of the disturbances at the Bell home and decided to pay a personal visit. Jackson and his entourage consisting of several men and a large, covered wagon proceeded from Nashville to the Bell home. As Jackson’s entourage approached the Bell property, the wagon suddenly stopped. The horses, which were spooked, tried to pull as hard as they could, but the wagon would not move.



After several minutes of cursing and trying to get the wagon to move, Jackson exclaimed that it must have been the "witch." As soon as Jackson uttered these words, an unidentified female voice spoke, telling Jackson and his men that they could proceed and that "she" would see them again later that evening. The entourage was finally able to continue.



Jackson and John Bell had a long discussion about the Indians and other topics while Jackson’s men patiently waited to see if the "spirit" was going to manifest itself. One of the men in Jackson’s entourage claimed to be a "witch tamer." After several uneventful hours, this man decided to "call" the "spirit." He pulled out a shiny pistol and made his intent to kill the "spirit" known to all that were present. Almost immediately, the man began screaming and moving his body in many different directions. He said he was being stuck with pins and beaten severely. Nobody could see anything except his quick movements and the tears streaming down from his eyes. The man quickly ran out the door, and the "spirit" announced that there was yet one more "fraud" in Jackson’s party, and that he would be identified the following evening.



Terrified, Jackson’s men begged Jackson to leave the Bell farm. However, Jackson insisted on staying so that he could find out who the other "fraud" was. Jackson and his men finally went out to the field to sleep in their tents, and the men continued to beg and plead with Jackson to leave.



Jackson maintained the position that he wanted to know whom the other "fraud" in his party was. However, by mid-day the next day, Jackson and his men had already left the Bell farm and were seen going through Springfield.



Jackson, a hero in the Battle of New Orleans four years earlier, was quoted as having later said; "I’d rather fight the entire British Army than to deal with the Bell Witch." Jackson went on to become the President of the United States.





Kate Batts



Many people in the community believed the "spirit" was the doings of Kate Batts, a local eccentric who was often suspected of witchcraft and things having to do with the supernatural. On one occasion, the "spirit" exclaimed that it was "old Kate Batts’ witch, and would torment John Bell to his grave." However, the "spirit" claimed many other identities as well, so there is not real way to tell if Mrs. Batts was behind it or not. One popular myth states that Kate Batts had a legal dispute with John Bell, and vowed to get him even if it was from the grave. However, in actuality, the dispute was with a Benjamin Batts, who was not related to Kate Batts despite the fact they both lived in the same county. Kate Batts’ husband was Frederick Batts, and both of them outlived John Bell. After the "spirit" exclaimed that it was Kate Batts, many in the community, and even to this day, refer to the "spirit" simply as "Kate."





The Demise of John Bell



The "spirit" continued to express its dislike for "ol Jack Bell" and relentlessly vowed to torment him to his grave. As Bell’s health grew worse, the "spirit" would torture him more severely, sometimes removing his shoes from his feet and relentlessly slapping his face. Violent seizures would often befall Bell, followed by more taunting from the "spirit."



On the cold morning of December 20, 1820, after a long battle with a crippling nervous system disorder, John Bell breathed his final breath. Immediately after Bell’s death, the family found a small vial of unidentified liquid that Bell had partaken of the evening before his death. John Bell, Jr. gave some of the liquid to the family’s cat, and the cat died almost instantly. The "spirit" suddenly spoke up exclaiming, "I gave ol Jack a big dose of that last night, and that fixed him." John, Jr. quickly threw the vial into the fireplace, where it shot up the chimney in the form of a bright, blue flame. As family and friends began to leave John Bell’s burial site, the "spirit" laughed loudly and sang a cheerful song about a bottle of brandy.





Betsey Bell’s Courtship



Over a period, Betsey Bell, the only daughter still living at home, became romantically interested in Joshua Gardner, a young man who lived not far from her. With the blessings of their parents, they agreed to engagement. Nevertheless, despite their evident happiness, the "spirit" repeatedly told Betsey not to marry Joshua Gardner. It is interesting to note that their schoolteacher, Richard Powell, was noticeably interested in Betsey and wanted to marry her when she became older. Powell was believed to have been a student of the occult, and had been secretly married to a woman in nearby Nashville for some time. Betsey and Joshua could not go to the river, the field, or the cave to play, without the "spirit" following along and persistently taunting them. Betsey and Joshua’s patience finally reached critical mass, and on Easter Monday of 1821, Betsey met Joshua at a cave by the river and broke off their engagement. Later, in March of 1824, Betsey Bell married Richard Powell.





The Spirit Departs and Promises to Revisit



In the early spring of 1821, the "spirit" visited Lucy Bell and told her it would return in seven years for a visit. Seven years later, in 1828, the "spirit" returned as promised. Most of this visit centered on John Bell, Jr. The "spirit" discussed with him such things as the origin of life, Christianity, the need for a mass spiritual reawakening, and other in-depth topics. Of particular significance were the "spirit’s" predictions of the Civil War, World War I, the Great Depression, and World War II. John Bell, Jr., noted these conversations in meticulous detail in his manuscript, which the author has had the privilege of reading.



After three weeks, the "spirit" again bade farewell, promising to return to John Bell’s most direct descendant in 107 years. The year would have been 1935, and the closest direct descendant was Charles Bailey Bell, a physician in Nashville. Charles Bailey Bell himself wrote a book about the "Bell Witch," but it had been published prior 1935. No follow-up was published, and Bell died a few years later.





Manifestations of the "Spirit" in the Twentieth Century



Today, the "spirit" which haunted the Bell family nearly 200 years ago is believed by many to be the source of numerous manifestations in the area where the story took place. Some believe that when the "spirit" returned in 1935, it took residence in a cave on the old Bell property where John Bell’s children once played, and which was the site of many encounters with the "spirit." Sometimes, the faint sounds of people talking and children playing can be heard near the back of the cave. A picture recently taken of a sinkhole near the cave revealed rising ectoplasm in the shape of a face exhibiting pain.



Several years ago, one of John Bell’s descendants was rabbit hunting and shot a rabbit, which wandered into some dense brush. While searching, he felt a large rock underneath the brush where the rabbit had entered. The rock turned out to be a part of Joel Egbert Bell’s tombstone, and the rabbit was never found.



In the mid 1990’s, a picture was taken of a girl sitting on a rock outside the cave’s entrance. When the picture was developed, there appeared to be a man standing behind her. Upon expert examination, it was determined that the man-like image was not a double-exposure, but an entirely separate being. It has been said that if you visit the fields of the old Bell farm on dark, cold and rainy nights, you can sometimes see small lights, gliding over the fields and dancing in the dell.





Conclusion



The cause of the Bells’ torments nearly 200 years ago, and the periodic manifestations at present, has remained a mystery for generations. Numerous versions of the story, along with theories that purportedly explain the evil root cause of the manifestations, abound everywhere and vary from person to person. When trying to arrive at an explanation for this phenomenon, several angles can be taken, regardless of whether someone believes in the supernatural. Could what started out as a poltergeist have eventually grown into a larger, more sinister "spirit" because of the hundreds of Native American souls buried on the Bell property hundreds of years before? Could this have been an act with religious roots, carried out by several individuals such as ministers in the area, Mrs. Lucy Bell, and the two eldest Bell sons?



Whether one is a believer in the supernatural or not, there are possible theories; however, the questions of "who/what" and "why" will probably never be answered with any definitive accuracy. The literary world is full of countless "explanations" as to what the "Bell Witch" really was/is; and the ones that aren’t speculative are purely fictional from the outset in the absence of any real, hard evidence. The only constant is that there was a John Bell who lived in the area at the time, and that something was "wrong" on his family’s farm; and, there is still something wrong at the old Bell place today, nearly 200 years later.



COMMENTS

-



 

16:42 May 05 2010
Times Read: 917


Dark Spirit of the Desart Rude

That o'er this awful solitude,

Each tangled and untrodden wood,

Each dark and silent glen below,

Where sunlight's gleamings never glow,

Whilst jetty, musical and still,

In darkness speeds the mountain rill;

That o'er yon broken peaks sublime,

Wild shapes that mock the scythe of time,

And the pure Ellan's foamy course,

Wavest thy wand of magic force;

Art thou yon sooty and fearful fowl

That flaps its wing o'er the leafless oak

That o'er the dismal scene doth scowl

And mocketh music with its croak?

I've sought thee where day's beams decay

On the peak of the lonely hill,

I've sought thee where they melt away

By the wave of the pebbly rill;

I've strained to catch thy murky form

Bestride the rapid and gloomy storm;

Thy red and sullen eyeball's glare

Has shot, in a dream, thro' the midnight air

But never did thy shape express

Such an emphatic gloominess.

And where art thou, O thing of gloom? ...

On Nature's unreviving tomb

Where sapless, blasted and alone

She mourns her blooming centuries gone!--

From the fresh sod the Violets peep,

The buds have burst their frozen sleep,

Whilst every green and peopled tree

Is alive with Earth's sweet melody.

But thou alone art here,

Thou desolate Oak, whose scathed head

For ages has never trembled,

Whose giant trunk dead lichens bind

Moaningly sighing in the wind,

With huge loose rocks beneath thee spread,

Thou, Thou alone art here!

Remote from every living thing,

Tree, shrub or grass or flower,

Thou seemest of this spot the King

And with a regal power

Suck like that race all sap away

And yet upon the spoil decay.



By Percy Bysshe Shelley


COMMENTS

-



 

Banshee a messenger of death .....

16:32 May 05 2010
Times Read: 918


Traditionally, a banshee is a messenger of death who roams Ireland and nearby Islands…so if you’re traveling to those parts, and you hear a piteous moan late at night, beware, especially if you have an Irish heritage. According to legend, every Irish family has their very own banshee that warns them of an impending death.



But do banshee’s really exist or are they mere myth? Well people throughout history have sworn that they are real. Tales of banshees can be traced to the early eighth-century, and even today, belief in banshees is widespread in Ireland. In fact, some pictures were recently taken of a supposed "real" banshee, and I’ve added them to this webpage. However, the person who sent them to me wishes to remain anonymous, and whether they’re the real thing or not remains unknown.



But like in the pictures, the banshee has often been described as a small woman with long white, blond or auburn hair. Normally, she appears in the vicinity of the birthplace of the soon to be deceased. She’s generally seen in the common clothes of a country woman, usually white, but sometimes grey, brown or red.



According to legend, she’s often seen combing her hair as she laments, but truth be told, she’s heard more often than seen.



The wailing begins as she approaches the home of soon-to-be deceased, and generally occurs late in the evening or during the early morning.



Sometimes the banshee will even perch on a windowsill like a bird, where she’ll remain for several hours or even days—until death comes to call. Often, as the banshee escapes into the darkness witnesses have described a bird-like fluttering sound. Thus, many have thought of banshees as a birdlike creatures.



Of course the banshee also wails in other areas such as in the wood, rivers, and rock formations. In Waterford, Monaghan, and Carlow, there are wedge-shaped rocks which are referred to as "banshee's chairs."



The "bean-si" or Galic, "bean-sidhe" actually means, a female dweller of a sidhe, or fairy mound, which implies some sort of fairy being. However, the banshee is very different from what one might think of as a fairy and would more aptly be defined as a ghostly spirit. All alone and wary of human beings, the banshee searches endlessly for the next soul to pass into heaven. But in mythology, the banshee was linked to the fairies as being part of the mystical race Tuatha De'Dannan, which the fairies descended from.



It just shows that though the banshee is a commonly known figure, the familiar spectre remains steeped in mystery, and there are several theories to account for banshee sightings.



Some even speculate that the banshee is some type of a devil or demon-like creature who wails for the souls that are lost to her as they ascend to heaven. It has even been suggested that banshees are familial guardian angels or souls of unbaptized children or even the souls of women who committed the sin of pride in life.



Another outlandish theory is that banshee’s are the spirits of the "keeners," old women who were paid in drink to weep at the graveside of eminent figures in the community during earlier times. Though the Church didn’t approve of being associated with these women, the keener’s employment was necessary nevertheless, since a person’s status and respect was measured by how much the deceased was mourned after death.



It is thought that these keeners might have been so dutiful, that they followed the family they mourned for even after their own death.



But it’s important to remember that as fearful as the banshee is, she also has a good purpose—to assist the close family through the grieving process by allowing them to accept the upcoming death of a loved one.



Generally, the banshee is heard only by non-relatives and friends, not close family members of the dying. Even friends from a far could hear the dire mourn and could thus travel a great distance to support the family.



Some of the Irish families that emigrated to the USA, seem to have brought their family banshee along with them. However, for the most part, banshee sightings have been limited to Ireland where the banshee still grieves for the family member near the traditional family home even in that person’s absence.



The Irish aren’t the only ones who have these ghastly harbingers of death. In Scotland, the folks dreaded the feared "bean-nighe," a spectral washing woman, though to have died in childbirth. In death, the poor soul is often seen near bodies of water, washing the shrouds of those who are soon to die. Though, like the Irish banshee, the bean-nigh is a frightful apparition who sings sad dirges and wails hideously, it will also tell passersby who it’s waiting to take to the afterlife if questioned. However, like the banshee, it would be unwise to pester or bother the bean-nighe, and this would lead to horrible misfortune. Well, it they look anything like the spirit depicted in these pictures, who’d dare?



COMMENTS

-






COMPANY
REQUEST HELP
CONTACT US
SITEMAP
REPORT A BUG
UPDATES
LEGAL
TERMS OF SERVICE
PRIVACY POLICY
DMCA POLICY
REAL VAMPIRES LOVE VAMPIRE RAVE
© 2004 - 2024 Vampire Rave
All Rights Reserved.
Vampire Rave is a member of 
Page generated in 0.0841 seconds.
X
Username:

Password:
I agree to Vampire Rave's Privacy Policy.
I agree to Vampire Rave's Terms of Service.
I agree to Vampire Rave's DMCA Policy.
I agree to Vampire Rave's use of Cookies.
•  SIGN UP •  GET PASSWORD •  GET USERNAME  •
X