After the sequestered months in Texas with her dad and stepmom, Lydia was returning to New Mexico at the beginning of her fourteenth summer. In Texas, with its blanketing humidity and fungal prejudices, she stayed inside the house with its thermostat-controlled people. She stayed inside herself, too.
In New Mexico, she'd be in the mountains again, back home with her mom and brother and the unexpected little sister. Well, unexpected to her dad, since he wasn't the father --- wasn't even married to her mother anymore.
"Don't say anything to your father," her mother had warned. "I'll deal with him when you get here."
Her father loaded the Oldsmobile. Thin and dry, her stepmother gave her a bony goodbye hug. She had no scent and walked soundlessly. "It's for the best," she said. Her expression darkened. "Of course, I hate sending that check every month."
It took forever to get out of Texas. Lydia and her dad listened to country-western music and made a game of identifying road kill as they sped by doing 70.
Her father had flirty aquamarine eyes. "Why do all the country singers sound so sad?" Lydia asked his profile, hoping he'd turn and wink at her.
He was quiet for a moment, sucked his teeth.
" 'Cause they're singin' about love, sweetheart."
Love is sad, Lydia thought.
No, she corrected herself, studying his profile again. He thinks love is sad.
Appears in Lines of Velocity: Words That Move From WriteGirl (2008). This is a mentoring organization working with teenaged girls through their writing to keep them in school. It has the girls' writing, and a few things from the mentors, plus writing prompts. It's available through Amazon.com. Teachers and home schoolers and teenaged girls seem to enjoy it. I've changed my piece slightly from the published version. Always editing.
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